Brass Quintet with Xylophone Solo-George Hamilton Green's xylophone rags are well known and loved by today's keyboard percussion players and audiences around the world. They are exciting challenging and really fun to play. Now in this new arrangement for brass quintet and solo xylophone - from Xylophone Rags of George Hamilton Green published by Meredith Music - the listener is taken back in time to the days of ragtime music and this important part of America's musical heritage. Xylophone solo by Jonathan Bisesi.

The Battell was written during the late 14th Century when England was in a mood of national celebration after victory over the Spanish and French Armadas.The movement which Byrd called Marche Before The Battell became known as The Earl of Oxford?s Marchand it appears with that title in an early manuscript copy of the Fitzwilliam Virginal Book.Written while Byrd was at the height of his powers it still stirs the soul to this day. A perfect opener for your concert performances.

Anyone who loves the very best in love songs will fall in love with this piece by the smouldering soulful singer who is one of the all time greatest and surprisingly one of the music industries best-kept secrets Randy Crawford. The haunting and passionate beauty of the original song is perfectly captured in this brass band arrangement. More recently the song was also featured in the movie Moulin Rouge performed by Nicole Kidman.

The composer:1st movement: Reflections by the Fjord.Overlooking one of the mighty fjords of Norway my mind and thoughts are with an old religious Norwegian folk-tune with words by the famous parson Peter Dass.The majestic fanfare-likeopening reflects the power of God our Father the choral itself heard for the first time on flugelhorn. The choral is repeated a few times separated only by some short variations. The movement ends in thriumph with fanfares and the choral broughttogether.2nd movement: Reflections in the Old Church.In this movement my associations of a summer day finding myself alone in an old deserted stone church. From the old walls I hear folk songs perhaps like the ones sung in the church bypoor fishermen and farmers in days gone by. Suddenly the light from the sun breakes through the small circular window above the altar and a lovely melody is heard before the original figures take us to the end of the movement.3rd movement:Festive Reflections.Any festive occasion can be reflected in this movement. from the bonfire at midsummer-night to the children celebrating the return of the sun in the northern part of Norway. from the traditional sleigh-riding at Christmas tothe Celebrations of the National Day on the 17th of May each year.

A brief history: Pentecost Monday was a special day for schools in Yorkshire (England). There were a variety of activities. The pupils of Sabine Baring-Gould would meet with the children of a nearby village. It seemed like a good idea that during the walk would be sung. But she could not find a suitable song and decided to write one by herself. 'Onward Christian Soldiers' was the result. It soon became very popular though she herself was not entirely satisfied with the rhyme scheme. The melody used (St. Gertrude) was by the famous English composer Sir Arthur S. Sullivan. Back to now: Gawan Roberts has given the hymn a proper update. He gave the still popularsong a solid rock beat and added daring harmonies. So it's popular for current generations again for years. Onward!

For Brass Quintet and Concert Band-Legendary composer arranger and author Rayburn Wright is responsible for initiating the storied jazz program at the Eastman School of Music and was also a composer for film and television. His masterful setting of Shakermelodies includes the familiar Simple Gifts along with The Happy Journey and I've Set My Face for Zion's Kingdom. Used to feature a separate brass quintet or with members within an ensemble's brass section this is truly a memorable setting adapted by current Eastman Wind Ensemble conductor Mark Davis Scatterday. Dur: 9:50 (Grade 5)Audio recorded by the Canadian Brass and the Eastman Wind Ensemble on Manhattan Music (OD7368) – Mark Davis Scatterday conductor

This delightful ballad in which the solo horn plays a leading role will remind many people of a very special moment in their lives. A lot could be said about it but perhaps it is better to let the music speak for itself. While listening to this romantic ballad unforgettable moments are sure to be relived by many people. Daydreaming is allowed but don’t forget to pay some attention to the soloist’s performance – it will be worth your while.

