Par PLAYS JEAN-BERNARD / GRAS CHRISTOPHE. / Niveau : 1er Cycle / Répertoire / Violoncelle et Piano

Par PLAYS JEAN-BERNARD / GRAS CHRISTOPHE. / Niveau : 1er Cycle / Répertoire / Violoncelle et Piano

Par PLAYS JEAN-BERNARD / GRAS CHRISTOPHE. / Niveau : 1er Cycle / Répertoire / Violoncelle et Piano

Par PLAYS JEAN-BERNARD / GRAS CHRISTOPHE. / Niveau : 1 à 2ème Année / Répertoire / Violoncelle et Piano

Christopher Bunting the cellist and composer has given concerts broadcasts and master classes throughout Europe Australasia and the United States. He gave the first BBC Broadcast of the Elegy with the Pianist Ernest Lush and also was the soloist in a broadcast performance of his Concerto for Cello and Strings. His Essay on the Craft of 'Cello Playing is highly valued internationally by teachers and students alike for its detailed discussion of a large range of technical questions.

The bass-clef version of two pleasant and pastoral movements by Christopher Le Fleming for the Cello with a full Piano accompaniment. A treble-clef edition is available with either the Oboe Violin or Flute as the soloist itemcode number CH56275.

Violoncelle et Piano. Par PLAYS JEAN-BERNARD / GRAS CHRISTOPHE. Grâce au compositeur Jean-Claude Soldano, les éditions du même nom ont pu voir le jour dans les années 2000 et ainsi publier des oeuvres de petits compositeurs essentiellement français. C'est le cas du recueil dénommé Tendresse (violoncelle et piano) de Plays J.B. / Gras Christophe qui a été composé pour Violoncelle / Niveau : 1er Cycle, 2ème Année / Répertoire / Violoncelle et Piano

In memory of Christopher Rowland. Originally a concerto for Cello and chamber orchestra now for Cello with a Piano reduction of the orchestral part.The concerto is in four movements which are played without a break: Meditation Intermezzo Toccata-Scherzo and Song. The work lasts for some 18 minutes and was scored for two oboes two horns timpani (doubling tubular bells) and strings(found here in a Cello/Piano form). It is organised in one large arch-shaped structure with two fast inner movements flanked by two outer slow ones. The solo cello opens the work reflectively and introduces core melodic material which is continuously developed throughout theconcerto. Gradually the strings enter then wind and timpani and build a pyramid twelve-note chord at the peak of which there is a dramatic climax. The music then subsides (solo cello again) but links to the two faster middle movements. The second movement Intermezzo has an ABA structure and in its middle section quotes the opening of Shostakovich's Third String Quartet (written in the same year as Christopher Rowland was born!). Indeed the ghost of Shostakovich looms large throughout the concerto in more ways than one. The Toccata-Scherzo is energetic and rhythmically-charged again using an ABA structure. Here the writing for solo cello is quite virtuosic but not I hope in a shallow sense. The music builds inexorably towards a powerful climax underpinned by the opening twelve-note chord's re-appearance together with a violent outburst from the timpani at which point a tonal resolution (on G) arrives through a pianissimo held chord on strings which leads directly to the final movement - Song. And so the music arrives at its emotional heart through a simple melody (present in other forms throughout the work) announced by solo cello at the very top of its register against a quiet backdrop of horns and strings. A solo oboe enters with cello in canonic reply and all the time the music builds in texture and

Koanga - La Calinda-The Creole Dance La Calinda from Koanga arranged for Cello and Piano by Christopher Palmer. Delius’ romantic third opera Koanga produced a number of interesting pieces infused with sensuality and notable for its nostalgic and folkish languor. Fenby’s orchestral arrangement was a stripped down affair and it is this version that is most performed and recorded and forms the basis of Palmer’s arrangement.

Brentwood-Benson Music Publications presents Vol. 4 in its Instrumental Worship Series with I Could Sing of Your Love Forever: 12 instrumental duets for piano and cello. These tasteful, worship-centric arrangements by Christopher Phillips, Music Director at Christ Church Nashville, are perfect for offertories, postludes, or as intimate, stand-alone performances. With a focus on flexibility, these inspiring arrangements also offer the solo instrumental part transposed to include C instruments (Violin/Flute/etc.) and Bb instruments (Trumpet/Clarinet/etc.).As an added bonus, this folio comes with a complete demonstration listening CD which can be used both as a reference recording for your rehearsals or simply for your own listening pleasure and quiet times of reflection and worship.Further enhancing the value and usability of this featured publication, a CD Piano Accompaniment Track is available as a separate purchase. This enables the solo instrumentalist to perform these arrangements without the need of live piano accompaniment. / Violoncelle Et Piano

Easy pieces in popular styles such as jazz blues rock 'n' roll and reggae. This collection contains all the pieces formerly contained in Microjazz for Cello plus brand new pieces too.

Morceaux faciles dans des styles populaires tels que le jazz, le blues, le roulis et reggae rock 'n'. Cette collection contient tous les éléments qui figuraient auparavant dans Microjazz pour violoncelle, ainsi que toutes nouvelles pièces aussi. / Violoncelle