New Edition of the Complete Works V/5. Par SCHUBERT FRANZ. In addition to his symphonies, Franz Schubert also wrote and handed down to posterity a total of eight finished concert overtures (two of them in two versions) between ca. 1811 and 1819. With the exception of the “Overture in D” (D 4) to the comedy “Der Teufel als Hydraulicus” (“The Devil as Engineer”) and the “Overture in D” (D 26), whose original title was cut out of the manuscript, they are all compositions which are associated neither with a drama nor a programme. They thus embody the type of the pure concert overture at an astonishingly early point in the history of music and are also in keeping with this terminologically by virtue of explicitly not having any other appellations whatsoever in the title: the epithet common for two works “in the Italian style” was only added posthumously. Our volume sees publication for the first time of the “Italian Overture in C” (D 591) in its two authentic versions, this being in contrast to the performance tradition based on a potpourri of the sources. The widely handed-down but corrupted musical course of the “Overture in D” (D 590) has likewise been rectified for the first time. Overshadowed by his symphonies, Schubert’s overtures have hitherto been largely undervalued both in their reception and in musical practice – including the “Overture in E minor” (D 648), which sees Schubert venturing into radically new spheres of expression to a greater extent than in virtually any other of his works./ Recueil / Orchestre

13 Works-One of the most influential musical forces of 19th-century Europe Franz Liszt was the reigning piano virtuoso of his time. This volume contains a rich selection of his finest compositions for solo piano. Reprinted from authoritative early editions.

Par SCHUBERT FRANZ. Neue Ausgabe Sämtlicher Werke. Urtext/ Répertoire / Chant et Piano

Par SCHUBERT FRANZ. Il y a eu quelques exemples précédents des versions de guitare de Schubert \' musique pour piano et pratiquement aucune tentative de transcrire un ensemble complet de pièces, comme Caldern le fait ici avec les six pièces de Schubert Moments Musicaux. Ces pièces sont superbes exemples de maîtrise de Schubert sous la forme de miniatures, de vrais \' moments musicaux \' d\'humeur et de la sensation. Deux autres pièces complètent cette collection, qui y compris note également sur la préparation et la performance des pièces en anglais, allemand et espagnol. La musique est en notation standard uniquement avec un CD des performances des pièces par l\'arrangeur. / Niveau : Intermédiaire / Classic - Solos / Répertoire / Guitare Classique

/ Soprano, 3 Batteries, Vibraphone (Xylophone), Celesta (Carillon), Piano, Harpe, Violon Et Violoncelle (franz.)

Franz Schubert (1797-1828) fut l'un des compositeurs les plus prolifiques de la musique de piano d'ensemble. Certaines de ses oeuvres les plus populaires pour piano à quatre mains (pour un piano à quatre mains) sont inclus dans cette collection. / Piano 4 Mains

Benda, FranzKonzert C-Durfür Viola, Streicher und Bcfür Viola und Klavier Inhalt:Berliner Klassik, Serie A, Konzerte, Band 6Schmidt, Philipp, ednach den Konzert für Flöte, Streicher und Bc G-Dur, LeeB 2.11Der Violinist und Komponist Franz (Frantiek) Benda (1709-1786), zählt nebenJohann Joachim Quantz (1697-1773), den Brüdern Carl Heinrich (1703/04-1759)und Johann Gottlieb Graun (1702/03-1771) und Carl Philipp Emanuel Bach(1714-1788) zu den bedeutendsten Musikerpersönlichkeiten am Hof Friedrichs II.(1712-1786). Benda gilt daneben auch als Mitbegründer einer eigenständigennorddeutschen Violinschule. [...] Bendas kompositorisches Schaffen ist fastausschließlich auf die Instrumentalmusik, genauer gesagt, die Violinmusikkonzentriert. Von seinen Kompositionen sind etwa 15 Sinfonien, etwa 20Solo-Konzerte (für Violine oder Flöte), mehr als 150 generalbassbegleiteteSolo-Sonaten (für Violine oder Flöte, darunter auch eine für Bratsche ),einige Violinduette und Triosonaten, etwa 100 Capricen für Violine allein undeinige Lieder erhalten, die hauptsächlich in Abschriften, aber auch in einerüberschaubaren Anzahl zeitgenössischer Drucke Verbreitung fanden.Bei der hier erstmals veröffentlichten Fassung für Bratsche, Streicher undBasso continuo in C-Dur handelt es sich um eine zeitgenössische Bearbeitungeines wohl ursprünglich für Violine oder Flöte entstandenen Solo-Konzerts vonFranz Benda, LeeB 2.11, das im Breitkopf-Katalog dreimal erscheint und wohlvor 1763 komponiert wurde. [...]Diese zeitgenössische Bearbeitung fernab von Berlin und Potsdam noch dazumit separaten Verzierungen und Kadenzen für den ersten und zweiten Satz, dieeiner süddeutsch-österreichischen Aufführungstradition entspringen in einemniederösterreichischen Umfeld in Melk zu lokalisieren, ist für dasBratschenrepertoire des 18. Jahrhunderts einzigartig. / Ensemble à cordes / Grahl & Niklas

Par LISZT FRANZ / REGER MAX. Editeur(s) d'origine: Sievers, Gerd/ Répertoire / Orgue

Organ Transcription by Jean Guillou Instrument : organ Nombre de Pages : 12 Franz Liszt's 'Première Valse oubliée' is known and popular as a subtle and delicately beautiful piece for the piano. This romantic gem has now been arranged by Jean Guillou for the organ in his inimitable way.

Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worked for over 40 years at the Court of the Prince Bishop in Salzburg, in whose employment he composed most of his music. However, the Missa sub titulo Sancti Francisci Seraphici was composed in 1803 on commission from the Viennese Imperial Court, on the occasion of the name day of Emperor Franz I. Two years previously, his wife Empress Marie Theresia had already commissioned a large Mass with a gradual, an offertory and a Te Deum on the occasion of her own name day [Missa sub titulo Sanctae Theresiae, 50. 328]. Both Masses are impressive because of their size and their unusually large instrumental forces. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett

Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worked for over 40 years at the Court of the Prince Bishop in Salzburg, in whose employment he composed most of his music. However, the Missa sub titulo Sancti Francisci Seraphici was composed in 1803 on commission from the Viennese Imperial Court, on the occasion of the name day of Emperor Franz I. Two years previously, his wife Empress Marie Theresia had already commissioned a large Mass with a gradual, an offertory and a Te Deum on the occasion of her own name day [Missa sub titulo Sanctae Theresiae, 50. 328]. Both Masses are impressive because of their size and their unusually large instrumental forces. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett

V/KL - violin and piano composer: Schubert, Franz Éditeur: Carl Fischer Music pages: 12

Composer : Liszt, Franz Instrumentation : Klav Editor : Raabe, P.;Bartok, B.;Kellerman

Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worked for over 40 years at the Court of the Prince Bishop in Salzburg, in whose employment he composed most of his music. However, the Missa sub titulo Sancti Francisci Seraphici was composed in 1803 on commission from the Viennese Imperial Court, on the occasion of the name day of Emperor Franz I. Two years previously, his wife Empress Marie Theresia had already commissioned a large Mass with a gradual, an offertory and a Te Deum on the occasion of her own name day [Missa sub titulo Sanctae Theresiae, 50. 328]. Both Masses are impressive because of their size and their unusually large instrumental forces. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett