Lament by Mack Wilberg for String Orchestra with optional Organ.This moving piece for String Orchestra is full of pathos and emotion. Stylistically evocative of Samuel Barber's Adagio for Strings and the distinctive musical language of Arvo Pärt Lament is based around a two-bar arching ostinato artfully developing musical fragments and enriching the texture to reach a powerful central climax. This is a welcome addition to the String Orchestra repertory.This piece was recorded on the 2019 Mormon Tabernacle Choir and Orchestra CD Tree of Life under the title 'And Wept Bitterly (Lament on an Ostinato for StringOrchestra)'.

(Edition for String Orchestra)-In a new arrangement for mature string groups Gliere's energetic dance movement again shows why it has become an icon of light classical programming for orchestras everywhere. From the ballet The Red Poppy thedeliberate opening in the low strings accelerating to the frenzied Cossack-style dance makes this work a captivating experience for your students.

James Curnow brings us a new programmatic workªthats fresh and appealing to string orchestras. In several contrastingªstylesªand tempi it gives a dark bold sense of drama and offers several playingªtechniques that will resonatewith your stringstudents. The optionalªpercussion adds great effects to heighten the musical intensity.

This Simple Symphony is entirely based on material from works which the composer wrote between the ages of nine and twelve. (The actual sources are given in footnotes to each movement.) Although the development of these themes is in many places quite new, there are large stretches of the work which are taken bodily from the early pieces - save for the re-scoring for strings. It is suitable for string quartets or string orchestras, being scored for Violin I, Violin II, Viola, Cello and Double Bass.

for junior string orchestra or two violins and violoncello or violin, viola and violoncello. Par KOCSAR MIKLOS. Kocsár composed the Chaconne for three-part string ensemble in 1996. Originally a popular Baroque musical form, the chaconne is characterized by a set of ground-bass variations. In Kocsár's piece the 23-bar theme is followed by nine variations of diverse characters. The composition lasts about nine minutes and is rounded off with a recapitulation of the theme and a coda. The Chaconne can be performed by junior string orchestras consisting of either two violins and a cello or a violin, a viola, and a cello (with or without double bass), or by string trios consisting of two violins and violoncello or a violin, a viola and a cello. The edition includes a full score and one part for each instrument. If the work is performed by a string orchestra the parts may be copied as required for the number of musicians./ Répertoire / Orchestre à Cordes

for string orchestra with piano and percussion Instrumentation : string orchestra with piano and percussion Version : score and parts Description : This arrangement of the world-famous hit 'O Fortuna' is intended for school orchestra and amateur ensembles, allowing amateur orchestras to give impressive performances of Orff's masterpiece. For this purpose, the violins can be played in the first or third register throughout. Additional parts, also for violins, have been added as a replacement or reinforcement of the viola section. As usual, the sound can be reinforced by means of additional instruments (piano and a little percussion).Date de parution : 26/03/2007 Nombre de pages : 46 Format : New Edition portrait

Version with Piano and String Orchestra - Score)-A song cycle for baritone voice string orchestra and piano. The composer writes: 'Naarasäiti (The Lustful Mother) is about becoming a mother an experience in which sexuality combines in a natural way with the birth of a new life. The texts of the cycle are from the collections of poems Äitejä tyttäriä (Ã�rbeeadni The Time of the Lustful Mother 2013) and Kylmä kumppani (Galbma rádna My Cold Companion 1999) by two contemporary Sámi poets Rauni Magga Lukkari and Rose-Marie Huuva. The poems’ primitive matriarchal beat is present throughout in the music: a dark earthy solo viola accompanies the baritone while the sizzling sparkling strings erupt at times in powerfultextures' A song cycle for baritone voice string orchestra and piano. The composer writes: 'Naarasäiti (The Lustful Mother) is about becoming a mother an experience in which sexuality combines in a natural way with the birth of a new life. The texts of the cycle are from the collections of poems Äitejä tyttäriä (Ã�rbeeadni The Time of the Lustful Mother 2013) and Kylmä kumppani (Galbma rádna My Cold Companion 1999) by two contemporary Sámi poets Rauni Magga Lukkari and Rose-Marie Huuva. The poems’ primitive matriarchal beat is present throughout in the music: a dark earthy solo viola accompanies the baritone while the sizzling sparkling strings erupt at times in powerfultextures'

A Conductor's Guide to Program Development Featuring the Top 100 Intermediate and Advanced Works-This comprehensive guide of intermediate and advanced repertoire highlights 100 of the best compositions and arrangements in print. Annotated in detail – metric and key design performance and program notes alternatechoices of music – it represents all styles of classical and popular music. A grading scale considers both stylistic and technical challenges. Performance topics include repertoire selection program design rehearsaltechniques and score preparation. Music lists from the Renaissance string folios patriotic music arranged for string orchestra and a current contact list of publishers/distributors are included. An invaluable resource for thestring teacher performer and conductor.

