SKU: BT.DHP-1135444-400

ISBN 9789043138420. 9x12 inches. English.

Now solo instrumentalists can play play along with 14 intermediate-level tunes from Musicals like The Sound of Music, Mary Poppins and Beauty and the Beast.These books include CDs with orchestral accompaniment tracks.
ABC (THRILLER - The Musical)
Always Look on the Bright Side (SPAMALOT)
Beauty And The Beast (BEAUTY AND THE BEAST)
Belle (BEAUTY AND THE BEAST)
Circle of Life (THE LION KING)
Defying Gravity (WICKED)
Good Morning Baltimore (HAIRSPRAY)
I Just Cant Wait To Be King (THE LION KING)
My Favourite Things (THE SOUND OF MUSIC)
One Short Day (WICKED)
Sixteen Going On Seventeen (THE SOUND OF MUSIC)
Supercalifragilisticexpialidocious (MARY POPPINS)
That Face (THE PRODUCERS)
We Are The Champions (WE WILL ROCK YOU)


Wem BEST OF FILM and TV gefällt, wird auch Freude an BEST OF MUSICAL haben. Die 14 mittelschweren Solostücke aus bekannten Musicals können zur Orchesterbegleitung der CD gespielt werden. Das macht richtig Laune! Inhalt:
ABC (THRILLER - The Musical)
Always Look on the Bright Side (SPAMALOT)
Beauty And The Beast (BEAUTY AND THE BEAST)
Belle (BEAUTY AND THE BEAST)
Circle of Life (THE LION KING)
Defying Gravity (WICKED)
Good Morning Baltimore (HAIRSPRAY)
I Just Cant Wait To Be King (THE LION KING)
My Favourite Things (THE SOUND OF MUSIC)
One Short Day (WICKED)
Sixteen Going On Seventeen (THE SOUND OF MUSIC)
Supercalifragilisticexpialidocious (MARY POPPINS)
That Face (THE PRODUCERS)
We Are The Champions (WE WILL ROCK YOU)

SKU: HL.48181367

UPC: 888680788445. 9.25x12.25 inches.

Composed by J.S. Bach originally for flute and piano, this edition of 6th Sonata was arranged for alto saxophone in E flat and piano by Marcel Mule. Its difficulty would fit the skills and abilities of intermediate players. In terms of composition, this piece was created in four different sections: Adagio ma non tanto, Allegro, Siciliano and Allegro.

Marcel Mule (1901-2001) is one of the greatest French saxophonists, renowned worldwide for his work on the classical saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on the embouchure, the emission, the mastery of vibrato and thus of breathing. He wrote different methods that focus on technique, articulation and tone productions such as Scale and Arpeggios (in three books), Daily Exercises After Terschack or 30 Great Exercises or Studies After Soussmann (in two books), among others.