| Ferdinand David: Twenty
Four Etudes For The
Intermediate Violist:
Viola: Study Viola World
Twenty Four Etudes For The Intermediate Violist by Ferdinand David which test a...(+)
Twenty Four Etudes For The Intermediate Violist by Ferdinand David which test and develop bowing fingering and rhythmic technique.
15.20 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
|
| Ferdinand David: Konzert
(Konzertino op. 4) op. 4:
Bass Trombone:
Instrumental BTBN/PFA::Bass Trombone with Piano
Accompaniment [Sheet music] - Intermediate/advanced Zimmermann
Tiefe Ausgabe in B-Dur-Ferdinand David's Concerto In B Flat for Bass Trombone.
12.99 GBP - Sold by Musicroom UK |
|
| Concertino, Op. 12 (DAVID
FERDINAND) Bass Clarinet, Piano Metropolis Music Publishers
Par DAVID FERDINAND. Although Ferdinand David is mostly known as a composer for ...(+)
Par DAVID FERDINAND. Although Ferdinand David is mostly known as a composer for a couple of his instrumental works, namely a Concertino for Trombone, and this Concertino, Op. 12 for bassoon, perhaps he should be most well-known as the violinist who premiered the Violin Concerto of Felix Mendelssohn in 1845. He was appointed as concertmaster of the Gewandhaus Orchestra in Leipzig when Mendelssohn, a childhood friend, became the principal conductor in 1835. This Concertino for bassoon also exists in a version for viola, and now subsequently this edition for bass clarinet. It is a fun solo in two parts, first an aria-like melody, followed by a technical 'Presto agitato.' The key has been kept the same asthe original version, and although it is preferred to perform with an extended range instrument, indications are made for adapting it to a standard range bass clarinet. Although Ferdinand David is mostly known as a composer for a couple of his instrumental works, namely a Concertino for Trombone, and this Concertino, Op. 12 for bassoon, perhaps he should be most well-known as the violinist who premiered the Violin Concerto of Felix Mendelssohn in 1845. He was appointed as concertmaster of the Gewandhaus Orchestra in Leipzig when Mendelssohn, a childhood friend, became the principal conductor in 1835. This Concertino for bassoon also exists in a version for viola, and now subsequently this edition for bass clarinet. It is a fun solo in two parts, first an aria-like melody, followed by a technical 'Presto agitato.' The key has been kept the same asthe original version, and although it is preferred to perform with an extended range instrument, indications are made for adapting it to a standard range bass clarinet./ RĂ©pertoire / Clarinette Basse et Piano
29.66 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
|
| S. David: Concertino Es
Op.4: Trombone:
Instrumental Work Trombone and Piano Zimmermann
Ferdinand David's Concertino In Eb Op.4 for Trombone and Piano. Edited by Robert...(+)
Ferdinand David's Concertino In Eb Op.4 for Trombone and Piano. Edited by Robert Muller.
12.50 GBP - Sold by Musicroom UK |
|
| Mendelssohn F. -
Concerto In E Minor Op.64
(1844) - Violon and Piano Violin and Piano Barenreiter
Mendelssohn Bartholdy, Felix Konzert fĂŒr Violine und Orchester e-Moll op. 64 e...(+)
Mendelssohn Bartholdy, Felix Konzert fĂŒr Violine und Orchester e-Moll op. 64 erste Fassung 1844 Edition no.BA 9099-92 ISMN 9790006565733 Editor Todd, R. Larry / Brown, Clive Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the premiĂšre; the ?child prodigy? Joseph Joachim; and Hubert LĂ©onard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to LĂ©onard. The letter informs us that the composer invited LĂ©onard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to LĂ©onard. The recently discovered proofs reveal how LĂ©onard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how LĂ©onard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn?s approval. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. Mendelssohn is full of praise for LĂ©onard?s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)
30.10 EUR - Sold by Woodbrass Pre-shipment lead time: On order |
|
| Concerto For Violin And
Orchestra E Minor Op. 64
(MENDELSSOHN-BARTHOLDY
FELIX) Orchestra, Violin Barenreiter
E Minor Op. 64. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn?s Violin Concerto o...(+)
E Minor Op. 64. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the premiere - the ?child prodigy? Joseph Joachim - and Hubert Leonard, a young Belgian virtuoso about whom little is known.
As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Leonard.
