SKU: PR.114419850
ISBN 9781491135808. UPC: 680160681044. 9 x 12 inches.
Both a spectacular concerto for saxophone, and a dramatic tone poem on Roman mythology, QUICKSILVER is a 23-minute concerto for Alto Saxophone and Wind Ensemble by one of the sax literature’s most commissioned and admired composers.Through worded captions as well as gorgeously expressive tone painting, Movement 1 depicts the birth and childhood pranks of Mercury, Movement 2 shows him escorting souls to the gates of the Underworld, and Movement 3 is a phantasmagoric finale portraying Mercury as messenger amid the conflicts of other mythological figures. There are many YouTube performances available, both in the original version with Wind Ensemble, and with Piano.In addition to being another name for the element mercury, “quicksilver†is used to describe something that changes quickly or is difficult to contain. My concerto of the same name was inspired by the Roman god Mercury, as well as the mercurial nature of the saxophone: unpredictable, very lively, and volatile. Mercury (known as Hermes in Greek mythology) is best known for his winged shoes, which allowed him to fly swiftly as the messenger of his fellow Olympians. Mercury had other duties too, including serving as the god of merchants, travelers, and tricksters; he also ushered souls of the departed to the Underworld.Quicksilver tells three tales of the Roman god. The first movement (Antics of a Newborn God) opens with the birth of Mercury; after he takes his first steps, he toddles around, gleefully looking for mischief. He stumbles across a herd of cows that belong to his brother Apollo; Mercury slyly lets the cows out of their pen before toddling onward with his mischief-making.In the second movement (Guiding Souls to the Underworld), Pluto, god of the Underworld, bids Mercury to bring him fresh souls. The movement begins with death-knells tolling for humans who are about to die; Mercury picks up these souls and leads them down to the gates of the Underworld.The third and final movement (Messenger of Olympus) depicts Mercury as he is busily running errands for various gods and goddesses. We first encounter him mid-flight as he dashes to earth to find Aeneas, a Trojan lieutenant who had been run out of Troy by the invading Greeks. Aeneas is on a quest to find land on which to establish a new city that would eventually become Rome. While traveling, he is distracted from his quest when he meets the beautiful queen Dido. They live together for many years before Mercury intervenes; he chastises Aeneas for giving up on his quest and persuades him to pick it up again. As Aeneas mournfully resumes his journey, we hear Dido perish of a broken heart. Mercury then takes to the skies to seek out Perseus, who is preparing to kill Medusa, the hideous gorgon who has snakes for hair and a gaze that turns those who catch her glance into stone. Mercury advises Perseus on how to slay Medusa and lends Perseus his sword to do the deed. We hear Perseus victorious in the beheading of Medusa, after which Mercury takes to the skies once more to fly home to Olympus.
SKU: FL.FX073472
A page for young saxophone players from 4 years of instrument practice. They will employ all their agility, will present it to a large audience, take some risks... as acrobats and jugglers... - Pascal PROUST ; Instruments: 1 Alto Saxophone 1 Piano; Difficuly Level: Grade 3.
SKU: FL.FX072558
A couple, forced to take refuge in a frightening castle (minor mode), startles regularly each time it encounters one of its occupants, all dressed in black as Dracula... - Alain LOPEZ ; A Piece for students from 1 year of instrument practice ; Instruments: 1 Alto Saxophone 1 Piano; Difficuly Level: Grade 1; Duration: 1 mn 45 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Alain LOPEZ;.
SKU: HL.48181052
UPC: 888680787851. 9x12 inches.
As the title suggests, this sonatine interprets musical elements of sport. With this in mind, Tcherepnine's Sonatine is a highly amusing, energetic and fun piece to play for saxophonists. Russian born composer Alexandre Tcherepnine (1899-1977), moved to Paris with his family in 1921 following the increasingly hostile political environment in Russia. During WWII, Tcherepnine's composing activities virtually stopped. However, just before doing so, he composed his Sonatine Sportive. The first movement interprets boxers, with pulsating quavers in the piano part representing a defense. Movement two suggests a rest that the two players take before the 'racing' third movement, written in the form of a canon. With such stimulating and imaginative creativity, Tcherepnine's Sonatine is a fun addition to the saxophonist's repertoire.
