SKU: AP.29782S

UPC: 038081324395. English. Lorenz Hart.

Arranged by Lisa DeSpain as a tasty swing chart featuring a piano solo and a 1st trumpet solo. A few drum fills and the lead trumpet range is to written G on top of the staff. Lisa is a superb arranger and this chart is no exception. (3:45).

SKU: HL.35032614

ISBN 9781540043436. UPC: 888680904982. 5.0x5.0x0.138 inches.

American singer-songwriter Carly Simon began her fame in the 1970s with a string of hit records. This medley captures three of those iconic hits: You're So Vain, Haven't Got Time for the Pain and Anticipation. Women's choirs and ensembles will love these strong lyrics, singing her famous melodies and celebrating this American artist.

SKU: HL.233566

ISBN 9781495093678. UPC: 888680682866. 9.0x12.0x0.371 inches. Richard Adler & Jerry Ross.

Ross & Adler's 1955 Broadway production which won a Tony Award for Best Musical featured Gwen Verdon. Our vocal score includes 12 songs: The Game * Goodbye, Old Girl * Heart * A Little Brains, a Little Talent * A Man Doesn't Know * Near to You * Shoeless Joe from Hannibal, Mo. * Six Months Out of the Year * Those Were the Good Old Days! * Two Lost Souls * Whatever Lola Wants (Lola Gets) * Who's Got the Pain?

SKU: CF.CM9585

ISBN 9781491154076. UPC: 680160912575. 6.875 x 10.5 inches. Key: G major. English. Original.

Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so dont be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint MeA was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so donat be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to apainta the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don't be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don't be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am.To Mary Jo, my sister and best friend. May I really be that person you see and love.In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don’t be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to “paint” the words, as well as making every idea understood.Enjoy adding the color and shading to make this piece of art your own.

SKU: BT.MUSAM975359

ISBN 9780711996618. English.

This is the book for you if you always wanted to learn but somehow kept putting it off, if you’ve played guitar before and given up or if you’re determined to crack it this time.

The no-nonsense guide that will soon haveyouplaying great chords, riffs and even solos with as little pain as possible!

Some basic musical knowledge is handy, but the 2 CDs included feature a demonstration and backing tracks for each exercise. Chord boxes andhow-to-playphotos make the tricky stuff easy.

Arranged by Matt Scharfglass who is a New York-based songwriter, bassist and multi-instrumentalist. He does session work, leads his own band and performs extensively in the New YorkCity area.

SKU: WD.080689425233

UPC: 080689425233.

This approachable, congregation-friendly and artfully crafted arrangement by Daniel Semsen speaks of a universal theme to which we can all relate: grace…greater than our past, deeper than our pain, stronger than our sin; grace unrelenting, unending. How strong is His love! And as is His love for us, so is His grace. We all need God’s grace, and can declare it over our lives!

SKU: CF.FAS64

ISBN 9780825883880. UPC: 798408083885. 8.5 x 11 inches. Key: E minor.

Imagine the ominous sound of an oncoming storm rumbling through a prehistoric forest, punctuated by the lumbering footsteps of the T-Rex, shaking the ground as it advances on its prey. T-Rex allows your orchestra to paint this dramatic picture, thrilling the audience with its bold depiction of an ancient, mighty beast!.
T-Rex (Tyrannosaurus Rex) is a miniature tone poem for a young string orchestra.The story: The ominous sound of an oncoming storm (Thundersheet) rumbles through the night in a prehistoric forest. The lumbering footsteps of a giant beast (m. 1: half-notes played by celli and basses) cause the ground to tremble. It is T-Rex, Tyrannosaurus Rex, the Tyrant King (m. 3: 1st violins, m. 11: celli and basses). It surveys its kingdom in a regal pose (m. 27: tutti). The storm begins (m. 41: staccato notes and Thunder Sheet). Tyrannosaurus Rex hones in on its prey (m. 43: celli and basses). There is no escape (m. 49 to end: tutti).Percussion: A sound effect for thunder is necessary. The Worldwide Web contains much information on this subject. Just search “Thundersheet.”1. If a real Thundersheet is not available, a prepared Bass Drum may be used. The batter headshould be loosened for the lowest possible sound. It can be placed on its side. Have the rollsplayed with two bass drum mallets or two felt mallets.2. Synthesizers have certain sound effects which resemble thunder.3. A polystyrene Thundersheet is small and light enough for a young player.4. A large sheet of aluminum may be available at a home improvement store. While wearingprotective gloves, the percussion player shakes the aluminum sheet to create the standard, orchestral thunder sound effect.Thank you for choosing this composition. I hope your students and audience will find it instructive and enjoyable.