The letter informs us that the composer invited Leonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David - now we know that he also gave some to Leonard.
The recently discovered proofs reveal how Leonard played the concerto with Mendelssohn on that memorable evening in February 1845. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance.
The editor of this revised edition of the Mendelssohn Violin Concerto, Clive Brown, is an acknowledged expert on Romantic performance practice.
This study score complements the full score and orchestral parts (BA 9099), the piano reduction of the 1844 version (BA 9099-92), the piano reduction of the 1845 version (BA 9099-90), as well as the brochure ?Performance Practices in the Violin Concerto op. 64 and Chamber Music for Strings of Felix Mendelssohn Bartholdy? (BA 9060)./ RĂ©pertoire / Violon et Orchestre
19.67 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
|
| Felix Mendelssohn
Bartholdy: Konzert In E:
Violin: Instrumental Work Violin Barenreiter
FĂŒr Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is...(+)
FĂŒr Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the premi?re; the ‘child prodigy’ Joseph Joachim; and Hubert L?onard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to L?onard.The letter informs us that the composer invited L?onard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to L?onard.The recently discovered proofs reveal how L?onard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how L?onard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for L?onard’s playing and offers to lend his support in finding employment in Germany.This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (BA9060) (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099)
26.00 GBP - Sold by Musicroom UK |
|
| Felix Mendelssohn
Bartholdy: Konzert In E -
Performing Edition:
Violin: Violin and Piano Barenreiter
FĂŒr Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is...(+)
FĂŒr Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the premi?re; the ‘child prodigy’ Joseph Joachim; and Hubert L?onard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to L?onard.The letter informs us that the composer invited L?onard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to L?onard.The recently discovered proofs reveal how L?onard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how L?onard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for L?onard’s playing and offers to lend his support in finding employment in Germany.This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (BA9060) (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099)
22.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
|
| Felix Mendelssohn
Bartholdy: Performance
Practices Barenreiter
In The Violin Concerto Op. 64 and Chamber Music For Strings-Mendelssohn’s ...(+)
In The Violin Concerto Op. 64 and Chamber Music For Strings-Mendelssohn’s Violin Concerto Op.64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the premiĂšre; the ‘child prodigy’ Joseph Joachim; and Hubert LĂ©onard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to LĂ©onard.The letter informs us that the composer invited LĂ©onard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to LĂ©onard.The recently discovered proofs reveal how LĂ©onard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how LĂ©onard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for LĂ©onard’s playing and offers to lend his support in finding employment in Germany.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099) available for sale- Parts of both early and late versions (BA9050) available for sale- Violin & Piano in the revised late (popular) version (BA9099-90)
16.50 GBP - Sold by Musicroom UK |
|
| Felix Mendelssohn
Bartholdy: Konzert FĂŒr
Violine und Orchestre:
Orchestra: Score Orchestra Barenreiter
E-moll Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 1...(+)
E-moll Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the premiĂšre; the ‘child prodigy’ Joseph Joachim; and Hubert LĂ©onard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to LĂ©onard.The letter informs us that the composer invited LĂ©onard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to LĂ©onard.The recently discovered proofs reveal how LĂ©onard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how LĂ©onard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for LĂ©onard’s playing and offers to lend his support in finding employment in Germany.This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (BA9060) (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099)
57.50 GBP - Sold by Musicroom UK |
|
| Mendelssohn F. -
Concerto In E Minor Op.64
(1845) - Violon and Piano Violin and Piano Barenreiter
Mendelssohn Bartholdy, Felix Konzert fĂŒr Violine und Orchester e-Moll op. 64 Z...(+)
