SKU: HL.14004105
ISBN 9788759860311.
Work for Alto Saxophone and Piano.
SKU: HL.49044711
ISBN 9790001190503. UPC: 841886019409. 9.0x12.0x0.049 inches.
One of the most famous melodies by Faure is now available in arrangements for oboe, alto saxophone and trumpet.
SKU: SU.50004070
Published by: Seesaw Music.
SKU: FL.FX073463
The Saxophone du cote de chez Proust is a series of pieces composed by Pascal PROUST with piano accompaniment. Each piece is also published separately.This volume puts together 5 original pieces that can be played from 5 years of saxophone practice. ; Instruments: 1 Alto Saxophone 1 Piano; Difficuly Level: Grade 3.
SKU: SU.29090030
A transcription for alto saxophone and piano, with motives based on yiddish musical themes. A humorous work, perfect as a recital opening or middle work.Alto Saxophone and Piano Duration: 6' Composed: 1998 Published by: Syrah Music Publishing.
SKU: HL.14004110
ISBN 9788759860472. 10.25x14.5x0.425 inches.
SKU: AP.1-ADV7054
UPC: 805095070545. English. Transcribed by Trent Kynaston.
Romanze has been transcribed for alto saxophone and piano by Trent Kynaston.
SKU: HL.50601598
8.0x11.75 inches.
The catalogue of Edison Denisov's works includes 16 concertos. It was a genre to which he returned time and again throughout his life, from the Concerto for Cello and Orchestra of 1972 to the Double Concerto for Flute, Clarinet and Orchestra of 1996.In Denisov's music the role of the soloist, or rather the protagonist, is extraordinarily important, not so much for its virtuosity as for its confessional character. The solo part is a monologue distinguished by poetic diction and a very personal message from thecomposer. The dramaturgical conception of the Concerto for Saxophone and Orchestra, a reworking of the Viola Concerto of 1986, draws on traditional sonata form, thereby reaffirming the ubiquitous classicism in Denisov's thought. In this late work, we find all the typical features of his style: sinuous melodic lines layered into dense contrapuntal textures, and an interplay of orchestral colours, with pure sonorities contrasting with complex mixtures of sounds. It is a perfect dramaturgy that governs the evolution of the music to the very end. The first movement assumes the role of a sonata-allegro, with the standard formal sections of exposition, development,recapitulation and coda. The second movement is an Adagio for strings. The third takes the form of a little contrasting intermezzo that introduces both new thematic material and a new range of colours. Here tunefulness gives way to pointillism enriched with soniceffects. The only movement with a virtuosic solo part, its nervousness and inner tension set it worlds apart from the second and fourth movements that surround it. The fourth movement assumes the traditional form of a final set of variations. It is the dramaturgical and semantic heart of the concerto. The theme of the variations is Franz Schubert's Impromptu in B-flat major, op. 142, which in this case is 'born' from the celesta as the product of a dodecaphonic string cluster. This finale represents Denisov's homage to his great mentor, Schubert's music being for him a symbol of eternal and universal beauty. 'The attentive listener', Denisov stressed, 'will recognise that the Impromptu theme is already suggested very slowly in the course of the three preceding movements, not only thematically, but also psychologically. That's what makes the appearance of the Schubert theme sound so natural.' The variations relate to the variation genre less in their form than in their spiritual and conceptual metamorphoses. It is, one might say, 'music round about Schubert'. (Ekaterina Kouprovskaia-Denisova).
SKU: AP.1-ADV7032
UPC: 805095070323. English.
New Wave is built from musical materials which are similar to many of the extended harmonies and modal structures found in jazz. The first movement is set in a driving 6/8 rhythm with extensive imitative counterpoint between the saxophone and the piano. The middle movement begins with a short cadenza-like passage from the saxophone leading to transparent ethereal presentation of themes, followed by a heavy, dark section. The final movement gradually builds to a dramatic, optimistic conclusion with an infectious, driving rhythm. Titles: Black Light * Heavy Water * Slame Dance.
SKU: FL.FX072520
I wanted to compose a revised and corrected Medley on some pages of this brilliant composer that was Mozart. The performer will enjoy playing this piece well suited to her/his instrument. - Jerome NAULAIS ; A perfect Piece for exams or auditions - for musicians with 6 years of instrument practice ; Instruments: 1 Alto Saxophone 1 Piano; Difficuly Level: Grade 4; Duration: 5 mn 45 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Jerome NAULAIS;.
SKU: MA.EMR-56808
Possible instrumentations:Alto Saxophone & CD Play Back / Play AlongAlto Saxophone & Piano (+ CD Play Back / Play Along optional).