Transcribed by popular brass arranger Robert King this edition of Giovanni Gabrieli's Canzon septimi toni No. 1 provides an exciting performance piece for a large Brass Ensemble. Being one of the most influential musicians during the shift from the Renaissance to the Baroque era it is no secret that the composer leaned himself primarily to vocal and sacred works. However his Canzon septimi toni No. 1 represents an important turn not only in the composer's career but in musical history. Composed in 1597 this piece paved the way to what would soon become the new Baroque concerto style which remains popular to thisday. King's arrangement of this historical work is indispensable for Brass Ensembles.

Transcribed by popular brass arranger Robert King this edition of Giovanni Gabrieli's Canzon Primi Toni provides an exciting performance piece for a large Brass Ensemble. Being one of the most influential musicians during the shift from the Renaissance to the Baroque era it is no secret that the composer leaned himself primarily to vocal and sacred works. However his Canzon Primi Toni as part of the composer's Sacred Symphony represents an important turn not only in the composer's career but in musical history. Composed in 1597 this piece paved the way to what would soon become the new Baroqueconcerto style which remains popular to this day. King's arrangement of this historical work is indispensable for Brass Ensembles.

Transcribed by popular brass arranger Robert King this edition of Giovanni Gabrieli's Canzon septimi toni No. 2 provides an exciting performance piece for a large Brass Ensemble. Being one of the most influential musicians during the shift from the Renaissance to the Baroque era it is no secret that the composer committed himself primarily to vocal and sacred works. However his Canzon septimi toni No. 2 represents an important turn not only in the composer's career but in musical history. Composed in 1597 this piece paved the way for what would soon become the new Baroque concerto style which remainspopular to this day. King's arrangement of this historical work is indispensable for Brass Ensembles.

In this composition William Vean takes you on a journey through the fascinating and exciting world of animals. Apart from it being a composition filled with 'special effects' Animal Kingdom contains many educational elements such as playing inswing (triplets feeling) chromatics flutter tonguing gypsy tuning varying keys and of course dynamics and articulation. The melodic lines occur in all four voices as well as in all percussion parts providing each musician with theopportunity to play a solo or to accompany. Highly recommended for your youth band! William Vean is an educational composer. He knows how to musically shape the special elements from our daily lives. His music is therefore veryexpressive containing creative solutions to possible problems. Special ways of playing make his music particularly interesting for the winds but the percussion section is also featured in his special effects. The world of the animalsalways plays on ones imagination. In Animal Kingdom William Vean has portrayed a number of animals in a special manner: Kevin Kangaroo - The jumping character of this animal can be heard in different voices. The swing style alsoemphasizes the characteristic movements of the kangaroo. Playing in swing style can be practised by using scales. Eddy Elephant - For some of his smaller fellow fauna friends this can be quite an ordeal but for Eduard (Eddy for friendsand intimates) it is his daily walk. Baldrick Bat - Baldrick the Bat is a mysterious character. This can be heard in the fast moving valves and keys accompanied by special effects in the percussion section. Curtis Camel - Curtisthe Camel trudges across the desert feeling bored. The idea that the horizon will never change does not affect him anymore. He has accepted his fate. The distinctive tones from the gypsy scale provide the suitable oriental sounds. BettyButterfly - Butterfly Betty elegantly and without worries flutters from flower to flower in the garden. Her motto: Carpe Diem (Seize the Day). Betty is a one-day butterfly. Marvin Monkey - A 'swing' monkey stirs up the feelings. Evenmembers of the orchestra will look like real monkeys. How about your audience? Each part has its own difficulties and challenges. Important in the first part is playing 'in swing' (triplets feeling). This can be practised usingscales. In the second part ensemble playing and balance are important. In Baldrick additional information on the effects that have to be played might be useful. 'New' sounds are of course welcome. Curtis the Camel introduces thegypsy scale. Additional explanation of the use of the scale might be useful. Key changes are interesting in this part. A slight accent on the first beat of the bar will add to the charm of this part. Marvin the Monkey brings back the swingrhythm that was introduced in the first part altern