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Baritone voice, Piano
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Vassilieva Elena - Vocalises Minute - Baryton-basse and Piano
Franテァais
Baritone voice, Piano
Lemoine, Henry
Prテゥsentation Ces vocalises sont faites pour trouver la virtuositテゥ de sa voix,...
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Prテゥsentation Ces vocalises sont faites pour trouver la virtuositテゥ de sa voix, et sa fluiditテゥ dans une テゥcriture d'aujourd'hui. Vous y trouverez quelques fondamentaux comme les grands intervalles, la longue tessiture, pour toutes les voix, le chromatisme, le tempo rapide vocalisテゥ, les slanci ou glissati, les quarts de tons, les nuances ainsi que les tenuti pianissimi ou encore le decrescendo finissant sur un fil di voce. La valeur ajoutテゥe sur le plan rythmique habituera le chanteur テ combiner les textes sur une pulsation interne permanente malgrテゥ l'exテゥcution de la mテゥlodie テゥtudiテゥe. Les tenuti ouvriront l'imaginaire du chanteur en y plaテァant le texte, ad libitum. Les respirations inaudibles pour certains textes - proches de la mテゥlodie ou du rテゥcitatif - cテエtoieront quelques inspirations et expirations audibles, ou sons-bruits fantテエmes. J'accorde beaucoup d'importance テ l'articulation du texte en bouche, et テ la place des lティvres dans l'acoustique du son. En effet, le chanteur transporte son propre thテゥテ「tre テ l'italienne partout et son palais devient alors le fin connaisseur de la place des aigus et sur-aigus. Le chanteur est un gourmet de sa bouche et de tout son appareil phonatoire et respiratoire. Le sprechgesang aura une large part dans ces vocalises. Quelques nouvelles idテゥes d'テゥcritures apparaissent comme celles des agrテゥgats ou arpティges, les pleurs, les rires, la main devant la bouche, le rauco, les sons soufflテゥs, le bruit des lティvres, la langue sortie roulテゥe sur la lティvre supテゥrieure, les claquements de langue, le vibrato glottique. La prテゥsence du chanteur sera indispensable pour donner du sens aux textes empruntテゥs au rテゥpertoire des opテゥras classiques choisis. Ces Airs connus par coeur par chaque chanteur, que ce soit Carmen, Adolar, Mテゥphistophテゥlティs, Mab, Pテゥdrillo, Marina, Anna Bolena, Lucrezia, Philippe II, Urbain, La Reine de la nuit, Vulcain, Sarastro ou Erda, pour n'en citer que quelques-uns, glisseront peu テ peu dans des traitements - stylistiques et vocaux - dテゥformテゥs par tout ce que j'ai citテゥ plus haut : テ savoir que la virtuositテゥ prend le pas sur la texture du texte et de la voix : des phonティmes en lien avec la comprテゥhension du texte, ou non, agrテゥmenteront la rテゥactivitテゥ du chanteur, vers une attitude ludique, inventive et drテエle, bien que prテゥcise et technique. La sテサretテゥ des attaques sera apprテゥciテゥe, comme l'apprentissage des diffテゥrents effets vocaux (une vingtaine, en tout) et de leurs cryptogrammes respectifs. Si cette collection s'adresse テ des chanteurs expテゥrimentテゥs et sテサrs de leur technique globale, elle provoquera certainement des prises de conscience sur le couple voix et rテゥpertoire, peu テゥvident テ mettre en place chez de jeunes artistes, appelテゥs テ mテサrir, テ expテゥrimenter, donc テ テゥvoluer dans leur rテゥpertoire, et leur confort d'テゥmission. La beautテゥ de l'instrument est indispensable pour dテゥfendre le cadre scテゥnique de chaque vocalise : j'invite les jeunes chanteurs テ croiser la voix, sa technique avec le jeu, l'amusement et sa virtuositテゥ. La soif et le bonheur de chanter se mesureront テ la discipline de l'apprentissage. Jeunes artistes douテゥs et patients, devenez ces テェtres-bouches テ la fois chanteurs-conteurs-hypnotiseurs et connaisseurs alchimiques du pouvoir colossal de la voix humaine. Ouvrez vos cerveaux et vos bouches : le monde vous rテゥclame ! De la mテェme faテァon que pour toutes les autres tessitures, j'ai テゥcrit 10 vocalises pour ces diffテゥrentes catテゥgories de Barytons et de Basses. Si le sens de l'humour permet de distancier la difficultテゥ de l'テゥcriture empruntテゥe aux compositeurs contemporains, j'ai voulu donner テ ces voix d'hommes - souvent trop cadrテゥes dans la sテゥriositテゥ du propos - une テゥvasion stylistique et lテゥgティre, parfois テゥmotionnelle non contenue, afin d'ouvrir une fenテェtre vers la libertテゥ et le ressenti non pudique des mots ou des textes choisis. J'ose imaginer que certains chanteurs se retrouveront en souriant sur certaines vocalises, les mettant en scティne, par la lorgnette des coulisses souvent riches d'enseignement. 