| Euridice. Momenti dell’Umanesimo civile fiorentino Ut Orpheus
Books and Journals; Early Music SKU: UT.LB-7 Composed by Gaspare De Caro....(+)
Books and Journals; Early Music SKU: UT.LB-7 Composed by Gaspare De Caro. Hardback (Cloth Hard Cover with Jacket). Classical. Books and Journals; Early Music. Ut Orpheus #LB 7. Published by Ut Orpheus (UT.LB-7). ISBN 9788881094561. 6.5 x 9.5 inches. Proiezione in origine dei valori e dei miti di una tragica militanza ideologica, la nozione di Umanesimo civile l’idea di una epocale convergenza tra la mutazione culturale promossa dagli umanisti e i valori sociali e politici espressi dalle repubbliche cittadine del primo Rinascimento si carica volentieri di una responsabilità di paradigma metastorico che la critica ha persuasivamente contestato. D’altra parte la nozione non sembra sostenere nemmeno la più ristretta accezione di un’esperienza culturale unitaria, di «una maniera propria dell’Umanesimo fiorentino, diversa da quella degli altri gruppi umanistici», troppo profonde risultando le differenze, su aspetti ideologici fondamentali, tra i letterati fiorentini così evocati. Tuttavia il concetto di Umanesimo civile rimane storiograficamente rilevante, confermando l’insistenza di Hans Baron sulla peculiarità dell’esperienza fiorentina, se si limita a riassumere la convergenza tra la rivoluzione culturale e l’elaborazione politica di una specifica vicenda cittadina, protagonista il ceto che in risposta alla rivolta dei Ciompi diede vita alla repubblica oligarchica, a sua volta infine esautorato dall’egemonia medicea. Un primo risultato di questa constatazione è una più incisiva inclusione del movimento artistico nella dimensione dell’Umanesimo civile, non in un ruolo collaterale e subalterno rispetto ai letterati, ma in quello di protagonista, di inoltrato avamposto di una nuova forma mentis, di una aurorale nuova coscienza filosofica e scientifica: un risultato che mette in discussione anche tradizionali convinzioni sulla radicale inettitudine dell’Umanesimo alla scienza. Secondo, cospicuo esito di una più puntuale definizione sociologica, la nozione proposta da Baron e dalla sua scuola non esaurisce con la caduta della repubblica oligarchica la sua pertinenza alle convinzioni e ai comportamenti del patriziato, il quale in effetti continuò largamente e a lungo a coltivare l’immagine di sé creata dall’Umanesimo civile, sebbene ormai non come orgogliosa affermazione del proprio potere, ma come difesa della propria identità sociale e di residue prerogative politiche. In realtà, assai più che non risulti ad una omogeneizzante «storiografia della decadenza», un inconciliabile conflitto di culture percorre il Rinascimento fiorentino in tutta la sua durata, investendo gli orientamenti filosofici, le concezioni artistiche e letterarie, intrecciandosi con le convulsioni politiche della città e con la tragedia della restaurazione confessionale. È appunto in tale intreccio che si possono cogliere, sino a fine Cinquecento, le ultime risonanze dell’Umanesimo civile. È sembrato importante richiamare l’attenzione da questo punto di vista su personaggi, circostanze ed episodi storiograficamente noti per altri versi: sul magistero intellettuale di Piero Vettori, nella politica culturale del principato mediceo rimasto un corpo estraneo, una testimonianza di valori della tradizione fiorentina mortificati dall’assolutismo e dall’omologazione confessionale; su un aristotelismo umanistico e laico chiamato a fronteggiare il neoplatonismo di regime e a fecondare in termini ideologicamente non neutrali i dibattiti sulla Poetica e sulla teoria musicale; sull’Accademia degli Alterati, luogo di culto di memorie repubblicane e, in qualche momento, sospettabile punto di incontro del dissenso politico. È sembrato infine che la nozione di Umanesimo civile potesse plausibilmente e fecondamente raccordare l’invenzione del melodramma L’Euridice di Peri, Rinuccini e Corsi per le nozze di Enrico IV e Maria de’ Medici alle tradizioni culturali, agli interessi sociali, ai sentimenti e progetti politici coltivati dai suoi promotori, Florentini cives non rassegnati alla subalternità e all’alluvione antiumanistica. $46.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Fiorentino Ciro Tangos For Classical Guitar Gtr Book/cd Guitar Carisch Edition
Guitar SKU: HL.14046846 Composed by Ciro Fiorentino. CARISCH - MUSIC SALE...(+)
Guitar SKU: HL.14046846 Composed by Ciro Fiorentino. CARISCH - MUSIC SALES. Latin. General Merchandise. Carisch Edition #ML2738. Published by Carisch Edition (HL.14046846). ISBN 9788850712281. By Ciro Fiorentino. Learn and play 18 tangos arranged 1 or 2 classical guitars. $25.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Fiorentino Umberto La Chitarra Jazz Guitar Book/cd Italian Guitar Carisch Edition
