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Violin and Viola
VIOLIN - FIDDLE
NARROW BY INSTRUMENTATION
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AntonÃn Dvo?ák: Romantic Pieces for Violin and Piano op. 75: Violin:
Violin and Piano
Barenreiter
Composed in 1887 the Romantic Pieces Op.75 were originally intended for two Vio...
(+)
Composed in 1887 the Romantic Pieces Op.75 were originally intended for two Violins and Viola. Immediately after completing these four short pieces Dvo ák rewrote them for Violin with Piano accompaniment and published the new version that very year. This edition presents the musical text from the Complete Edition of the Works of Anton n Dvo ák with a new foreword by David R. Beveridge.The Violin part contains fingering by Josef Micka.New foreword by Dvo ák scholar David R. Beveridge (Eng/ Cz /Ger).Violin part with fingering.
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Scott Staidle: Wedding Music for Violin and Viola: Violin & Viola: Instrumental
Violin, Viola (duet)
-
Intermediate/advanced
Mel Bay
Wedding Music for Violin and Viola includes 14 favorites for weddings recitals ...
(+)
Wedding Music for Violin and Viola includes 14 favorites for weddings recitals parties and receptions. New adaptations of these arrangements allow each musician to share melodic harmonic and accompanying elements. These duets are well suited for intermediate to advanced musicians and include bowings fingerings articulations and dynamics. Includes two separate 28-page pull-out parts for violin and viola.
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Wedding Music For Violin And Viola
Violin, Viola (duet)
-
Intermediate/advanced
Mel Bay
Wedding Music for Violin and Viola includes 14 favorites for weddings, recitals,...
(+)
Wedding Music for Violin and Viola includes 14 favorites for weddings, recitals, parties and receptions. New adaptations of these arrangements allow each musician to share melodic, harmonic and accompanying elements. These duets are well suited for intermediate to advanced musicians and include bowings, fingerings, articulations and dynamics. Includes two separate 28-page pull-out parts for violin and viola. / Niveau : Intermédiaire à Avancé / Classique / Date parution : 2019-05-27/ Recueil / Violon et Alto
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AntonÃn Dvo?ák: Terzetto for two Violins and Viola C major op. 74: Violin Duet:
String Trio: 2 violins, viola
Barenreiter
Based on the Complete Edition of the Works of Anton n Dvo ákRepertoire of mediu...
(+)
Based on the Complete Edition of the Works of Anton n Dvo ákRepertoire of medium difficultyIn 1887 Anton n Dvo ák composed two terzettos for two violins and viola in quick succession as occasional compositions for amateurs. A little later Dvo ák arranged the second terzetto as four pieces for violin and piano with the title Romantic Pieces Op.75. Both works that is the first Terzetto in C major and the Romantic Pieces were published in May 1887 by Simrock in Berlin.
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Johannes Brahms: Sonata in G major for Violin and Piano op. 78: Violin:
Violin and Piano
Barenreiter
A pioneering set of Urtext editions.String editions include an Urtext solo part ...
(+)
A pioneering set of Urtext editions.String editions include an Urtext solo part and a second part with fingering as well as performance markings.Each edition offers a preface on performance practice aspects pertaining to the respective works.A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms? chamber music.Bärenreiter?s pioneering new scholarly-critical editions of Brahms? works for one instrument and Piano are edited by a team of musicologists who are also performers. They offertoday?s musicians not just a reliable musical text based on all known sources but also a comprehensive approach to the works which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.The Violin and Viola sonata editions come not only with an Urtext part freed from all editorial emendations but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim?s pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms? associate Franz Kneisel. A similar approach has been used for the Violoncello sonatas drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major) Hugo Becker with whom Brahms performed it and Julius Klengel who was also close to his circle.