SKU: YM.GTW01091429
ISBN 9784636914290.
25 songs arranged for solo saxophone and piano. Saxophone part with a book for piano accompaniment and Karaoke CD. 25Shou Zhong Yin Sa Ke Si Guan Du Zou Qu ,Gang Qin Ban Zou . Han Sa Ke Si Guan Pu Ji Gang Qin Ban Zou Pu &Ban Zou CD. 1. Soshunfu(Ode to Early Spring); 2. Haru no Umi(Sea in Spring); 3. Hana; 4. Sakura Sakura; 5. Oborozukiyo(A Night with a Hazy Moon); 6. Amefuri Otsukisan(Moon in the Rain); 7. Kono Michi; 8. Hamabe no Uta(A Song at the Seaside); 9. Yashi no Mi; 10. Natsu no Omoide(A Memory from Summer); 11. Nanatsu no Ko; 12. Aka Tombo(Red Dragonfly); 13. Momiji; 14. Furusato(My Old Town); 15. Sato no Aki; 16. Nagori Yukii(Snowfall at the end of the Winter); 17. Nada SouSou(Down Come My Tears); 18. Ue o muite Aruko(Sukiyaki Song); 19. Kawa no nagare no Yo ni(As a River's Running); 20. Hana wa Saku(Flowers Will Bloom); 21. Satoukibi Batake(In a Large Field of Sugarcane); 22. Sen no Kaze ni natte(A Thousand Winds); 23. Stand Alone; 24. Miagete goran Yoru no Hoshi wo(Look up at the Night sky); 25. Jidai 1. Zao Chun Fu ; 2. Chun Zhi Hai ; 3. Hua ; 4. Ying Hua ; 5. Meng Long Yue Ye ; 6. Yu Zhong De Yue Liang ; 7. Zhe Tiao Lu ; 8. Hai Bin Zhi Ge ; 9. Ye Zi De Guo Shi ; 10. Xia Ri Hui Yi ; 11. Qi Ge Hai Zi ; 12. Hong Qing Ting ; 13. Hong Xie ; 14. Gu Xiang ; 15. You Jian Chui Yan ; 16. Can Xue ; 17. Lei Guang Shan Shan ; 18. Ang Shou Xiang Qian Zou ; 19. Chuan Liu Bu Xi ; 20. Hua Zheng Zai Kai ; 21. Gan Zhe Tian ; 22. Hua Wei Qian Feng ; 23. Stand Alone; 24. Yang Wang Xing Kong ; 25. Shi Dai.
SKU: ND.SAXO70
SKU: BT.DHP-1185923-404
ISBN 9789043155038. English.
Look, Listen & Learn sets the bar for brass and woodwind teaching nowadays. These exciting method book/CD packs for beginners contain songs, music puzzles and games to increase the pupils’ understanding of music, information about their instrument, and lots of fun pieces to play. The three volumes of the method that form the basis of this series are enhanced by several books with supplementary material designed to correspond with the progress of the method.
In Meet the Masters, the melodies are arranged in increasing order of difficulty and can be used in conjunction with all three volumes of the Look, Listen & Learn method series. Pupils takea journey through music history and meet the most important composers of classical music, from Tielman Susato to Anton n Dvo ák, together with pertinent historical commentary. The present edition includes printed music for piano accompaniments, expertly arranged at a moderate level of difficulty, which are also available in recorded versions online to stream or download.
SKU: FG.55011-432-6
ISBN 9790550114326.