Guitar SKU: HL.14046656 Cio' Che Serve Per Studiare E Insegnare. C...(+)
Guitar SKU: HL.14046656 Cio' Che Serve Per Studiare E Insegnare. Composed by Umberto Fiorentino. CARISCH - MUSIC SALES. Tuition. General Merchandise. Carisch Edition #ML2424. Published by Carisch Edition (HL.14046656). ISBN 9788850705757. An important book for studying or teaching Jazz Guitar, Umberto Fiorentino's La Chitarra Jazz takes the reader from theory, scales and intervals, through to practical exercises by way of valuable advice and helpful diagrams. Includes an accompanying CD. $32.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Classical Duets Volume 2 (arr Fiorentino Ciro) Flute & Guitar Book/cd Flute and Guitar Carisch Edition
Flute and Guitar SKU: HL.14047521 Composed by Ciro Fiorentino. CARISCH - ...(+)
Flute and Guitar SKU: HL.14047521 Composed by Ciro Fiorentino. CARISCH - MUSIC SALES. Classical. General Merchandise. Carisch Edition #ML3590. Published by Carisch Edition (HL.14047521). ISBN 9788850726059. Flute solo and guitar solo are splitted on L/R channels on CD tracks. $25.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Classical Duets Volume 1 (arr Fiorentino Ciro) Flute & Guitar Book/cd Flute and Guitar Carisch Edition
Flute and Guitar SKU: HL.14047520 Composed by Ciro Fiorentino. CARISCH - ...(+)
Flute and Guitar SKU: HL.14047520 Composed by Ciro Fiorentino. CARISCH - MUSIC SALES. Classical. General Merchandise. Carisch Edition #ML3589. Published by Carisch Edition (HL.14047520). ISBN 9788850726042. Flute solo and guitar solo are splitted on L/R channels on CD tracks. $25.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Fiorentino Ciro Christmas For Classical Guitar Gtr Book/cd Guitar Carisch Edition
Guitar SKU: HL.14047398 Composed by Ciro Fiorentino. CARISCH - MUSIC SALE...(+)
Guitar SKU: HL.14047398 Composed by Ciro Fiorentino. CARISCH - MUSIC SALES. General Merchandise. Carisch Edition #ML3438. Published by Carisch Edition (HL.14047398). ISBN 9788850724222. $25.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Fiorentino Ciro Easy Classical Themes For Classical Guitar Gtr Book/cd Guitar Carisch Edition
Guitar SKU: HL.14047338 Composed by Ciro Fiorentino. CARISCH - MUSIC SALE...(+)
Guitar SKU: HL.14047338 Composed by Ciro Fiorentino. CARISCH - MUSIC SALES. Classical. General Merchandise. Carisch Edition #ML3367. Published by Carisch Edition (HL.14047338). ISBN 9788850720804. Easy Classical Themes for Classical Guitar by Antonio Ongarello. $25.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| School Ensemble Christmas Album (fiorentino Ciro) 4 Guitars Book/cd 4 Guitars (Quartet) Carisch Edition
4 Guitars SKU: HL.14047611 Composed by Ciro Fiorentino. CARISCH - MUSIC S...(+)
4 Guitars SKU: HL.14047611 Composed by Ciro Fiorentino. CARISCH - MUSIC SALES. General Merchandise. Carisch Edition #ML3692. Published by Carisch Edition (HL.14047611). ISBN 9788850727575. $27.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Freundinnen - Intermediate Schott
Female choir (SMezA) (SSA Choir) - intermediate SKU: HL.49013630 3. Fr...(+)
Female choir (SMezA) (SSA Choir) - intermediate SKU: HL.49013630 3. Freundinnen Zottelbar, Herkules, Sonnyboy, ahoi!. Boogie. Composed by Hilger Schallehn. This edition: Saddle stitching. Sheet music. Schott Chorverlag (Choral Music). Classical. Choral Score. 8 pages. Duration 1' 30''. Schott Music #C 45628. Published by Schott Music (HL.49013630). ISBN 9790001015097. 7.5x11.0x0.04 inches. German. $4.50 - See more - Buy online | | |
| Fiorentino Ciro Baroque Album For 4 Guitars 4gtr Book/cdrom Italian Carisch Edition
Guitar [Quartet].. SKU: HL.14047378 Arranged by Ciro Fiorentino. CARISCH ...(+)
Guitar [Quartet].. SKU: HL.14047378 Arranged by Ciro Fiorentino. CARISCH - MUSIC SALES. General Merchandise. Carisch Edition #ML3416. Published by Carisch Edition (HL.14047378). ISBN 9788850723973. Italian. $27.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Frontini Francesco Paolo Petit Montagnard Chansonnette Piano Book Piano solo Carisch
Piano SKU: HL.14046257 Composed by F.P. Frontini. CARISCH - MUSIC SALES. ...(+)
Piano SKU: HL.14046257 Composed by F.P. Frontini. CARISCH - MUSIC SALES. Classical. General Merchandise. Carisch Edition #MK683. Published by Carisch Edition (HL.14046257). ISBN 9788872075906. Italian. $5.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| School Ensemble Romantic Album (arr Fiorentino Ciro) 4 Guitars Book/cd 4 Guitars (Quartet) Carisch Edition
4 Guitars SKU: HL.14047555 Composed by Ciro Fiorentino. CARISCH - MUSIC S...(+)
4 Guitars SKU: HL.14047555 Composed by Ciro Fiorentino. CARISCH - MUSIC SALES. Pop & Rock. General Merchandise. Carisch Edition #ML3631. Published by Carisch Edition (HL.14047555). ISBN 9788850726585. $27.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Verbum Caro Carl Fischer