7 catテゥgories ont テゥtテゥ privilテゥgiテゥes : a) baryton lテゥger (2 textes : Le charmant, MAB) b) baryton Martin (1 texte : L'illuminテゥ) c) baryton Verdi (2 textes : Maudite Marguerite, La loge de scティne) d) basse bouffe (2 textes : Una cosa stravagante, Vulcain) e) basse noble (1 texte : O toi, ma Mie, je t'attendrai ce soir) f) basse profonde (1 texte : Sarastromin) g) baryton-basse chantante (1 texte : Le malheureux Philippe) Amusez-vous, Messieurs et donnez-nous du plaisir テ vous テゥcouter encore et toujours ! Contenu I. Le charmant - II. MAB - III. L'illuminテゥ - IV. Maudite Marguerite - V. La loge de scティne - VI. Una cosa stravagante - VII. Vulcain - VIII. O toi, ma Mie, je t'attendrai ce soir - IX. Le malheureux Philippe - X. Sarastromin
23.20 EUR - Sold by Woodbrass
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Young Ladies Shipmates and Journeys: Vocal Solo: Vocal Collection
Baritone voice, Piano
Hal Leonard
21 songs in English for progressing singers supplementing the song choices in E...
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21 songs in English for progressing singers supplementing the song choices in Easy Songs for Beginning Singers and The First Book of Solos series. Contents: Barbara Allen (Quilter) テつキ The Bay of Biscay (Davy) テつキ Blackbirds and Thrushes (Sharp) テつキ The Coasts of High Barbary (Sharp) テつキ Come Let's Be Merry (Wilson) テつキ The Duke of Bedford (Sharp) テつキ Farewell Nancy (Sharp) テつキ Gentle Annie (Foster) テつキ I Am a Pirate King (Sullivan) テつキ I Want What I Want When I Want It (Herbert) テつキ The Law is the True Embodiment (Sullivan) テつキ The Midshipmite (Adams) テつキ My Generous Heart Disdains (Hopkinson) テつキ Nothing But a Plain Old Soldier (Foster) テつキ The Old Road (Scott) テつキ Punchinello (Molloy) テつキ The RamblingSailor (Sharp) テつキ Shipmates o' Mine (Sanderson) テつキ The Song of Brother Hilario (Cox) テつキ Three Poor Mariners (Quilter) テつキ While the Foaming Billows Roll (Wilson).
17.99 GBP - Sold by Musicroom UK
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Brian Elias: Once Did I Breathe Another's Breath: Baritone Voice: Vocal Work
Baritone voice, Piano
Chester
Once Did I Breathe Another's Breath was commissioned for the 2013 Ludlow Weekend...
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Once Did I Breathe Another's Breath was commissioned for the 2013 Ludlow Weekend of English Song with funds provided by Finzi Friends and specifically Ernie Kay Brian & Mary Midgley and Adrian & NormaWilliams.The first performance of Once Did I Breathe Another's Breath was given by Ashley Riches and Iain Burnside on 31st May 2013 at the Ludlow Weekend of English Song in Ludlow Assembly Rooms.
16.99 GBP - Sold by Musicroom UK
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Vocalises Minute (VASSILIEVA ELENA)
Franテァais
Baritone voice, Piano
Lemoine, Henry
Baryton-Basse. Par VASSILIEVA ELENA. Ces vocalises sont faites pour trouver la v...
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Baryton-Basse. Par VASSILIEVA ELENA. Ces vocalises sont faites pour trouver la virtuositテゥ de sa voix, et sa fluiditテゥ dans une テゥcriture d'aujourd'hui. Vous y trouverez quelques fondamentaux comme les grands intervalles, la longue tessiture, pour toutes les voix, le chromatisme, le tempo rapide vocalisテゥ, les slanci ou glissati, les quarts de tons, les nuances ainsi que les tenuti pianissimi ou encore le decrescendo finissant sur 'un fil di voce'. La valeur ajoutテゥe sur le plan rythmique habituera le chanteur テ combiner les textes sur une pulsation interne permanente malgrテゥ l'exテゥcution de la mテゥlodie テゥtudiテゥe. Les tenuti ouvriront l'imaginaire du chanteur en y plaテァant le texte, ad libitum. Les respirations inaudibles pour certains textes - proches de la mテゥlodie ou du rテゥcitatif - cテエtoieront quelques inspirations et expirations audibles, ou sons-bruits fantテエmes./ Etude / Baryton Basse et Piano
24.40 EUR - Sold by LMI-partitions
(Seller in french langage)
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Easy Songs for the Beginning: Baritone Voice: Vocal Album
Baritone voice, Piano
[Sheet music + CD]
-
Easy
Schirmer
This series was designed to supplement traditional vocal instruction and works p...