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William Busch: Passacaglia for Violin and Viola: Violin & Viola: Parts
Violin, Viola (duet)
Chester
Passacaglia for Violin and Viola
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Rudolf Nelson: Essential String Method 3: Violin Ensemble: Instrumental Album
Violin and Piano
Boosey and Hawkes
This book contains all the accompaniment parts necessary for use with the Essent...
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This book contains all the accompaniment parts necessary for use with the Essential String Method Violin and Viola pupil's books 3 and 4.
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Niels Viggo Bentzon: Duo For Violin And Viola Op.539: Violin & Viola:
Violin, Viola (duet)
[Sheet music]
Wilhelm Hansen
Duo For Violin And Viola Op.539
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Miller: Christmas Strings: Violin 1 and 2: Violin Duet: Instrumental Album
Violin and Piano
[Sheet music]
-
Beginner
Mel Bay
With Piano Accompaniment-These books are arranged to be performed with various c...
(+)
With Piano Accompaniment-These books are arranged to be performed with various combinations of instruments. This volume presents some of the most beloved repertoire for the Christmas season. Some works are well known others will sound fresh and new tomost players. The pieces may be performed as a solo for each instrument (Violin 1 Violin 2 Viola or Cello) with piano accompaniment or as duets or trios as well as full orchestra. If performed with full orchestra the pianoaccompaniment is not necessary. The string ensemble series meets all standards for ASTA (American String Teachers Association) and Suzuki Association of the Americas Inc. If performed with full orchestra no solo parts should beplayed except the 1st violin part. Note also if you wish to perform these works with full orchestra and you are short certain instruments you still have some flexibility with the score. For example if there are not enoughviolas for balance the viola (harmony part) and 3rd violin part are identical. The part may be played with all 3rd violins or equally divided between 3rd violins and violas.
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Franz Joseph Haydn: Sechs Sonaten Fur Violine Und Viola: Violin & Viola:
Violin, Viola (duet)
G. Henle
Six Sonatas for Violin and Viola Hob. VI:1?6-The title ?Solo per il Violino? whi...
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Six Sonatas for Violin and Viola Hob. VI:1?6-The title ?Solo per il Violino? which Haydn gave these sonatas in his ?Entwurf-Katalog? (the handwritten catalogue he maintained of his own works) already gives us an indication: it is only the Violinwhich is treated as a solo instrument in these six sonatas the Viola has an accompanying role. Haydn might have written these ?soli? for himself; but they also might have been for Luigi Tomasini the ?first violinist? atEsterházy?s court. Today these duos enjoy great popularity particularly for teaching purposes. We are now proud to present the definitive Henle edition following the text in the Complete Edition of Haydn?s Works withthe addition of specially composed cadenzas.
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L'Arte E La Tecnica Del Vibrato Sul Violino E Viola (LIPIZER RODOLFO)
Violin
[Sheet music]
Ricordi
L\'art et la technique du vibrato sur le violon et l\'alto. Par LIPIZER RODOLFO....
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L\'art et la technique du vibrato sur le violon et l\'alto. Par LIPIZER RODOLFO. Rodolfo Lipizer was an Italian violinist, composer, teacher, and orchestra director. He dedicated himself with passion to teaching and didactics, always looking for and applying the most valid, modern and effective solutions to technical and interpretational problems related to the violin. The art and the technique of the vibrato on the violin or viola is a systematized didactic of vibrato unique in the pedagogic literature for the left hand technique on the violin and viola. / Date parution : 2022-09-27/ Etude / Violon ou Alto
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Christmas Strings (MILLER DONALD)
Violin and Piano
-
Beginner
Mel Bay
With Piano Accompaniment. Par MILLER DONALD. These books are arranged to be perf...