Choral TBB chorus SKU: CF.CM9588 Composed by Tomas Luis de Victoria. Arra...(+)
Choral TBB chorus SKU: CF.CM9588 Composed by Tomas Luis de Victoria. Arranged by Jeb Mueller. Fold. Performance Score. 8 pages. Duration 1 minute, 59 seconds. Carl Fischer Music #CM9588. Published by Carl Fischer Music (CF.CM9588). ISBN 9781491154106. UPC: 680160912605. 6.875 x 10.5 inches. Key: Eb major. Latin. Traditional Latin. Tomas Luis de Victoria (15481611) is widely considered the greatest Spanish Renaissance composer and one of the most influential musicians of his time. Included in his oeuvre are two settings of the Pange lingua, both produced in 1581. This motet is excerpted from the first of those and incorporates the original Roman melody, or cantus firmus. (He composed his second Pange lingua based on a Spanish melody.) The baritones anchor the motet by singing the tune in augmentation. This line should be intoned with a flowing, legato articulation that incorporates subtle phrasing and text stresses. The more rhythmic tenor and bass lines complement the melody and illustrate the hopeful nature of its text. Singing this piece with two pulses per measure will encourage a steady and vital performance. Composers provided minimal performance details in their scores during this period in music history, so I added a time signature, bar lines, dynamics, and metronome markings in order to facilitate performances that musicologists believe mimic those of Victorias time. It should be noted that dynamics are largely subjective, so performers may make alternative choices. Each tenuto indicates word stress; the most musical performances will incorporate gentle crescendos and decrescendos before and after each of them. Lastly, using minimal vibrato, especially at cadences, will imbue this wonderful motet with style and clarity. PRONUNCIATION GUIDE Victoria received much of his training in Italy, therefore making Italianate Latin most appropriate. Pure vowels are critical to correct pronunciation, and those phonemes remain constant without exceptions. The most problematic of the vowels is o, which sounds similar to the English words bought and got. The letter t should be produced dentally: lift the tongue to the top of the mouth as in English, but aspirate less on the release. All occurrences of s should be soft and never hardened to [z], such as in praise. Verbum caro, panem verum, [v??bum k??? p?n?m v?rum] verbo carnem efficit: fitque sanguis Christi merum. [v??b? k??n?m ??fit?it fitkw? s??gwis k?isti m??um] Et si sensus deficit, ad firmandum cor sin cerum. [?t si s?nsus ?d?fit?it, ?d fi??m?ndum k?? sin t???um] Jeb Mueller. TomA!s Luis de Victoria (1548a1611) is widely considered the greatest Spanish Renaissance composer and one of the most influential musicians of his time. Included in his oeuvre are two settings of the Pange lingua, both produced in 1581. This motet is excerpted from the first of those and incorporates the original Roman melody, or cantus firmus. (He composed his second Pange lingua based on a Spanish melody.) The baritones anchor the motet by singing the tune in augmentation. This line should be intoned with a flowing, legato articulation that incorporates subtle phrasing and text stresses. The more rhythmic tenor and bass lines complement the melody and illustrate the hopeful nature of its text. Singing this piece with two pulses per measure will encourage a steady and vital performance. Composers provided minimal performance details in their scores during this period in music history, so I added a time signature, bar lines, dynamics, and metronome markings in order to facilitate performances that musicologists believe mimic those of Victoriaas time. It should be noted that dynamics are largely subjective, so performers may make alternative choices. Each tenuto indicates word stress; the most musical performances will incorporate gentle crescendos and decrescendos before and after each of them. Lastly, using minimal vibrato, especially at cadences, will imbue this wonderful motet with style and clarity. PRONUNCIATION GUIDE Victoria received much of his training in Italy, therefore making Italianate Latin most appropriate. Pure vowels are critical to correct pronunciation, and those phonemes remain constant without exceptions. The most problematic of the vowels is ao,a which sounds similar to the English words bought and got. The letter ata should be produced dentally: lift the tongue to the top of the mouth as in English, but aspirate less on the release. All occurrences of asa should be soft and never hardened to [z], such as in praise. Verbum caro, panem verum, [vEE 3/4 bum kEE 3/4 E pEnEm vErum] verbo carnem efficit: fitque sanguis Christi merum. [vEE 3/4 bE kEE 3/4 nEm EEfitEit fitkwE sEAgwis kE 3/4 isti mEE 