Mendelssohn Bartholdy, Felix Konzert fĂŒr Violine und Orchester e-Moll op. 64 Zweite Fassung 1845 Edition no.BA 9099-90 ISMN 9790006564347 Editor Todd, R. Larry / Brown, Clive Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the premiĂšre; the ?child prodigy? Joseph Joachim; and Hubert LĂ©onard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to LĂ©onard. The letter informs us that the composer invited LĂ©onard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to LĂ©onard. The recently discovered proofs reveal how LĂ©onard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how LĂ©onard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn?s approval. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. Mendelssohn is full of praise for LĂ©onard?s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)
26.40 EUR - Sold by Woodbrass Pre-shipment lead time: On order |
|
| Tonleitern / Scales /
Gammes Vol. I: Violin Violin [Sheet music + CD] Dowani
The most useful book each contains 26 fairly simple scales, each presented as an...(+)
The most useful book each contains 26 fairly simple scales, each presented as an exercise with a second part to be played by the teacher, or the CD. The book introduces other aspects such as tonality, harmony and how scales are constructed to give the beginner an all round knowledge of how music is constructed. The three speed CD that is included with both these volumes contains the second part at different speeds so the pieces can be played at a tempo suitable to the level of the violinist. Both volumes also include stickers to be used when a particular scale has been mastered, making these suitable for the younger player. 1 Franz Wohlfahrt: Nr. 1 D-Dur 2 Ferdinand David: Nr. 2 A-Dur 3 Charles Dancla: Nr. 3 D-Dur 4 Heinrich Ernst Kayser: Nr. 4 G-Dur 5 Luigi Cherubini: Nr. 5 D-Dur 6 Otakar ?evcĂk: Nr. 6 G-Dur 7 Heinrich Ernst Kayser: Nr. 7 D-Dur 8 Charles-Auguste de BĂ©riot: Nr. 8 D-Dur 9 Charles-Auguste de BĂ©riot: Nr. 9 G-Dur 10 Franz Wohlfahrt: Nr. 10 G-Dur 11 Jean Pennequin: Nr. 11 D-Dur 12 Jacques-FĂ©rĂ©ol Mazas: Nr. 12 G-Dur 13 Jean Pennequin: Nr. 13 G-Dur 14 Charles Dancla: Nr. 14 G-Dur 15 Charles-Auguste de BĂ©riot: Nr. 15 E-Dur 16 Jacques-FĂ©rĂ©ol Mazas: Nr. 16 A-Dur 17 Jacques-FĂ©rĂ©ol Mazas: Nr. 17 E-Dur 18 Charles-Auguste de BĂ©riot: Nr. 18 A-Dur 19 Jacques-FĂ©rĂ©ol Mazas: Nr. 19 D-Dur 20 Luigi Cherubini: Nr. 20 A-Dur 21 Franz Wohlfahrt: Nr. 21 e-moll 22 Luigi Cherubini: Nr. 22 a-moll 23 Charles-Auguste de BĂ©riot: Nr. 23 e-moll 24 Franz Wohlfahrt: Nr. 24 A-Dur 25 Jacques-FĂ©rĂ©ol Mazas: Nr. 25 e-moll 26 Michel-Joseph Gebauer: Nr. 26 A-Dur
18.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
|
| The High School Of The
Violin Vol.4 Masters Music Publications
18th Century Sonatas for violin & piano Edited and arranged by Ferdinand David ...(+)
18th Century Sonatas for violin & piano Edited and arranged by Ferdinand David Tartini: Sonata in D Vitali: Ciaconna in G minor Locatelli: Sonata in G minor Geminiani: Sonata in C minor
24.02 EUR - Sold by Woodbrass Pre-shipment lead time: In Stock |
|
| Felix Mendelssohn
Bartholdy: Violin
Concerto In E Minor
Op.64: Violin: Violin and Piano Dover Publications
One of the most beloved concertos in the violin repertoire this piece features ...(+)
One of the most beloved concertos in the violin repertoire this piece features important formal innovations that place it on a par with the most significant works in the genre. Mendelssohn created the concerto specifically for Ferdinand David his close friend and concertmaster of the Leipzig Gewandhaus Orchestra for which the composer served as conductor. An instant success upon its 1845 premiere the concerto remains essential to the repertoire of every aspiring violin virtuoso.Edited by the distinguished teacher and performer Leopold Auer this authoritative practice and performance edition includes a 16-page insert of a separate removable violin part.Professional and amateur musicians alike will appreciate this durable yet inexpensive edition which features a sturdy binding that allows pages to remain open on music stands for years of use and enjoyment.Reprint of the Carl Fischer New York 1917 edition.
8.95 GBP - Sold by Musicroom UK Shipment: (stock) information on site |
|
| Felix Mendelssohn
Bartholdy: Violin
Concerto In E Minor
Op.64: Violin: Orchestra, Violin Simrock
On July 30 1838 Mendelssohn wrote to Ferdinand David his concertmaster at Lei...(+)
On July 30 1838 Mendelssohn wrote to Ferdinand David his concertmaster at Leipzig telling him that he would like to write a Violin Concerto for him: One in E minor goes through my head and the beginning will not leave me in peace. This Violin Concerto is now a pillar of the Violin repertoire and is commonly known as the Mendelssohn Concerto.