SKU: HL.49029357
ISBN 9790220101663. 9.0x12.0x0.04 inches.
SKU: AP.1-ADV7053
UPC: 805095070538. English.
The Children's Suite features 16 pieces inspired by A. A. Milne's Now We Are Six, a book for children of all ages. The songs represent the wonderful world of Christopher Robin and Pooh et al. and falls into two categories; jazz and classical. The improvisation sections can be omitted or elongated depending on the level of the player. Titles: Overture * Busy * Down by the Pond * Buttercup Days * The Engineer * The Emperor's Rhyme * Forgiven * Furry Bear * A Knight in Shining Armor * Come Out with Me * The Good Girl * Twice Times * Solitude * Forgotten * The Morning Walk * The End.
SKU: SU.26190260
Three lyrical piecesAlto Saxophone and Piano Duration: 10' Composed: 2011 Published by: Freundworks Publishing.
SKU: BT.DHP-1125292-400
ISBN 9789043141772. 9x12 inches. English-German-French-Dutch.
Performance pieces for piano and clarinet in which the level of difficulty for both players is similar are always in demand. The 20 pieces in this book — arrangements of well-known tunes as well as original compositions — are aimed at pupils who have been playing for approximately three years. Both players will learn a great deal and will have double the playing fun. Two is a Team — after all playing together is almost always at the heart of music!Er blijkt steeds weer behoefte te zijn aan samenspeelstukken voor piano en altsaxofoon waarin beide partijen een vergelijkbare moeilijkheidsgraad hebben. De 20 stukken in dit boek — zowel bewerkingen van bekende liedjes als originele composities — zijn bedoeld voor leerlingen die ongeveer drie jaar spelen. Beiden zullen er veel van leren en er dubbel plezier aan beleven. Two is a Team — in de muziek draait het immers vrijwel altijd om samenspel!Es gibt immer Bedarf an Stücken für Klavier und Altsaxophon, in denen die Stimmen für beide Spieler ähnlich schwer sind. Die 20 Stücke in diesem Buch — die sowohl bekannte Melodien als auch originale Kompositionen umfassen — richten sich an Instrumentalschüler, die bereits etwa drei Jahre Unterricht hatten. So können beide etwas lernen und haben doppelt Spaß. Two is a Team — denn schließlich geht es beim Musizieren doch fast immer um das gemeinsame Musikerlebnis!La littérature musicale semblerait être dénuée de morceaux de concert pour piano et alto saxophone dont le degré de difficulté soit peu près le même pour les deux musiciens. Les 20 morceaux de ce recueil — arrangements d’airs connus et compositions originales — sont destinés aux élèves qui jouent depuis environ trois ans. Ils profiteront tous deux de ce travail et prendront doublement plaisir interpréter ces morceaux. Après tout, jouer avec d’autres est un des grands plaisirs qu’apporte la pratique de la musique !Two is a Team raccoglie composizioni originali e brani del repertorio classico noto al pubblico, indirizzati agli strumentisti con circa tre anni di studio alle spalle. Il livello di difficolt dei brani contenuti nella pubblicazione è molto simile per entrambi gli strumentisti, rendendo così più facile un’esecuzione con l’accompagnamento del piano.
SKU: HL.49044150
ISBN 9790001181679. UPC: 841886018457. 9.0x12.0x0.058 inches.
Mit einem Paukenschlag wurde die Musikwelt auf Erik Satie (1866-1925) aufmerksam: Als am 18. Mai 1817 sein Ballett 'Parade' uraufgefuhrt wurde, kam es zum Skandal. Die Produktion, an der auch Sergei Djagilew mit seinen 'Ballets Russes', Pablo Picasso (Buhnenbild und Kostume), Jean Cocteau (Handlung) sowie Leonide Massine (Choreographie) beteiligt waren, entzweite die Pariser Musikwelt, machte den Komponisten aber weithin bekannt. Satie, der kaum eine fundierte musikalische Ausbildung genossen hatte und fast zeit seines Lebens in Paris lebte, entwickelte einen neuen musikalischen Stil, in bewusster Abkehr vom 'Wagnerisme' seiner Zeit. Klassische Formmodelle, neue Harmonik, Leichtigkeit im Stil, Meditatives und Clowneskes verschmolzen originell. Zum Musterbeispiel dafur sind seine '3 Gymnopedies' von 1888 geworden, deren erste hier fur ein Soloinstrument mit Klavierbegleitung arrangiert wurde: Das Musizieren dieser beruhmtesten Miniatur von Satie wird damit auch Nicht-Pianisten ermoglichst - die einfache Spielbarkeit erlaubt den Einsatz auch fur padagogische Zwecke.
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