3/4 um] Et si sensus deficit, ad firmandum cor sin cerum. [Et si sEnsus EdEfitEit, Ed fiE 3/4 EmEndum kEE 3/4 sin tEEE 3/4 um] Jeb Mueller. Tomas Luis de Victoria (1548-1611) is widely considered the greatest Spanish Renaissance composer and one of the most influential musicians of his time. Included in his oeuvre are two settings of the Pange lingua, both produced in 1581. This motet is excerpted from the first of those and incorporates the original Roman melody, or cantus firmus. (He composed his second Pange lingua based on a Spanish melody.) The baritones anchor the motet by singing the tune in augmentation. This line should be intoned with a flowing, legato articulation that incorporates subtle phrasing and text stresses. The more rhythmic tenor and bass lines complement the melody and illustrate the hopeful nature of its text. Singing this piece with two pulses per measure will encourage a steady and vital performance. Composers provided minimal performance details in their scores during this period in music history, so I added a time signature, bar lines, dynamics, and metronome markings in order to facilitate performances that musicologists believe mimic those of Victoria's time. It should be noted that dynamics are largely subjective, so performers may make alternative choices. Each tenuto indicates word stress; the most musical performances will incorporate gentle crescendos and decrescendos before and after each of them. Lastly, using minimal vibrato, especially at cadences, will imbue this wonderful motet with style and clarity. PRONUNCIATION GUIDE Victoria received much of his training in Italy, therefore making Italianate Latin most appropriate. Pure vowels are critical to correct pronunciation, and those phonemes remain constant without exceptions. The most problematic of the vowels is o, which sounds similar to the English words bought and got. The letter t should be produced dentally: lift the tongue to the top of the mouth as in English, but aspirate less on the release. All occurrences of s should be soft and never hardened to [z], such as in praise. Verbum caro, panem verum, [verbum karo panem verum] verbo carnem efficit: fitque sanguis Christi merum. [verbo karnem 'efitSit fitkwe saNGgwis kristi merum] Et si sensus deficit, ad firmandum cor sin cerum. [et si sensus 'defitSit, ad fir'mandum kor sin tSerum] Jeb Mueller. Tomas Luis de Victoria (1548-1611) is widely considered the greatest Spanish Renaissance composer and one of the most influential musicians of his time. Included in his oeuvre are two settings of the Pange lingua, both produced in 1581. This motet is excerpted from the first of those and incorporates the original Roman melody, or cantus firmus. (He composed his second Pange lingua based on a Spanish melody.) The baritones anchor the motet by singing the tune in augmentation. This line should be intoned with a flowing, legato articulation that incorporates subtle phrasing and text stresses. The more rhythmic tenor and bass lines complement the melody and illustrate the hopeful nature of its text. Singing this piece with two pulses per measure will encourage a steady and vital performance. Composers provided minimal performance details in their scores during this period in music history, so I added a time signature, bar lines, dynamics, and metronome markings in order to facilitate performances that musicologists believe mimic those of Victoria's time. It should be noted that dynamics are largely subjective, so performers may make alternative choices. Each tenuto indicates word stress; the most musical performances will incorporate gentle crescendos and decrescendos before and after each of them. Lastly, using minimal vibrato, especially at cadences, will imbue this wonderful motet with style and clarity. PRONUNCIATION GUIDE Victoria received much of his training in Italy, therefore making Italianate Latin most appropriate. Pure vowels are critical to correct pronunciation, and those phonemes remain constant without exceptions. The most problematic of the vowels is o, which sounds similar to the English words bought and got. The letter t should be produced dentally: lift the tongue to the top of the mouth as in English, but aspirate less on the release. All occurrences of s should be soft and never hardened to [z], such as in praise. Verbum caro, panem verum, [verbum karo panem verum] verbo carnem efficit: fitque sanguis Christi merum. [verbo karnem 'efitSit fitkwe saNGgwis kristi merum] Et si sensus deficit, ad firmandum cor sin cerum. [et si sensus 'defitSit, ad fir'mandum kor sin tSerum] Jeb Mueller. Tomas Luis de Victoria (1548-1611) is widely considered the greatest Spanish Renaissance composer and one of the most influential musicians of his time. Included in his oeuvre are two settings of the Pange