12.99 GBP - Sold by Musicroom UK |
|
| Franz Wohlfahrt: Sixty
Studies For The Violin:
Violin: Instrumental
Album Violin Dover Publications
A great way for beginning violinists to practice and build up their technique t...(+)
A great way for beginning violinists to practice and build up their technique this classic book of exercises has served generations of music students and their teachers. The studies provide practice in string crossing bow strokes shifting and finger patterns.A native and lifelong resident of Leipzig Germany Franz Wohlfahrt (1833–84) studied with one of the world's greatest violinists Ferdinand David. Wohlfahrt's Sixty Studies for the Violin  has remained a mainstay of the beginning violinist's education from the nineteenth century to today. The sixty etudes are divided into two volumes: Volume 1 focuses on studies in the firstposition and Volume 2 advances to third position employing more complex rhythms and bowings. Diligent practice of these studies will improve students' sight reading advance their rhythm skills and prepare them for a more difficult repertoire. Reprint of the G. Schirmer Inc. New York edition.
10.20 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
|
| Violin Concerto #1 In G
Minor Op. 26 Orchestre
(BRUCH MAX) Orchestra [Sheet music] Breitkopf & Härtel
Par BRUCH MAX. Thanks to the premiere performance by Joseph Joachim and to the r...(+)
Par BRUCH MAX. Thanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto #1 zipped onto the road to success and has never left it since. Yet from the preface of the 'BreitkopfUrtext' edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote '3, 4 development sections in the finale,' and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: 'Have I written nothing but this one concerto?'
The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work./ RĂ©pertoire / Orchestre
58.83 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
|
| Violin Concerto #1 In G
Minor Op. 26 Alto (BRUCH
MAX) Viola [Sheet music] Breitkopf & Härtel
Par BRUCH MAX. Thanks to the premiere performance by Joseph Joachim and to the r...(+)
Par BRUCH MAX. Thanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto #1 zipped onto the road to success and has never left it since. Yet from the preface of the 'BreitkopfUrtext' edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote '3, 4 development sections in the finale,' and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: 'Have I written nothing but this one concerto?'
The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work./ RĂ©pertoire / Alto
6.55 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
|
| Tomaso Antonio Vitali:
Ciaccona: Violin:
Instrumental Work Violin and Piano Schirmer
Arranged for Violin and Piano by Ferdinand David.
10.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
|
| Ludwig van Beethoven:
Cadenzas To Beethoven's
Violin Concerto Op.61:
Violin: Violin [Sheet music] Barenreiter
Beethoven himself left no cadenzas for his Violin Concerto. This edition is uniq...(+)
Beethoven himself left no cadenzas for his Violin Concerto. This edition is unique in drawing together for the first time a selection of cadenzas to one of the most famous works in the history of music written by composers and violinists over 150 years. This publication contains not only the well-known cadenzas by Leopold Auer and Joseph Joachim but also several which are seldom performed such as those by Ferdinand David (the first surviving cadenza to op. 61) Louis Spohr EugĂšne YsaĂże Camille Saint-SaĂ«ns Henri Vieuxtemps Jakob Dont and for the first time one by Henryk Wieniawski.Commentaries (German/English) on the composers and on performancepractice are included. The edition complements the new piano reduction BA901990 and will be invaluable for all violinists studying Beethoven’s Violin Concerto.- Indispensible for all violinists studying this masterpiece- First publication of a cadenza by Wieniawski- With notes on performance practice- With an informative detailed preface (Ger/Eng)- For full score performance material and violin & piano reduction see BA9019
24.50 GBP - Sold by Musicroom UK |
|
| Hector Berlioz: RĂȘverie
Et Caprice Score:
Orchestra: Score Orchestra, Violin [Sheet music] Barenreiter
Romance pour le violon-Die auf dem Material seiner Oper ?Benvenuto Cellini? basi...(+)
Romance pour le violon-Die auf dem Material seiner Oper ?Benvenuto Cellini? basierende ?RĂȘverie et caprice? von 1841 ist eines der populĂ€rsten Werke Berlioz? und wurde von den bedeutendsten Violinisten des 19. Jahrhunderts Ferdinand David Heinrich Wilhelm Ernst Henri Wienia
17.50 GBP - Sold by Musicroom UK |
|
| Franz Schubert: Three
Sonatinas Op. 137:
Violin: Instrumental
Album Violin and Piano - Intermediate/advanced Schirmer
Edited by Ferdinand David.
13.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
|
| Giovanni Battista Viotti:
Concerto No. 22 in A
Minor: Violin:
Instrumental Work Violin and Piano Schirmer
Composed by Giovanni Battista Viotti (1755-1824). Revised after the edition of F...(+)
Composed by Giovanni Battista Viotti (1755-1824). Revised after the edition of Ferdinand David by Henry Schradieck.
9.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
|
| David Grimes: Classical
Guitar Solos - Favorite
Sonatinas: Guitar Solo: Guitar Classical guitar Mel Bay
Classical Guitar Solos - Favorite Sonatinas. In this book, guitarist and music h...(+)
Classical Guitar Solos - Favorite Sonatinas. In this book, guitarist and music historian David Grimes presents 20 ?small sonatas? or sonatinas, complete with detailed performance notes and bio sketches of each of the contributing composers: Leonhard von Call, Matteo Carcassi, Ferdinando Carulli, Mauro Giuliani, Francesco Molino, and Antonio Nava. While flexible, the early 19th-century sonatina form usually consists of 2 - 4 contrasting movements, here in guitar-friendly keys, making these pieces ideal for performance by intermediate-level students. In all but the most challenging passages, Grimes has intentionally kept fingering to a minimum to allow students to form their own concept of this critical skill. Then, as many bass notes in these pieces are played on open strings, the player must develop a sense of when to selectively damp dissonant tones or observe a rest? exposing and overcoming yet another shortcoming in the education of many guitarists. Most classic guitar teachers are familiar with the easy didactic studies by Carcassi, Carulli and Giuliani; Favorite Sonatinas offers more highly developed, but not yet virtuoso pieces by the same Italian triumvirate? plus three more composers in a similar vein? promoting confident, enjoyable sight-reading by guitarists of all levels.
20.99 GBP - Sold by Musicroom UK |
|
| Théodore Lack: Tableaux
Enfantins: Piano:
Instrumental Tutor Piano solo Broekmans en Van Poppel
An Anlehnung von Ferdinand Davids Fassung fĂŒr 2 Violinen und Klavier ein gelung...(+)
An Anlehnung von Ferdinand Davids Fassung fĂŒr 2 Violinen und Klavier ein gelungener Versuch Mozarts VierhĂ€ndig-Sonate fĂŒr 2 Flöten und Klavier zu adaptieren. Lohnend.
8.40 GBP - Sold by Musicroom UK |
|
| Jazz Harmony Musical course - Solfege [Sheet music] Advance Music
' L'harmonie jazz est un ajout brillant dans le domaine de la théorie de jazz. ...(+)
' L'harmonie jazz est un ajout brillant dans le domaine de la thĂ©orie de jazz. Il est bien Ă©crit et magnifiquement organisĂ©e, et les informations qu'il contient soient throgoughly l'objet de recherches et authentiquement presentes. Je le recommande fortement ' David Bake-' si vous ĂȘtes un enseignant, un Ă©tudiant, un playre ou un auditeur qui veulent savoir ce qu'il faut Ă©couter dans un concert de jazz, Jazz harmonie de Andy Jaffe vous aidera Ă faire ce que vous faites le mieux. Check it out! ' Billy Taylor. En angalis. / ThĂ©orie SolfĂšge / Partition
49.14 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
|
| Concertino (DAVID
FERDINAND) Trombone et Brass Band [Sheet music] - Advanced Editions Marc Reift (Swiss import)
Par DAVID FERDINAND. / Niveau : Avancé / Répertoire / Trombone et Brass Band...(+)
Par DAVID FERDINAND. / Niveau : Avancé / Répertoire / Trombone et Brass Band
195.16 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
|
| Concertino (DAVID
FERDINAND) [Sheet music] - Advanced Editions Marc Reift (Swiss import)
Arrangeur: John Glenesk Mortimer. Par DAVID FERDINAND. / Niveau : AvancĂ© / RĂ...(+)
Arrangeur: John Glenesk Mortimer. Par DAVID FERDINAND. / Niveau : Avancé / Répertoire / Trombone et Orchestre à Vent
272.00 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 7-9 days |
|