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With Piano Accompaniment. Par MILLER DONALD. These books are arranged to be performed with various combinations of instruments. This volume presents some of the most beloved repertoire for the Christmas season. Some works are well known, others will sound fresh and new to most players. The pieces may be performed as a solo for each instrument (Violin 1, Violin 2, Viola or Cello) with piano accompaniment, or as duets or trios, as well as full orchestra. If performed with full orchestra, the piano accompaniment is not necessary. The string ensemble series meets all standards for ASTA (American String Teachers Association) and Suzuki Association of the Americas, Inc. If performed with full orchestra, no solo parts should be played except the 1st violin part. Note also, if you wish to perform these works with full orchestra and you are short certain instruments, you still have some flexibility with the score. For example, if there are not enough violas for balance, the viola (harmony part) and 3rd violin part are identical. The part may be played with all 3rd violins or equally divided between 3rd violins and violas. / Niveau : Débutant / Christmas - Ensemble / Recueil / Violon 1 et 2 et Accompagnement Piano
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The Best of Violin - Grade 1: Violin: Instrumental Album
Violin and Piano
[Sheet music + CD]
-
Easy
Faber Music Limited
Over the years many examination pieces have captured the imagination of teacher...
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Over the years many examination pieces have captured the imagination of teachers and students but the stars of past syllabuses are often forgotten. This collection brings together best-loved grade 1 Violin pieces including Land of the Silver Birch Dvorák’s Largo from the New World Symphony and Gershwin’s Oh Lady Be Good.Containing fresh editions of folk and classical masterpieces alongside contemporary favourites all pieces have been rigorously researched by violin expert Jessica O’Leary. A CD of performance and accompaniment tracks is included as are useful practice tips. This book includes piecesfrom current and past Trinity and ABRSM syllabuses.Jessica O’Leary has a successful career as a teacher professional violinist ABRSM examiner and seminar presenter. She has toured and recorded extensively as a member of the Academy of St Martin in the Fields and has performed with Madonna Led Zeppelin the London Symphony Orchestra and the Royal Opera House. She teaches violin and viola and directs string ensembles at St Paul’s Girls’ School Eltham College and Junior Guildhall London.
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Minuetto e Trio per violino e viola (PAGANINI NICCOLO)
Violin, Viola (duet)
[Sheet music]
Ricordi
A cura di Italo Vescovo. Par PAGANINI NICCOLO. Nicolò Paganini?s Minuetto e Tri...
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A cura di Italo Vescovo. Par PAGANINI NICCOLO. Nicolò Paganini?s Minuetto e Trio in F sharp major for violin and viola - the autograph manuscript of which is preserved in the Biblioteca Casanatense in Rome - is, together with his Sonata a violino e viola (M.S. 108), one of the rare pieces the Genoese composer wrote for this particular ensemble. In addition to expanding Paganini?s treasured catalogue, its rediscovery could provide scholars with new insights into the famed virtuoso?s chamber music output. / Date parution : 2022-04-26/ Répertoire / Violon et Alto
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Violin, Viola And More (DIVERS AUTEURS (ARR)
Violin, Cello (duet)
Universal Edition
10 Duets. Par DIVERS AUTEURS (ARR.IGUDESMAN ALEKSEY). Music by Aleksey Igudesman...
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10 Duets. Par DIVERS AUTEURS (ARR.IGUDESMAN ALEKSEY). Music by Aleksey Igudesman is now also available for viola players! 'Violin and Viola and more” features a selection of well-known pieces from his duet series ' and More' arranged for violin and viola in moderate difficulty. The edition includes helpful remarks on background and characteristics of every piece. Thus, style-appropriate interpretation and fun at playing together are guaranteed./ Répertoire / Violon et Alto
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Black Violin Collection: Violin Solo: Score
Violin
[Sheet music]
Hal Leonard
10 original works from hip-hop classical-crossover stars Wil B. and Kev Marcus ...
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10 original works from hip-hop classical-crossover stars Wil B. and Kev Marcus otherwise known as Black Violin. This collection includes pull-out parts for violin and viola in addition to the complete score. Songs include: A-Flat Brandenburg Dirty Orchestra Fanfare Overture/Opus Rhapsody Runnin\' Shaker Stereotypes and Virtuoso.