lingua, both produced in 1581. This motet is excerpted from Pange lingua more hisapano. The baritones anchor the motet by singing the tune in augmentation. This line should be intoned with a flowing, legato articulation that incorporates subtle phrasing and text stresses. The more rhythmic tenor and bass lines complement the melody and illustrate the hopeful nature of its text. Singing this piece with two pulses per measure will encourage a steady and vital performance. Composers provided minimal performance details in their scores during this period in music history, so I added a time signature, bar lines, dynamics, and metronome markings in order to facilitate performances that musicologists believe mimic those of Victoria's time. It should be noted that dynamics are largely subjective, so performers may make alternative choices. Each tenuto indicates word stress; the most musical performances will incorporate gentle crescendos and decrescendos before and after each of them. Lastly, using minimal vibrato, especially at cadences, will imbue this wonderful motet with style and clarity. PRONUNCIATION GUIDE Victoria received much of his training in Italy, therefore making Italianate Latin most appropriate. Pure vowels are critical to correct pronunciation, and those phonemes remain constant without exceptions. The most problematic of the vowels is o, which sounds similar to the English words bought and got. The letter t should be produced dentally: lift the tongue to the top of the mouth as in English, but aspirate less on the release. All occurrences of s should be soft and never hardened to [z], such as in praise. Verbum caro, panem verum, [verbum karo panem verum] verbo carnem efficit: fitque sanguis Christi merum. [verbo karnem 'efitSit fitkwe saNGgwis kristi merum] Et si sensus deficit, ad firmandum cor sin cerum. [et si sensus 'defitSit, ad fir'mandum kor sin tSerum] Jeb Mueller. Tomás Luis de Victoria (1548–1611) is widely considered the greatest Spanish Renaissance composer and one of the most influential musicians of his time. Included in his oeuvre are two settings of the Pange lingua, both produced in 1581. This motet is excerpted from Pange lingua more hisapano.The baritones anchor the motet by singing the tune in augmentation. This line should be intoned with a flowing, legato articulation that incorporates subtle phrasing and text stresses. The more rhythmic tenor and bass lines complement the melody and illustrate the hopeful nature of its text. Singing this piece with two pulses per measure will encourage a steady and vital performance.Composers provided minimal performance details in their scores during this period in music history, so I added a time signature, bar lines, dynamics, and metronome markings in order to facilitate performances that musicologists believe mimic those of Victoria’s time. It should be noted that dynamics are largely subjective, so performers may make alternative choices. Each tenuto indicates word stress; the most musical performances will incorporate gentle crescendos and decrescendos before and after each of them. Lastly, using minimal vibrato, especially at cadences, will imbue this wonderful motet with style and clarity.PRONUNCIATION GUIDEVictoria received much of his training in Italy, therefore making Italianate Latin most appropriate. Pure vowels are critical to correct pronunciation, and those phonemes remain constant without exceptions. The most problematic of the vowels is “o,” which sounds similar to the English words bought and got. The letter “t” should be produced dentally: lift the tongue to the top of the mouth as in English, but aspirate less on the release. All occurrences of “s” should be soft and never hardened to [z], such as in praise.Verbum caro, panem verum,[vɛɾbum kɑɾɔ pɑnɛm vɛrum]verbo carnem efficit: fitque sanguis Christi merum.[vɛɾbɔ kɑɾnɛm ˈɛfitʃit fitkwɛ sɑŋgwis kɾisti mɛɾum]Et si sensus deficit, ad firmandum cor sin cerum.[ɛt si sɛnsus ˈdɛfitʃit, ɑd fiɾˈmɑndum kɔɾ sin tʃɛɾum]Jeb Mueller. $2.25 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Lieder High voice, Piano [Sheet music] Barenreiter
Lieder (for high and medium voice and piano). By Felix Bartholdy Mendelssohn (18...(+)
Lieder (for high and medium voice and piano). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Eugene Asti. For high voice/medium voice/piano. This edition: Paperback, Urtext edition. Vocal score, Anthology. 154 pages. Published by Baerenreiter Verlag
$72.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Late Romatic German Lieder (Version 2.0)
Voice solo [CD Sheet Music] Subito Music
By German. For Vocal. (Voice). CD Sheet Music (Version 2.0). PDF file on CD. 170...(+)
By German. For Vocal. (Voice). CD Sheet Music (Version 2.0). PDF file on CD. 1700 pages. Published by Subito Music.
(3)$19.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| Jazzszene Frankfurt Schott
SKU: HL.49007434 Eine musiksoziologische Untersuchung zur Situation an...(+)
SKU: HL.49007434 Eine musiksoziologische Untersuchung zur Situation anfangs der achtziger Jahre. Composed by Werner Schwö and rer. Edited by Ekkehard Jost. This edition: Hardback/Hard Cover. Book. Edition Schott. Classical. 253 pages. Schott Music #ED 7667. Published by Schott Music (HL.49007434). ISBN 9783795718510. German. $55.95 - See more - Buy online | | |
| Mario Castelnuovo-Tedesco nel carteggio con Gangi e Carfagna (1954-1968) Ut Orpheus
Books and Journals; Guitar SKU: UT.LB-27 Composed by Carlo Carfagna / Mar...(+)
Books and Journals; Guitar SKU: UT.LB-27 Composed by Carlo Carfagna / Marco Del Greco. Paperback (Soft Cover). Classical. Books and Journals. Ut Orpheus #LB 27. Published by Ut Orpheus (UT.LB-27). ISBN 9788881094974. 5.51 x 8.26 inches. La pubblicazione di questo doppio carteggio trova la sua ragion d’essere nel voler rappresentare il grande interesse di Mario Castelnuovo-Tedesco verso il mondo della chitarra, così come si presentava negli anni ’50 e ’60 del secolo scorso. Esso si articola in due sezioni: la prima comprende nove lettere a Mario Gangi e la seconda altrettante a Carlo Carfagna, integrate dalla riedizione della serie di scritti commemorativi apparsi su Chitarra e Musica (supplemento mensile della rivista Strumenti e Musica) subito dopo la morte del Maestro, avvenuta il 16 marzo 1968. L’arco temporale di tale corrispondenza copre quattordici anni; dall’aprile 1954 al luglio 1965 quella di Mario Gangi e dal luglio 1964 al gennaio 1968 quella di Carlo Carfagna. La maggior parte delle lettere sono spedite dalla residenza statunitense di Castelnuovo-Tedesco a Beverly Hills, due dalla sua casa fiorentina di via dei Bardi. Dagli scritti di Castelnuovo-Tedesco emerge l’aspetto professionale, mai autocelebrativo, in cui egli elenca affettuosamente la quasi totalità delle sue opere per chitarra. Contemporaneamente, ci fornisce uno spaccato del mondo musicale e chitarristico di quel periodo, senza risparmiare maliziose osservazioni su Stravinsky e Segovia. D’altro canto ne fanno da contrappunto gli aspetti umani e personali, dove addirittura egli si lascia andare all’autoironia e alla manifestazione delle proprie intime emozioni. Fa parte del carteggio con il giovane Carfagna anche la celebre prefazione al Profilo Storico della Chitarra, in cui il Maestro fiorentino ha lasciato intendere gran parte della propria poetica chitarristica. Brevi ma esaurienti annotazioni accompagnano il lettore. $18.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Orion Marching band De Haske Publications
Fanfare Band - Grade 2.5 SKU: BT.DHP-1002341-020 Slow March. Compo...(+)
Fanfare Band - Grade 2.5 SKU: BT.DHP-1002341-020 Slow March. Composed by Jan Van der Roost. Brilliant Marches. March. Set (Score & Parts). Composed 2000. De Haske Publications #DHP 1002341-020. Published by De Haske Publications (BT.DHP-1002341-020). There are all sorts of marches: fast and slow, solemn and energetic, military and civil, procession and funeral. Orion is a so-called ‘slow march’. However the moderate tempo does not make a passive or heavy impression. On the contrary, this march contains natural optimism and spontaneity. The persistant ‘pulse’ gives this majestic march a noble character
Orion ist zwar ein langsamer Marsch, sein getragenes Tempo wirkt aber keineswegs passiv oder schwerfällig, vielmehr strahlt er natürlichen Optimismus und Spontaneität aus. Die eher einfach gehaltene Komposition ist vielseitig einsetzbar und soinstrumentiert, dass sie auch von kleineren Formationen ohne nennenswerte Veränderung im Gesamtklang gespielt werden kann. Der fast durchgehend rhythmische Puls des Schlagzeugs verleiht dem majestätischen Marsch das gewisse Etwas.