Open Strings To Grade 1-Easy Latin String Orchestra offers players of an elementary level experience their first taste in ensemble performance with seven great pieces suitable for open strings to grade 1 standard.These super pieces all feature and addictive Latin flavour and are ideal repertoire for the early String ensemble.

Via Della Fortuna by Sadie Harrison. Written in 2013 especially for the St. Christopher Chamber Orchestra and Donatus Katkus.6; for String OrchestraWorld premiere: 25th April 2013 St. Katharine'sChurch Vilnius St. Christopher Chamber Orchestra conducted by Donatus Katkus.UK premiere: 10th May 2013 Cardiff Millennium Centre Vale of Glamorgan Festival.I - Casa di Caccia Antica (The House of the AncientHunt)II - Casa degli Amorini Dorati (The House of the Golden Cupids)III - Casa del poeta tragico (The House of the tragic poet)IV - Return to the Casa di Caccia Antica and northwards to Lithuania and the Amber Road(Gintaro Kelias)The piece is in four short movements each taking its title from one of the houses that line the main streets in Pompeii. Borrowing Mussorgsky's 'Promenade' from Pictures at an Exhibition the piece has twowalkers (violas) who take the listener with them onto the Via Della Fortuna then lead them from house to house. Several amber objects were found within the houses linking Pompeii with Lithuania. The lastmovement returns to the House of the Ancient Hunt then heads northwards along the Gintaro Kelias. The jubilant closing music refers to an earlier work (Geda's Weavings) based on Lithuanian folksongs.

Via Della Fortuna by Sadie Harrison. Written in 2013 especially for the St. Christopher Chamber Orchestra and Donatus Katkus.6; for String OrchestraWorld premiere: 25th April 2013 St. Katharine'sChurch Vilnius St. Christopher Chamber Orchestra conducted by Donatus Katkus.UK premiere: 10th May 2013 Cardiff Millennium Centre Vale of Glamorgan Festival.I - Casa di Caccia Antica (The House of the AncientHunt)II - Casa degli Amorini Dorati (The House of the Golden Cupids)III - Casa del poeta tragico (The House of the tragic poet)IV - Return to the Casa di Caccia Antica and northwards to Lithuania and the Amber Road(Gintaro Kelias)The piece is in four short movements each taking its title from one of the houses that line the main streets in Pompeii. Borrowing Mussorgsky's 'Promenade' from Pictures at an Exhibition the piece has twowalkers (violas) who take the listener with them onto the Via Della Fortuna then lead them from house to house. Several amber objects were found within the houses linking Pompeii with Lithuania. The lastmovement returns to the House of the Ancient Hunt then heads northwards along the Gintaro Kelias. The jubilant closing music refers to an earlier work (Geda's Weavings) based on Lithuanian folksongs.

Bryce Dessner's Réponse Lutos awski was c o-commissioned by the National Audiovisual Institute of Poland and the Mexico National Orchestraand first performed by the Polish National Radio Symphony Orchestra at Teatr Wielki-Polish National Opera in Warsaw Poland on November 29 2014. Composer's Note: Réponse Lutos awski was written as an homage to Witold Lutos awski’s amazing composition for string orchestra Musique funèbre. I spent months studying the score and recordings of the work as well as many of his other pieces. This was an amazingprocess of discovering one of the 20th-centuries great musical minds and allowing his adventurous spirit to influence my own musical decisions. My Réponse Lutos awski is written in five movements each of which isinspired either directly or indirectly by the Lutos awski score. I like to think that his music opened a window in a certain direction for me or pushed open a door through which I could then pass and take my journey with themusic. Duration: Approximately 20 minutes

Heres a delightful movement based on a theme from French composer Saint-Saëns originally written for violin and orchestra. Featuring the familiar “habañera” rhythm throughout Roberts superb newarrangement brings thisstandard of the violin repertoire to the concert stage for string orchestras.

The full score and parts for Elgar's Serenade For Strings In E Minor Op.20 written in 1888 for String Orchestra.