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The Best of Violin - Grade 5: Violin: Instrumental Album
Violin and Piano
[Sheet music + CD]
-
Intermediate
Faber Music Limited
Over the years many examination pieces have captured the imagination of teacher...
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Over the years many examination pieces have captured the imagination of teachers and students but the stars of past syllabuses are often forgotten. This collection brings together best-loved grade 5 pieces including Pleyel’s Sonatina in B flat Fauré’s Sicilienne and Wedgwood’s Survivor.Containing fresh editions of folk and classical masterpieces alongside contemporary favourites all pieces have been rigorously researched by violin expert Jessica O’Leary. A CD of performance and accompaniment tracks is included as are useful practice tips. This book includes pieces from current and pastTrinity and ABRSM syllabuses.Jessica O’Leary has a successful career as a teacher professional violinist ABRSM examiner and seminar presenter. She has toured and recorded extensively as a member of the Academy of St Martin in the Fields and has performed with Madonna Led Zeppelin the London Symphony Orchestra and the Royal Opera House. She teaches violin and viola and directs string ensembles at St Paul’s Girls’ School Eltham College and Junior Guildhall London.
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Johannes Brahms: Sonata Movement in C minor from the FAE-Sonata: Violin:
Violin and Piano
Barenreiter
Sonata WoO postum for Violin and Piano-Edited by Clive Brown and Neal Peres Da C...
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Sonata WoO postum for Violin and Piano-Edited by Clive Brown and Neal Peres Da Costa with an Urtext solo part as well as a second part with performance markings.Johannes Brahms The Works for one Instrument and Piano:Johannes Brahms? compositions for one instrument and Piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual playerswho first performed these compositions including Brahms himself.The New Urtext Editions:Bärenreiter?s pioneering new scholarly-critical editions of Brahms? works for one instrument and Piano are edited by a team of musicologists who are also performers. They offer today?s musicians not just a reliable musical text based on all known sources but also a comprehensive approach to the works which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis publication history and reception of the works. At the same time there is a complete list of the sources an explanation of the editorial procedures and a Critical Commentary. Also each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter?s Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo rubato rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato portamento and bowing. Last but not least characteristics of Brahms? own Piano playing as well as that of his circle and contemporaries are discussed.The Violin and Viola sonata editions come not only with an Urtext part freed from all editorial emendations but also with an
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Wolfgang Amadeus Mozart: Sinfonia concertante in E-flat major K.364: Violin &
Violin and Piano
Barenreiter
for Violin Viola and Orchestra-There is no reference to the origin occasion or...
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for Violin Viola and Orchestra-There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the ?Symphonie concertante? his special attention. On April 5 1778 he wrote to his father: ?Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon?.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned ?sinfonie concertante? in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart?s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score
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Bohuslav Martinu: Three Madrigals: Violin & Viola: Instrumental Work
Violin, Viola (duet)
Boosey and Hawkes
This is a truly exceptional work and one of the finest in the repertoire for a ...
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This is a truly exceptional work and one of the finest in the repertoire for a string duet. The two parts are individual and equal at nearly all times in the music. There are times when one or the other instrument has a dominant melodic line but then the subsidiary part always has considerable interest. Written for Violin and Viola.
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Helen Grime: To See The Summer Sky (Violin/Viola): Violin & Viola: Score and
Violin, Viola (duet)
Chester
To see the summer sky for Violin and Viola falls into four movements. The first ...
