By Joel Rothman. For For all instruments. Published by Joel Rothman Publications. This publication contains material similar to Teaching Rhythm. However, it is a pocket-size book which makes it easy to carry around. There's almost 250 pages of rhythm in quarter time for you to clap.

Arranged for Ukulele and Easy Keyboard. By Ian Whitcomb. For All Instruments. SongBook. Vaudeville/Tin Pan Alley. Book/CD Set. 72 pages. Published by Mel Bay Publications, Inc. (20859BCD) Level: Beginning-Intermediate.

For All Instruments with Guitar Chords. By Robert Bielefeld. For All Instruments. Tune Book. Early Music/Renaissance. Level: Beginning-Intermediate. Book/CD Set. Size 9x11.75. 152 pages. Published by Mel Bay Publications, Inc.

SKU: M7.AHW-1630

For all instruments. Composed by Walter Stuart. Sheet music. Method. 39 pages. Charles Colin Corp. #AHW 1630. Published by Charles Colin Corp. (M7.AHW-1630).

English.

In this book, Walter Stuart presents a system of how to piece together an unlimited amount of jazz choruses. The accent is on utmost simplicity. This book is designed for wide appeal, for it is directed not only towards the ambitious music student and the professional instrumentalist, but the arranger as well. NO SPECIAL TRAINING REQUIRED This collection of 1080 JAZZ PHRASES has the similarity and simplicity of o jig-saw puzzle. Assembled here within the foregoing text, the Stuart's system reveals the key to an unlimited amount of smooth flowing and professional sounding choruses.

Melody instrument (in Bb, Eb, C) and piano

SKU: M7.AHW-1901

Composed by Charlie Parker. Sheet music. 31 pages. Charles Colin Corp. #AHW 1901. Published by Charles Colin Corp. (M7.AHW-1901).

The 'Charlie Parker Yardbird Originals' were originally published in 1954 by my dad, Dr. Charles Colin. In his memoir, 'Reflections II', he includes the colorful story of how it came to be that he met Charlie Parker and would publish this early work. Using most of Pop's lingo, here is a synopsis of that story: 'In the 40's - early 50's 'I' had eight studios on the second floor at 111 West 48th Street with several outstanding teachers. One of whom was Jimmy Abato who played bass clarinet with the Met. Between lessons, Jimmy relaxed at Jim and Andy's, a bar frequented by the top studio and recording artists where they would all meet for a few congenial moments in between sessions. One day Jimmy was chatting with Charlie Parker who confided that he was going through difficult times and was looking for a way to earn some cash. Jimmy, knowing that pop was into music publishing, suggested that Parker and he meet with the idea that he write a few Be Bop tunes that could be printed in book form. Even though Bebop was not yet in the mainstream or necessarily accepted by the music world, pop had great admiration and confidence in 'Charlie Parker' and was willing to make the considerable investment.' Each of the 5 tunes is presented here transposed into B-flat, C, and E-flat, alongside a piano accompaniment. Take a look at the sample pages to the left and then click above to get a physical copy sent directly to your door.