SKU: BT.EMBZ6554
Hungarian-English-German-French.
Béla Bartók planned in 1939 to arrange for two violins and three violins his choral works (for egual voices). He was prevented from doing this by his early death. At the request of the Editio Musica Budapest, Endre Szervánszky has undertaken this task in 1971. His arrangements, which we are bringing out in two volumes, offer valuable material both to violin teaching and group music-making. Béla Bartók plante im Jahre 1939 die Bearbeitung seiner Chöre (für gleiche Stimmen) für zwei, bzw. drei Violinen. Sein früher Tod verhinderte jedoch dieses Vorhaben. Im Auftrag der Editio Musica Budapest löste Endre Szervánszky diese Ausgabe. Seine in zwei Heften erscheinenden Bearbeitungen bieten sowohl für den Unterricht als auch für das gemeinsame Musizieren wertvolles Material.
SKU: BT.EMBZ6555
German-Hungarian.
Béla Bartók planned in 1939 to arrange for two violins and three violins his choral works (for egual voices). He was prevented from doing this by his early death. At the request of the Editio Musica Budapest, Endre Szervánszky has undertaken this task. His arrangements, which we are bringing out in two volumes, offer valuable material both to violin teaching and group music-making. Béla Bartók plante im Jahre 1939 die Bearbeitung seiner Chöre (für gleiche Stimmen) für zwei, bzw. drei Violinen. Sein früher Tod verhinderte jedoch dieses Vorhaben. Im Auftrag der Editio Musica Budapest löste Endre Szervánszky diese Ausgabe. Seine in zwei Heften erscheinenden Bearbeitungen bieten sowohl für den Unterricht als auch für das gemeinsame Musizieren wertvolles Material.
SKU: BT.EMBZ14880
Composer and violinist János Lavotta (1764-1820), as a member of the ''virtuoso trio'' who played a great role in the history of Hungarian music, was one of the pioneers of verbunkos music. (The other two key players being János Bihari and Antal Csermák.) Although Lavotta s Violin Duos Op. 49 must have also been used for playing music at home, they show the composer's clear educational intent since the fourteen consecutive pieces gradually increase in difficulty in both technical and musical respects. The relatively short and undemanding melodies (which can be grasped by beginners), the sequence-like structure that makes practising individual technical elements possible, therhythmical-harmonic accompanying forms, as well as the temperately applied modulations are definitely suitable for beginner violinists to achieve significant progress in playing. According to music historian Mária Domokos, Lavotta's duos could have been included in the syllabus of any contemporary music school at the time. The first publication of Easy Duos - which came out on the 250th anniversary of the Lavotta's birth - was edited by János Dombóvári who provided the fingering and the necessary instructions for performance. Die Erstauflage von EASY DUOS - die anlässlich des 250. Geburtstag von Lavotta erschien - wurde von János Dombóvári mit Fingersätzen und Spiel-Tipps ergänzt. Die 14 relativ kurzen, spielfreundlichen Melodien, die unkomplizierte rhythmisch-harmonischeStruktur und die einfachen Modulationen machen sie zu idealen Übungsstücken für Anfänger, ohne diese jedoch zu unterfordern.
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