Par COUNT GUIDO DEIRO. Count Guido Deiro (1886-1950), Italian-born composer and accordion virtuoso. Deiro was a major force in the popularization of the accordion in the early 20th century. Concert accordionist and scholar Henry Doktorski has transcribed and edited all of Deiro's original music for accordion--45 pieces including waltzes, rags, marches, polkas, fox trots, tangos, and popular Deiro favorites: My Florence Waltz, Egypto Fantasia, Sharpshooter's March, and the Broadway hit, Kismet. A lengthy essay and rare photos from the Deiro family archive complete the 192-page book. / Niveau : Intermédiaire / European - Solos / Recueil / Accordéon ou Clavier

This volume brings together an eclectic mix of 100 hits, oldies, pop and folk songs for Accordion, all in easy arrangements. All titles are popular in the field of Schlager, oldie and mood music, including of course shanties and popular folk music.This book has specially designed fold-out pages, meaning nearly all of the songs can be played without having to turn the page.The varied songlist includes: Heimweh, Rot sind die Rosen, So a schöner Tag, Sailing, Proud Mary, Resi, i hol di mit meim Traktor ab, A Rindvieh, Capri Fischer, Florentinische Nächte, Kufsteiner Lied, Das Edelweiß, Let It Be, Nobody Knows, Seemann, deine Heimat ist das Meer, Santo Domingo, Only You, Hey Jude, Oh Lonesome Me, Viva Colonia, Chianti Lied, Schunkelmedley and many more. / Accordéon

This album contains seven original compositions of various styles that perfectly suit the accordion, such as a a polka, waltz and tango as well as some rather rare ones like foxtrot, jazz waltz, swing and bossa nova. On the one hand, the dances are of an educational character, aiming to provide guidance for left-hand accompaniment to various musical styles, linking of chords, harmonizing the melody to be played by the right hand and achieving a 'rich' sound. On the other hand, when played at a high standard they are also concert pieces appropriate for the stage. The pieces are recommended to advanced music school students and secondary school students. They are also perfectly appropriate for accordion players who are generally interested in quality popular music for their instrument. / Accordéon

If you're new to the accordion, you are probably eager to learn some songs. This book provides 50 simplified arrangements of must-know popular standards, folk songs and show tunes / Niveau : Facile / Recueil / Accordéon

Par DIGIUSEPPE DAVID. This book presents a collection of classic wedding standards for solo keyboard accordion. The songs are presented in easy-to-read arrangements in popular keys. Each piece includes fingering suggestions and a recommendation for placement within the wedding ceremony. Arrangements vary from easy to intermediate / Niveau : Facile / Date parution : 2019-05-27/ Recueil / Accordéon

Par KRZANOWSKI ANDRZEJ. The cycle of nine Reliefs was written between 1984 and 1989, during the last period in Andrzej Krzanowski?s life, and it provides further evidence of his interest in the fine arts, which he exploited in his compositional work. The sculpture technique enabling an artist to create bas reliefs of varying degrees of convexity, for which the raw material is so important, is faithfully reflected in Relief II, where the accordion offers such possibilities for shaping the sound, dynamics, timbre and articulation that the narrative pursued in this work, involving the expansion and contraction of sound streams and the consistent processing of the raw material (whole tone ? semitone scale), creates a ?musical relief ?. This is not a dramatic or virtuosic work. Time flows slowly, on low, subtly fluctuating dynamic levels, the bands of sounds that form streams of varying density are written solely by means of horizontal lines, stretched out across regular bar lines that measure out the time, and the static unfolding of the music is enriched solely with vibrations. The sounds alternately overlap and fade. Sometimes they occur in imitation, and self-contained chords appear incidentally. The contemplation of time, multi-level structuring, subtlety and? dedication to the brilliant Japanese composer Toshio Hosokawa account for the popular name of this work ? ?Japanese?. Fragment of preface Grazyna Krzanowska translated by John Comber / Date parution : 2022-11-08/ Recueil / Accordéon

In view of the enormous upswing in popularity that the accordion has experienced as an avantgarde instrument in the last decades of the twentieth century, a systematic elaboration of the latest instrumental techniques and forms of expression, as well as detailed instructions on how to employ the accordion have been sorely lacking.
This book explains all the playing techniques, registers as well as tonal potentials and expressive possibilities of the accordion. It demonstrates the distinctive elements of these techniques and in addition, gives composers valuable information concerning notation.
A CD with examples of sound techniques and excerpts from the repertoire is included. An extra fold-out chart presents a full-sized layout of the treble and bass sides, helping composers to check fingering possibilities. This long-awaited book will be an essential tool for composers, performers and teachers.

- Comprehensive description of all relevant playing techniques on the button accordion
- Practical notation suggestions for composers
- Music examples from important contemporary works
- CD containing examples of all registration and playing techniques and excerpts from the repertoire
- Full size, fold-out chart giving the arrangement of the buttons on the instrument
- Text in two languages (Ger/Eng)

?This book by Bettina Buchmann is a real boon; it gives not only a representative overview of the latest instrumental techniques and forms of expression on the accordion today, but paves the way for composers and accordionists to compose and perform idiomatically on the instrument. The author and publisher deserve the highest recognition for this.? (Teodoro Anzellotti)

?The accordion has enjoyed a revival in popularity in recent times ? numerous composers have discovered it as a solo instrument, in chamber music and also for its orchestral sound. I?m really happy to have this exceptionally clearly laid out book by Bettina Buchmann by my side as a guide and incentive for my further explorations into the instrument.?
(Beat Furrer)
/ [Les Techniques du jeu d'accordéon] / Méthodes

Klezmer music remains popular in Europe thanks to the folk revival of the late 1960s. The accordionist Alan Bern collected and arranged this exceptional edition of traditional Klezmer pieces for intermediate players. In keeping with international standards, the collection has a strong focus on the notation and chord indications of the left hand. / Accordéon