SKU: AP.BMR08009
ISBN 9780769268385. UPC: 029156954913. English.
Kids love drums! The sight, sound, power, and feel are tremendous motivators for many students. D.R.U.M. is an acronym for Discipline, Respect and Unity Through Music. The original D.R.U.M. group was formed at author Jim Solomon's elementary school in 1995 to provide an ensemble experience for students not involved in any of the regular music groups. The group concept is designed to stress teamwork and self-discipline while learning these intensive percussion ensembles built on music from the United States, Brazil, Africa, and China. Useful for general music classes and special groups, this book is a terrific learning tool with unlimited potential!
SKU: HL.263252
UPC: 888680729486. 5.0x5.0x0.15 inches. By John Jacobson and Mac Huff.
Here the composers set out with the goal of writing a song that would motivate people to celebrate our differences and stand together with P.R.I.D.E. Written for the World Arts Festival of Freeport, IL with a mission stating that art and creativity are tools for building a better future, this is a song with a world music feel, a powerful drum beat and music that is as up-beat as the message.
SKU: HL.263249
UPC: 888680729455. 6.75x10.5 inches. By John Jacobson and Mac Huff.
Here the composers set out with the goal of writing a song that would motivate people to celebrate our differences and stand together with P.R.I.D.E. Written for the World Arts Festival of Freeport, IL with a mission stating that “art and creativity are tools for building a better future,” this is a song with a world music feel, a powerful drum beat and music that is as up-beat as the message.
SKU: HL.49033359
ISBN 9783795705275. German.
Um Schumanns letzte Lebensjahre, die er in der Nervenheilanstalt in Endenich bei Bonn verbrachte, ranken sich Geruchte, Legenden und Mutmassungen. Opfer dieser Spekulationen ist nicht zuletzt Clara Schumann. Ihr Verhalten wahrend dieser Zeit wird in popularen Lebensbeschreibungen haufig negativ bewertet. Die vom Komponisten Aribert Reimann im Archiv der Akademie der Kunste, Berlin, deponierten Krankenakten werden in diesem Buch erstmals ungekurzt veroffentlicht, durch weitere bisher unbekannte Quellendokumente erganzt und in einem medizinhistorischen Beitrag kommentiert. Diese Publikation liefert der biographischen, medizinischen, psychologischen und kulturgeschichtlichen Forschung erstmals ein serioses Quellenfundament. Eine der wichtigen Buchveroffentlichungen zum 150. Todestag von Robert Schumann am 29. Juli 2006.
SKU: BR.OB-5693-03
Here you will find Nudo for piano solo.
ISBN 9790004347232. 10 x 12.5 inches.
A Musical Portrait In 2012 Nicola Campogrande received a rather singular commission when a total stranger asked him to compose a musical portrait of his fiancee. The man knew exactly what he wanted: a concerto for piano and orchestra. After some reflection, Campogrande realised that he would be able to paint with music. It would never be possible, of course, to recognise the shape of the woman's face or the colour of her hair, but the score could evoke the way in which she occupied space and time, and the different movements of the composition would be like the faces on a rotating prism. Campogrande thus accepted the commission and the stranger sent him a few photos of his fiancee, spoke to him about her and, finally, introduced him to her. This is how R (A portrait for piano and orchestra) was born, first performed in April 2013 by Lilya Zilberstein with the Orchestra Verdi in Milan. Subsequently, following other performances and a TV documentary, a number of different pianists asked Campogrande to write a version for solo piano. Hence Nudo emerged, a piece that would be very similar to R, were it not for the fact that, as the title suggests, the pianist is naked, without orchestral clothing.Un portrait musical En 2012, Nicola Campogrande s'est vu proposer une commission fort singuliere ; un parfait etranger lui demandait de composer le portrait musical de sa compagne. L'homme savait exactement ce qu'il voulait : un concert pour piano et orchestre. Apres quelques hesitations, Campogrande s'est rendu compte qu'il pouvait se servir de la musique comme d'un pinceau. Bien entendu, il ne serait jamais possible de reconnaitre la forme du visage de la femme ou la couleur de ses cheveux, mais la partition pourrait evoquer la facon dont elle se deplacait dans l'espace et dans le temps, et les differents mouvements de la piece seraient comme les figures d'un prisme en rotation. Campogrande a donc accepte la commission ; l'etranger lui a envoye des photos de sa compagne, il lui a parle d'elle, avant de les faire se rencontrer personnellement. Ainsi est ne R (Un portrait pour piano et orchestre), interprete pour la premiere fois en avril 2013 par Lilya Zilberstein et l'orchestre Verdi de Milan. D'autres executions ont suivi, ainsi qu'un documentaire televise, apres quoi plusieurs pianistes ont prie Campogrande d'ecrire une version pour piano seul. C'est ainsi que Nudo a vu le jour : un << nu >> tres semblable au premier portrait, si ce n'est que le piano s'y trouve, comme le suggere le titre, depouille de son vetement orchestral. Ritrarre con la musica Nel 2012 Nicola Campogrande ha ricevuto la piu singolare delle commissioni, quando un perfetto sconosciuto gli ha chiesto di comporre il ritratto musicale della sua fidanzata. L'uomo sapeva esattemente cio che voleva: un concerto per pianoforte e orchestra. Dopo qualche esitazione, Campogrande si e reso conto di poter dipingere con la musica; certo, non sarebbe stato possibile riconoscere la forma del viso della donna o il colore dei suoi capelli, ma la partitura avrebbe evocato il modo nel quale lei si muoveva nello spazio e nel tempo, e i vari movimenti del brano sarebbero stati come le facce di un prisma in rotazione. Campogrande ha dunque accettato la commissione e lo sconosciuto gli ha mandato alcune foto della sua fidanzata, gli ha parlato di lei e, alla fine, gliela ha presentata personalmente. E cosi nato cosi R (Un ritratto per pianoforte e orchestra), eseguito per la prima volta nell'aprile 2013 da Lilya Zilberstein insieme all'Orchestra Verdi di Milano.In seguito, dopo altre esecuzioni e un documentario tv, diversi pianisti hanno chiesto a Campogrande di preparare una versione per pianoforte solo. E stato cosi che ha preso forma Nudo, un brano del tutto simile a R tranne per il fatto che, come suggerisce il titolo, il pianista e nudo, senza un abito orchestrale. Information on R on the composer's websiteRecording of the premiere of R in Milano (YouTube).
SKU: BT.DOW-04703-400
ISBN 9783905476873. International.
1 E. R. Zähler: Plauderstündchen - Schülerstimme2 E. R. Zähler: Plauderstündchen - Lehrerstimme3 G. E. Duld: Warten - Schülerstimme4 G. E. Duld: Warten - LehrerstimmeBei den Kompendien für Violine handelt es sich nicht um eine Schule im herkömmlichen Sinn, sondern um eine didaktisch orientierte Sammlung von Übungen und Stücken. Die Kompendien orientieren sich an den traditionellen Schulen von Küchler,Doflein, Rolland und anderen berühmten Pädagogen, sind aber inhaltlich und von der Aufmachung her an die heutige Zeit angepasst: Neben kleinen Musikstücken findet man Tonleiter- und Dreiklangübungen sowie Etüdchen“, zu jedem Band gibt es zwei CDszum Mitspielen, verschiedene Aufkleber erinnern die Schüler an wichtige Dinge - und wer genügend Stücke geübt hat, erhält am Ende jedes Bandes zur Belohnung ein Zeugnis. Die Kompendienkönnen als eigenes Lehrwerk, aber auch ergänzend zu anderenInstrumentalschulen für Streicher verwendet werden. Das Besondere an den Kompendien ist, dass die Schüler alle Stücke und Übungen tatsächlich durcharbeiten und dadurch sehr schnell Fortschritte machen. .1 E. R. Zähler: Plauderstündchen - Schülerstimme2 E. R. Zähler: Plauderstündchen - Lehrerstimme3 G. E. Duld: Warten - Schülerstimme4 G. E. Duld: Warten - Lehrerstimme.
SKU: HL.49003135
ISBN 9780946535132. UPC: 884088991623. 8.25x11.75x0.436 inches. English.
This anthology of 72 music examples, consisting of the Teacher's Manual, Pupil's Questions, Music Book and two recordings on CD or cassettes, is intended to provide comprehensive resource materials for the listening component of the GCSE music syllabuses. The extracts have been selected especially to illustrate the periods, styles and rudiments of music encompassed within the syllabuses, and the four components of the publication produced to ensure maximum assistance to the teacher in the classroom. Selected contents: MUSIC IN THE LATE RENAISSANCE O quam gloriosum est regnum * T. Morley: MUSIC IN THE BAROQUE ERA: H. Purcell: Hark, each tree (from Ode for St Cecilia's Day) * A. Vivaldi: Second Allegro (from Op. 3 No. 11) * G.F. Handel: Lascia ch'io * J.S. Bach: Erschienen ist der herrliche Tag (BWV 629) * F. Couperin: Le Petit-Rein MUSIC IN THE ROMANTIC PERIOD: F. Schubert: Am Meer (from Schwanengesang) * H. Berlioz: Un Bal (from Symphonie fantastique) * F. Chopin: Mazurka (Op. 7 No. 5) * R. Schumann: Fantasiestuck (Op. 73 No. 1) * R. Wagner: Prelude (to Tristan and Isolde) * R. Strauss: Epilog (from Till Eulenspiegels lustige Streiche) * MUSIC IN THE TWENTIETH CENTURY: B. Bartok: Third movement (from Sonata for two Pianos and Percussion) * K. Stockhausen: Zyklus * C. Berberian: Stripsody * JAZZ AND POP: F. Molton: Peace in the Valley * Bix Beiderbecke and his Gang: Jazz Me Blues * The Platters: Only You * E. Fitzgerald: Mack the Knife * S. Getz and A. Gilberto: The Girl From Ipanema and more.
SKU: HL.48185871
UPC: 888680857370. 9.0x12.0x0.171 inches.
R?N?Funk Session is a volume that will help you to get ready to be involve in a collective performance. On the music of Lionel Melot, it was composed by Jacky Bourbasquet and Claude Gastaldin and features a CD to provide an audio backup. It includes 25 pieces with the following genres: Funk, West Coast, Funk 80?s, Slow Funk and R?N?Funk 5/4 and 7/4. It contains pieces for all levels, from beginners to advanced players. The CD includes each title, at different tempi according to each level, to get the players used to it. R?N?Funk Session is part of a series of books including the 'Studio Session 1 & 2', the 'Stage Session 1 & 2' and the 'R?N?B Session' among others. The co-writers, Jacky Bourbasquet and Claude Gastaldin are professional Drummers and/or professors who believe in progressive methods to be able to gain in skills and technique..
SKU: HL.48185870
SKU: HL.49015392
ISBN 9783795718640. German.
Vorwort - P. Rummenholler: Er ist der Vater, wir sind die Buben - H.-G. Ottenberg: Die Klaviersonaten Wq 55 im Verlage des Autors - G. Wagner: Anmerkungen zur historischen Auffuhrungspraxis am Beispiel von C.Ph.E. Bachs Versuch - L. Hoffmann-Erbrecht: Mit aller Freyheit und zu meinem eigenen Gebrauch gemacht - G. Puchelt: Fur Kenner und Liebhaber - P. Dinslage: Anspruch und Anpassung - I. Pfingsten: Er ubersetzte, indem er phantasierte, die Sprache des Verstandes in die Sprache der Empfindungen: denn dazu diente ihm die Musik - H. Poos: C.P.E. Bachs Rondo a-Moll aus der Zweiten Sammlung... fur Kenner und Liebhaber - C. Thorau: Kuhn, nie gehort und doch sachrichtig - U. Ringhandt: Die Litaneien von C.P.E. Bach als musikalische Lehrgedichte - R. Brandt: Der Konig und sein Zuhorer - W. Busch: Joseph Wright of Derby: Das Experiment mit der Luftpumpe - D. Diderot: Aus der Klavierschule von Bemetzrieder - J.N. Forkel: Reszension - J.J. Engel: Uber die musikalsiche Malerei - G.J. Vogler: Wie verhalten sich die zwei grossen Clavierspieler C.P.E. Bach und Alberti von Rom gegeneinander - J.F. Reichhardt: Uber die musikalische Idylle - C.F.Cramer: Rezension - C.F. Michaelis: Einige Bemerkungen uber das Erhabene der Musik - H.G. Nageli: Vorlesungen uber Musik mit Berucksichtigung der Dilettanten - F.Chrysander: Eine Klavier-Phantasie von Karl Philipp Emanuel Bach mit nachtraglich von Gerstenberg eingefugten Gesangsmelodien zu zwei verschiedenen Texten - H. Mermann: Ein Programmtrio K.P.E. Bachs - A. Schering: C.P.E. Bach und das redende Prinzip in der Musik - R. Peters: Chronologische Bibliographie des Schrifttums zu C.P.E. Bach - Sach- und Personenregister zur Bibliographie.
SKU: M7.GRG-5300437100
ISBN 9783872523631. German Kölsch.
Liederbuch fu?r Gitarre & Stimme 201 Bläck-Fööss-Hits mit allen Texten und Akkorden, die sich zum einfachen Singen mit Gitarre am Lagerfeuer oder zu weiteren geselligen Anlässen eignen. Mit Akkordtabelle. Ohne Noten.
SKU: M7.GRG-5300438101
ISBN 9783872523686. German Kölsch.
Liederbuch fu?r Gitarre & Stimme 201 Bläck-Fööss-Hits mit allen Texten und Akkorden, die sich zum einfachen Singen mit Gitarre am Lagerfeuer oder zu weiteren geselligen Anlässen eignen. Mit Akkordtabelle. Ohne Noten. Mit PC-DVD: mit Hörproben aller Lieder - eingesungen nur mit einer Gitarre von Bömmel, Erry, Kafi und Peter mit einem kurzen Kommentar. Intro, Vers und Refrain.
SKU: CA.1631900
ISBN 9790007099831. Language: all languages.
SKU: HL.50603593
ISBN 9788881920709. UPC: 840126945102. 8.0x10.5x1.3 inches. Italian-English.
Donizetti's Lucrezia Borgia was premiered at Milan's Teatro alla Scala on 26 December 1833 and is considered one of the composer's most important and innovative operas of the 1830s. Although, because of censorship issues, particularly in the south of Italy, it was initially slow to become popular, by the late 1830s it had become one of the composer's most popular operas, both in Italy and abroad, and remained an essential part of the composer's oeuvre until at least the end of the nineteenth century. Remarkable for its daring subject matter (with an unconventional, forceful heroine), it is also renowned for its challenging mixture of the comic and the tragic, something very unusual at the time and clearly an important influence on Giuseppe Verdi's middle period masterpieces. The present reduction for voice and piano derives from the critical edition of the score, recently published in this catalog: is based on Donizetti's autograph manuscript (housed in the Ricordi Archives in Milan), on the libretto for the premiere, on several printed editions of voice and piano, and on numerous additional scores of the period. It presents for the first time all the numerous additions that the composer made to the score over the course of ten years: a fascinating record of his changing music dramatic attitudes during this period. There is also a synthetic historical reconstruction of the genesis of the opera and of the description of the Sources as well as a selection of most interest to singers of Critical Commentary Notes.Rappresentata per la prima volta al Teatro alla Scala il 26 dicembre 1833, Lucrezia Borgia e considerata una fra le piu importanti e innovative opere di Donizetti. Sebbene le resistenze della censura, soprattutto nel sud Italia, ne causarono inizialmente una lenta diffusione, dalla fine degli anni '30 dell'Ottocento essa divenne uno dei lavori piu popolari e significativi del compositore e tale rimase fino alla fine del XIX secolo. Notevole per il suo audace soggetto (con un'eroina non convenzionale e dalla forte personalita) essa e rinomata anche per l'impegnativa commistione di comico e tragico, un tratto piuttosto inusuale per l'epoca, che ebbe una chiara influenza sui capolavori verdiani di meta secolo. La presente riduzione per canto e pianoforte e condotta sull'edizione critica della partitura, da poco pubblicata in questo stesso catalogo: si basa sul manoscritto autografo di Donizetti (conservato presso l'Archivio Storico Ricordi di Milano), sul libretto della prima rappresentazione, su alcune riduzioni a stampa per canto e pianoforte e su varie altre fonti dell'epoca. L'edizione presenta per la prima volta tutte le aggiunte che il compositore apporto alla partitura nel corso di dieci anni, costituendo un'affascinante testimonianza dei mutevoli approcci di Donizetti alla materia drammatico musicale durante questa fase della sua carriera. Il volume comprende una sintesi della ricostruzione della genesi storica dell'opera e della descrizione delle fonti e una selezione di Note del Commento Critico fra quelle piu funzionali alle esigenze di cantanti e pianisti accompagnatori.
SKU: AD.ADG174
ISBN 9781934163686. UPC: 663389117426. 9 x 12 inches.
Andrew D. Gordon, world renowned music educator, author of over 60 music educational products, has previously written numerous books on guitar styles such as: “100 Ultimate Blues Riffs for Guitar, “100 Ultimate Jazz Riffs for Guitar, “The Blues Scale for Guitar which have all been well received by students, teachers and musicians all over the world.As playing funk styles is a passion of Andrew’s, he has written this instructional book “100 Ultimate Soul, Funk and R&B Grooves for Guitar based on the influences of the great Funk, Soul and R&B artists such as: James Brown, Herbie Hancock, The Crusaders, Average White Band, Marvin Gaye, Miles Davis, Stevie Wonder, Parliament, Ramsey Lewis, Booker T and The MG’s, MFSB, Billy Preston etc. Besides the afore-mentioned styles Andrew has also added a few grooves that are Afro-Caribbean such as: Latin, Reggae and Calypso.Each of the 100 grooves have been recorded with the guitar part playing along with a rhythm section of guitar, bass, drums, keyboards and in many of the grooves, percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the guitar part so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.
SKU: CA.1631909
Language: all languages.
Score available separately - see item CA.1631900.
SKU: HL.14015759
ISBN 9781844493692.
The Novello Choral Pops Series presents the smash hit ballad by R. Kelly. The former No.1 single has been arranged by David Nield for upper voices with Piano accompaniment and guitar chords. An ideal piece to bring any choral repertoire right up to date with this contemporary R'n'B favourite.
SKU: HF.FH-3382
ISBN 9790203433828. 9 x 12 inches.
1. Obo-e-obo (W. Thiel); 2. Con moto (A. Thiel); 3. Tango (M. Wegener); 4. Kleine Frechheiten (G. Nather); 5. Am Strand ( S. Lienenkamper); 6. 3 Impressionen ( C. R. Hirschfeld); 7. Walpurgisnacht (R. Gramann).
SKU: MB.30945
ISBN 9781513472744. 8.75X11.75 inches.
This collection of 19th and early 20th century airs and ballads is a celebration of American music that is ideal for guitar recitals and encores. Written in standard notation only, the pieces are arranged and fingered for ease of sight-reading and specifically designed to exploit the musicality of the classical guitar.The book features arrangements of the antebellum song, ôDarling Nelly Grayö by Benjamin Hanby, popular Civil War-era songs by Stephen Foster and other period songwriters, plus parlor music favorites like Edward MacDowell�s ôTo a Wild Roseö, Ethelbert Nevin�s ôMighty Lak� a Roseö, and ôAura Leeö, a melody by George R. Poulton that would resurface nearly a hundred years later as ôLove Me Tenderö.á.
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