Orion est une marche lente qui se distingue par son caractère optimiste et sa fraîcheur. Cette marche de concert, techniquement peu exigeante, est accessible un grand nombre de formations. Le choix de l’instrumentation permet également aux petits ensembles de l’interpréter avec un rendu tout aussi homogène. La pulsation rythmique presque continue de la percussion donne cette marche majestueuse un caractère noble. $119.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| German Lieder CD Sheet Music
Medium/Low Voice, Part 1 SKU: SU.00220539 For Medium/Low Voice, Part 1...(+)
Medium/Low Voice, Part 1 SKU: SU.00220539 For Medium/Low Voice, Part 1. Vocal, Solo Voice. CD (PDF Scores). CD Sheet Music #00220539. Published by CD Sheet Music (SU.00220539). This CD Sheet Music™ collection brings together over 500 songs and song cycles (in original keys) by six major composers from the late 19th and early 20th centuries: Gustav Mahler, Richard Strauss, Richard Wagner, Hugo Wolf, Arnold Schoenberg, and Anton Webern. Mahler:: Lieder eines fahrenden Gesellen; Des Knaben Wunderhorn; Das Lied von der Erde, Parts 1 & 2 (arranged for piano & voice by the composer); Rückert Lieder, Kindertotenlieder, Parts 1 & 2 Schoenberg: : Two Songs, Op. 1; Four Songs, Op. 2; Six Songs, Op. 3; Eight Songs, Op. 6; Six Orchestral Songs, Op. 8 (arr. by Webern); Two Ballads, Op. 12; Two Songs, Op. 14; Das Buch der Hängenden Gärten, Op. 15; Four Songs from Gurrelieder (arr. by Berg) Strauss: 8 Songs from Letzte Blätter; Op. 10; 6 Songs from Lotosblätter, Op. 19; 5 Poems, Schlichte Weisen, Op. 21; 4 Poems, Mädchenblumen, Op. 22; Krämerspiel, Op. 66 (12 Songs of Alfred Kerr) ; 3 Hymns, Op. 71; plus Songs, Op. 15; 17; 26; 27; 29; 31; 32; 33, 36, 37, 39, 41, 43, 44, 46, 47, 48, 49, 51, 56, 67, 68, 69. 71 Wagner: Trois Mélodies; 7 Compositions from Faust; Fünf Gedichte für eine Frauenstimme (Wesendonk Lieder) Webern: 5 Songs from Der siebente Ring, Op. 3 Wolf: 7 Heine Songs; 6 Songs for Female Voice; 6 Songs by Various Poets; Mörike Songs, Parts 1-4; Eichendorff Songs, Parts 1 & 2; Goethe Songs, Parts 1-5; Spanish Songbook (Part 1, Spiritual Songs, Part 2, Worldly Songs) ; Old Melodies: 6 Songs; Italian Songbook, Books I & II; Reinick Songs; 4 Songs; Michelangelo Songs Added features: alphabetical indexes for searching by title, first line or poet Also includes: composer biographies and relevant articles from the 1911 edition of Grove's Dictionary of Music and Musicians 1700+ pages Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac. $20.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Green Day - iTré! Guitar notes and tablatures Hal Leonard
By Green Day. For Guitar. Guitar Recorded Version. Softcover. Guitar tablature. ...(+)
By Green Day. For Guitar. Guitar Recorded Version. Softcover. Guitar tablature. 88 pages. Published by Hal Leonard
$21.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Lied eines fahrenden Gesellen Hug
Men's Chorus SKU: HG.PE-1113 Composed by Wilhelm Baumgartner. Choral. Oct...(+)
Men's Chorus SKU: HG.PE-1113 Composed by Wilhelm Baumgartner. Choral. Octavo. Hug Musikverlage #PE 1113. Published by Hug Musikverlage (HG.PE-1113). ISBN 9790202819135. Nur in Chorstarke, ab 20 Stuck. $2.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Mid-Winter Brass ensemble - Intermediate De Haske Publications
Brass Band - Grade 3 SKU: BT.DHP-0920362-130 Composed by Gustav Holst. Ar...(+)
Brass Band - Grade 3 SKU: BT.DHP-0920362-130 Composed by Gustav Holst. Arranged by Stephen Bulla. Christmas Collection. Festive and Solemn Music. Score Only. Composed 1992. De Haske Publications #DHP 0920362-130. Published by De Haske Publications (BT.DHP-0920362-130). This beautiful Christmas tune by Stephen Bulla sets the perfect atmosphere for your Christmas concert. Light the candles and enjoy the most wonderful time of the year with friends, family and music…
Deze prachtige kerstmelodie van Stephen Bulla brengt de juiste sfeer in uw eerstvolgende kerstconcert. Steek de kaarsen maar aan en geniet van de mooiste tijd van het jaar, samen met vrienden, familie en mooie muziek…
Dieses wunderschöne Weihnachtslied von Stephan Bulla vermittelt die passende Stimmung für Ihr Weihnachtskonzert. Zünden Sie die Kerzen an und genießen Sie die schönste Zeit des Jahres mit Freunden, Familie und Musik …
Cette magnifique mélodie de Noël de Stephen Bulla crée une bonne ambiance pour votre concert de Noël. Allumez vos bougies, et profitez de la plus belle période de l’année avec vos amis, votre famille et de la musique…. $18.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Dreamers Choral SATB Alfred Publishing
Choir Secular (SATB choir) SKU: AP.51108 Recorded by Jung Kook featuri...(+)