According to the composer, the sonata for alto saxophone and piano, which he regards as his first mature composition, takes its title from the astronomical term referring to the spacetime boundary in a black hole beyond which light can no longer escape - a point of no return. Event Horizons is an intensely emotional piece, stemming from reflections on the immensity of the universe and one's own place in it. The title was merely a catalyst, an image that sparked the creative process. Whittall was also greatly affected by the spaciousness and subtle intricacies of Eastern music - the gamelan music of Bali in particularly. Much of the resulting music is reminiscent of the ringing of bells or gongs, which in so many cultures has great ceremonial and spiritual importance. They can be seen as a symbol of connection between the natural and meta-physical worlds. At its core, Event Horizons is an intense rite of passage, a quest for ultimate understanding, and perhaps reaches it, at least in part.
SKU: FL.FX071918
The wind carries away the yellow leaves fallen on the pavement, the cafes put tables and chairs in... I evoke here a fall tour that is difficult to do quietly in Paris. How to take your time in this city with so many streets to cross (musical phrases of 3 measures), cars or buses to avoid (musical phrases starts on the second time). While the chestnut vendors are on subway entrances, how not to hurry like others (theme B) to 'catch' the subway...
SKU: FL.FX071561
How to make a good music recipe with few ingredients? Take some quavers, long values and swing the harmonies...
SKU: FL.FX071569
The purpose of this composition is to familiarize yourself with the unusual 5/4 metric, often associated to the famous jazz standard by Paul Desmond, Take Five. Rhythms and articulation are varied but without major difficulty. This iece is dedicated to the saxophonist Michel Itier.
SKU: FL.FX071198
I had fun to mix three musical styles remotely related. My idea was to take a classical musical phrase then to reharmonize it to give it jazz or pop colors. Here is for the 'short story'.
SKU: HL.50601598
8.0x11.75 inches.
The catalogue of Edison Denisov's works includes 16 concertos. It was a genre to which he returned time and again throughout his life, from the Concerto for Cello and Orchestra of 1972 to the Double Concerto for Flute, Clarinet and Orchestra of 1996.In Denisov's music the role of the soloist, or rather the protagonist, is extraordinarily important, not so much for its virtuosity as for its confessional character. The solo part is a monologue distinguished by poetic diction and a very personal message from thecomposer. The dramaturgical conception of the Concerto for Saxophone and Orchestra, a reworking of the Viola Concerto of 1986, draws on traditional sonata form, thereby reaffirming the ubiquitous classicism in Denisov's thought. In this late work, we find all the typical features of his style: sinuous melodic lines layered into dense contrapuntal textures, and an interplay of orchestral colours, with pure sonorities contrasting with complex mixtures of sounds. It is a perfect dramaturgy that governs the evolution of the music to the very end. The first movement assumes the role of a sonata-allegro, with the standard formal sections of exposition, development,recapitulation and coda. The second movement is an Adagio for strings. The third takes the form of a little contrasting intermezzo that introduces both new thematic material and a new range of colours. Here tunefulness gives way to pointillism enriched with soniceffects. The only movement with a virtuosic solo part, its nervousness and inner tension set it worlds apart from the second and fourth movements that surround it. The fourth movement assumes the traditional form of a final set of variations. It is the dramaturgical and semantic heart of the concerto. The theme of the variations is Franz Schubert's Impromptu in B-flat major, op. 142, which in this case is 'born' from the celesta as the product of a dodecaphonic string cluster. This finale represents Denisov's homage to his great mentor, Schubert's music being for him a symbol of eternal and universal beauty. 'The attentive listener', Denisov stressed, 'will recognise that the Impromptu theme is already suggested very slowly in the course of the three preceding movements, not only thematically, but also psychologically. That's what makes the appearance of the Schubert theme sound so natural.' The variations relate to the variation genre less in their form than in their spiritual and conceptual metamorphoses. It is, one might say, 'music round about Schubert'. (Ekaterina Kouprovskaia-Denisova).
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