SKU: HL.159734

9.0x12.0 inches.

Witaj Reksio! (Hello Reksio!) for two pianos is a collection of short music pieces for young performers. A few titles included in it refer to the themes from the well-known TV series for children, created by Lechoslaw Marszalek in the Animated Film Studi on Bielsko-Biala. The main hero is a very popular character in Poland: a nice dog Reksio who, together with his friends, has accompanied the successive generations, entertaining and educating them. The collection also comprises pieces that do not directly refer to the series. I hope the music will stir the listeners' imagination and will communicate all that the young performers want to tell them with their instruments. I wish all young friends interesting interpretation of my music. I also hope that you will create new interesting music stories that will be played and listened to with great joy. [Zenon Kowalowski].

SKU: HL.51481383

UPC: 196288308102. 9.25x12.25x0.123 inches.

Bach's harpsichord concertos have proven extremely popular, though several were originally written as concertos for another solo instrument – either violin or a woodwind instrument. But we know nothing about any such preliminary versions in the case of the A-major Concerto BWV 1055. Its enchantingly songlike middle movement inevitably makes one think of the oboe d�amore, though there is in fact no reason to suppose that its idiomatic, spirited harpsichord writing was conceived from the outset for anything but a keyboard instrument. Ultimately, this music is so fresh and irresistible that all such speculation is irrelevant. For this Henle Urtext edition of the A-major Concerto, we consulted the autograph score and especially the original orchestral parts that presumably contain the musical text of the concerto as Bach himself performed it. You can�t get more authentic than this! The piano reduction contains the solo part with carefully chosen fingerings by Michael Schneidt, plus a piano accompaniment that Johannes Umbreit has arranged so as to be practical and easily playable.

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What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
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• longest Urtext experience (founded 1948 exclusively for Urtext editions)