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To see the summer sky for Violin and Viola falls into four movements. The first movement opens with the two instruments sounding almost as one playing very high glassy harmonics. Gradually an expressive viola solo emerges withboth instruments descending to their lower ranges. A livelier quasi scherzando solo for violin accompanied by viola pedal notes leads to a chorale like passage the violin at the top of its range whilst the viola is at itslowest. The movement ends with the two instruments coming together once again on a unison Bb and fades away almost as it has begun but this time in the husky lower registers.The second movement is much faster and openswith a downward flurry for both instruments. A continuous pizzicato line for viola is interrupted by more violent passages in the violin. The two instruments come together in a dance-like passage before the roles are reversed.Finally an ecstatic melody surfaces in the viola and is later continued in the violin before the movement closes with the spiky figures of its opening the two instruments ending in unison.The third movement encompasses isthe most delicate and still music of the piece. After a very tranquil opening an expressive violin melody is accompanied by a gentle rocking figure in the viola. Tentative at first intensity and speed gather until the violinreaches stratospheric heights. Both of the instruments play at the extremes of their registers before moving to common ground for a more lively textural passage. This is followed by a passionate reminder of the movement’s opening gradually fading away to nothing.The piece ends with a Moto Perpetuo. The instruments begin by dovetailing a single line which develops into two strands before a more violent section appears punctuated by strident doublestops. Both instruments have slightly manic solo episodes before the movement quickly dies away in the single line of its opening
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Rêverie Et Caprice (Violin And Piano)
Violin and Piano
Classical guitar
Faber Music Limited
Following the composition of Harold En Italie for Viola and orchestra in 1834, B...
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Following the composition of Harold En Italie for Viola and orchestra in 1834, Berlioz began work on the opera Benvenuto Cellini , which subsequently failed on its first performances at the Paris Opera in 1838. Berlioz withdrew the opera for substantial revision, and from some of the discharged material he later fashioned this Reverie Et Caprice (in versions both for Violin and orchestra and Violin and Piano). Dedicated to Berlioz's violinist friend Alexandre-Joseph Artot, the piece was quickly taken up by several celebrated violinists of the time, including David, Joachim and Wieniawski, and was played all over Europe. This new edition for Violin and Piano, by the musicologist and performer Neil Heyde, is based on the first edition of the score.
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Classic Hits: Violin & Viola: Score
Violin, Viola (duet)
Barenreiter
In Classic Hits For Violin And Viola well-known melodies from the Baroque Clas...
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In Classic Hits For Violin And Viola well-known melodies from the Baroque Classical and Romantic period are arranged by Vladimir Bodunov for Violin and Viola. Both players are of equal standing the role of soloist and accompanist changing constantly. The arrangements stand out for their fidelity to the original works.The arranger Vladimir Bodunov is a versatile musician from Belarus. He performs throughout Europe as a soloist in orchestras and particularly in duo with his wife Marta Danilkovich.
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Georg Friedrich Händel: Arrival Of The Queen Of Sheba: Violin: Instrumental Work
Violin
Oxford University Press
The third act from the Handel's popular symphony Solomon otherwise known as The...
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The third act from the Handel's popular symphony Solomon otherwise known as The Arrival of the Queen of Sheba has been authentically set by Watson Forbes in a versatile arrangement for Strings. This piece can be played by Violin or Viola or two Violins two Violas or a Violin and Viola; all with Piano accompaniment. Either as a duet or solo this is a delightful piece for intermediate to advanced players and will bring much joy into concerts and performances.
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Barn Dance: Violin Duet: Instrumental Album
2 Violins (duet)
Spartan Press
Or Violin And Viola-28 familiar feet-tappin' folk numbers cleverly arranged for ...
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Or Violin And Viola-28 familiar feet-tappin' folk numbers cleverly arranged for either two violins OR for violin and viola. Good barn dance material!Grade: 5
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Johan Halvorsen: Sarabande Con Variazioni: Viola: Instrumental Work
Violin, Viola (duet)
-
Intermediate/advanced
Wilhelm Hansen
For Violin and Viola Duet.
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Wolfgang Amadeus Mozart: Sinfonia concertante in E-flat major K.364: Violin &
Violin, Viola and Orchestra
Barenreiter
There is no reference to the origin occasion or a performance of the Sinfonia c...
(+)
There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the ?Symphonie concertante? his special attention. On April 5 1778 he wrote to his father: ?Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon?.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned ?sinfonie concertante? in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart?s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score
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