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This series was designed to supplement traditional vocal instruction and works perfectly as preparatory literature for The First Book of Solos and The First Book of Solos Part II. Each piece is in English and has alimited vocal range as well as a Piano accompaniment that is playable by a student pianist.The pieces include art songs folksongs humorous songs and suitable vintage popular songs and are all appropriate for contestsolos. The accompanying CD includes professionally-recorded accompaniments.Baritone/Bass Contents:Aura Lee (Poulton)Beautiful Dreamer (Foster)The Erie Canal(Folksong)Foolish Questions (Folksong)Funiculi Funicula (Denza)Go Down MosesI Wish I Was Single Again (Beckel)If You Were the Only Girl in the World (Ayer) The Jolly Miller(arr. Manney) Joshua Fit the Battle of Jericho The Lark in the Morn (arr. Sharp) The Lost Chord (Sullivan) The Minstrel Boy (arr. Weckerlin) Mrs. Murphy's Chowder (arr. Culli)Out of My Soul's Great Sadness (Franz) Request (Franz) Simple Gifts (Shaker song) Smick Smack Smuck (Sousa) Sometimes I Feel Like a Motherless Child (arr. Burleigh) The Storyof a Tack (Parks) Swing Low Sweet Chariot Where Did You Get That Hat? (Sullivan) While Strolling Through the Park One Day You'll Miss Lots of Fun When You're Married (Sousa)
17.99 GBP - Sold by Musicroom UK
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Arthur Sullivan William Schwenck Gilbert: Gilbert And Sullivan For Singers -
Baritone voice, Piano
[Sheet music + Audio access]
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Intermediate
Hal Leonard
W.S. Gilbert and Arthur Sullivan produced several of the most popular operas and...
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W.S. Gilbert and Arthur Sullivan produced several of the most popular operas and operettas of all time. Sullivan's music was always memorable and tuneful while Gilbert's libretti had both wit and pathos. This book contains several Gilbert and Sullivan selections for the Baritone/Bass singer including 'When You're Lying Awake with a Dismal Headache' and 'I Am the Very Model of a Modern Major General' and comes with access to online recordings of the Piano accompaniments from the book for those occasions when a pianist cannot be found for practice!
17.99 GBP - Sold by Musicroom UK
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5 Songs Of Innocence And Experience (GREGSON EDWARD)
Baritone voice, Piano
Novello & Co Ltd.
Par GREGSON EDWARD. The five song set the texts As I pass at dusk (Robert Kent),...
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Par GREGSON EDWARD. The five song set the texts As I pass at dusk (Robert Kent), The day is gone (John Keats), Carol (C Day Lewis), Come live with me (C Day Lewis), and To my brother (Siegfried Sassoon). Also available for Mezzo-Soprano, or High Voice. / Musique contemporaine / Rテゥpertoire / Baryton et Piano
22.10 EUR - Sold by LMI-partitions
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Ricordi Opera Anthology: Baritone: Vocal Collection
Baritone voice, Piano
Ricordi
Baritono - Baritone - a cura di - edited by Ilaria Narici-A selection of 40 aria...
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Baritono - Baritone - a cura di - edited by Ilaria Narici-A selection of 40 arias for voice and piano with plot synopses and translations in Italian and English.
20.99 GBP - Sold by Musicroom UK
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Ricordi Opera Anthology
Baritone voice, Piano
-
Intermediate
Ricordi
Baritono | Baritone - a cura di | edited by Ilaria Narici. A selection of 40 ari...
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Baritono | Baritone - a cura di | edited by Ilaria Narici. A selection of 40 arias for voice and piano with plot synopses and translations in Italian and English. / Niveau : Intermテゥdiaire / Opテゥra-opテゥrette / Recueil / Baryton et Piano
33.60 EUR - Sold by LMI-partitions
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Singer's Musical Theatre Anthology - Volume 3: Vocal Solo: Mixed Songbook
Baritone voice, Piano
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Intermediate
Hal Leonard
The Singer's Musical Theatre Anthology - Volume 3. A collection of songs from th...
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The Singer's Musical Theatre Anthology - Volume 3. A collection of songs from the musical stage, categorized by voice type. The selections are presented in their authentic settings, excerpted from the original vocal scores. Revised Edition.
19.99 GBP - Sold by Musicroom UK
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Singers Musical Theatre - 2Cd's
Baritone voice, Piano
[Sheet music + CD]
Hal Leonard
/ Recueil / Baryton ou Basse 1
52.10 EUR - Sold by LMI-partitions
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