Choir Secular (SATB choir) SKU: AP.51108 Recorded by Jung Kook featuring Fahad Al Kubaisi. Composed by Jeon Jung-kook, Mustapha El Ouardi, Nadir Khayat, and Patrick Devine. Arranged by Jack Zaino. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Classification: Lawson-Gould Secular Choral Publications. Pop; Pop/Rock; Secular. Choral Octavo. Composed 1963. 16 pages. Alfred Music #00-51108. Published by Alfred Music (AP.51108). UPC: 038081581453. English. This exhilarating chart-topper by BTS frontman Jung Kook was featured as the theme song to FIFA's World Cup. The driving rhythms of a strong hook deliver the message of teamwork and striving for a common goal. Sing the full 4-minute version (including an Arabic solo in the middle), or take the optional cut for a 2.5-minute powerhouse performance (without the solo). A pronunciation guide and translation are included in the publication. About Alfred Pop Choral Series The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs. $2.45 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Michael Praetorius Moseler Verlag
SKU: M2.MOS-91043 Hofkapellmeister und Komponist zwischen Renaissance ...(+)
SKU: M2.MOS-91043 Hofkapellmeister und Komponist zwischen Renaissance und Barock. Composed by Siegfried Vogelsanger. Möseler Verlag #MOS 91043. Published by Möseler Verlag (M2.MOS-91043). ISBN 9783787730438. Die Lebenszeit von Michael Praetorius fallt in jene Jahrzehnte um 1600, die zu den spannendsten in der Musikgeschichte uberhaupt gehoren: Ende der Vokalpolyphonie und Beginn der generalbassgestutzten Barockmusik, Herausbildung der Mehrchorigkeit und des konzertierenden Stils, Entstehung von Monodie und Oper. Der stets neugierige und umtriebige Praetorius war nicht nur Augen- und Ohrenzeuge dieses gravierenden stilistischen Umbruchs, sondern auch der bedeutendste Musik-Enzyklopadist seiner Zeit. Neben dem autodidaktischen Studium aktueller Musikdrucke (Claudio Monteverdis Marienvesper etwa war ihm wohlbekannt), bezog Praetorius sein umfassendes Wissen aus zahlreichen Reisen im Auftrag oder im Gefolge des Wolfenbutteler Herzogs. Diese fuhrten ihn vor allem auch nach Prag, wo er am kaiserlichen Hof wichtige Kontakte zu fuhrenden Musikern knupfen konnte. So lernte Praetorius, obgleich er Norditalien nie besucht hat, den neuen italienischen Stil in allen Auspragungen kennen und stand ihm sehr aufgeschlossen gegenuber. Prag wurde sein Venedig, um es mit Siegfried Vogelsanger zu sagen. Das kompositorische Werk zeigt eindrucksvoll, wie eigenwertig und kunstvoll Praetorius mit dem stile nuovo umzugehen vermochte. Leider hat sich die Musikforschung mit Michael Praetorius nicht annahernd soviel befasst, wie mit seinem Zeitgenossen Heinrich Schutz. So blieben der musikhistorische Rang und vor allem die kompositorische Substanz des Wolfenbutteler Hofkapellmeisters bis heute unterbewertet. Um so verdienstvoller ist daher diese Monographie des in Wolfenbuttel ansassigen Praetorius-Forschers Siegfried Vogelsanger. Das unter Mitarbeit von Winfried Elsner aufschlussreich bebilderte Buch liefert bei einem uberschaubaren Gesamtumfang ein ausgezeichnetes Resumee des aktuellen Forschungsstandes und bietet somit die solide Basis fur weiterfuhrende Studien. Der in allgemeinverstandlicher Form abgefasste Text kann auf der Grundlage solider wissenschaftlicher Quellen sowohl dem Musikliebhaber als auch dem Musikstudierenden als reiches Kompendium dienen, sich uber Leben und Werk von Michael Praetorius zu informieren. $21.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| La Fiorentina Brass ensemble [Score and Parts] Editions Marc Reift (Swiss import)
By Lodovico Viadana. Brass Ensemble. For brass quartet and organ (piano). Swiss ...(+)
By Lodovico Viadana. Brass Ensemble. For brass quartet and organ (piano). Swiss import. Level: 3. Score and parts. Published by Editions Marc Reift. (EMR 5008)
$20.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Meine Freundin, du bist schon (My beloved, you are fair) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Part] Carus Verlag
Hochzeitsdialog. By Johann Christoph Bach. Edited by Bergmann, Hans. Arranged by...(+)
Hochzeitsdialog. By Johann Christoph Bach. Edited by Bergmann, Hans. Arranged by Hans Bergmann. For Soli SATB, SATB Choir, Violin, 3 Viola, Basso continuo. Full score available separately - see item CA.3050300. Stuttgart Urtext editions; Occasions: Wedding. Part: Viola 1. Language: German/English. 8 pages. Duration 22 min. Published by Carus Verlag (German import).
$6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Samba-song (ich Hab' 'ne Freundin Mit Geld...) Piano, Voice Hal Leonard
(Voice and Piano) SKU: HL.50594575 Ricordi Germany. Hal Leonard #UFA17371...(+)
(Voice and Piano) SKU: HL.50594575 Ricordi Germany. Hal Leonard #UFA17371. Published by Hal Leonard (HL.50594575). $7.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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