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Gene
Cello
INSTRUMENTS
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Easy to Play Cello Airs and Ballads (CLARKE GENE)
Cello
[Sheet music]
-
Easy
Mel Bay
Par CLARKE GENE. Easy to Play Cello Airs and Ballads is a collection of 25 ninet...
(+)
Par CLARKE GENE. Easy to Play Cello Airs and Ballads is a collection of 25 nineteenth-century and early twentieth-century folk and popular songs from England, Scotland, Ireland, and the United States. All of the songs are written in easy rhythms, entirely in first position, with bowing indications and suggested guitar chords. Each tune corresponds with the same song in Easy to Play Violin Airs and Ballads and Easy to Play Viola Airs and Ballads. / Niveau : Facile / Date parution : 2023-06-01/ Recueil / Violoncelle
21.19 EUR - Sold by LMI-partitions
(Seller in french langage)
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Hymns Made Easy For Cello (CLARKE GENE)
Cello
-
Easy
Mel Bay
Par CLARKE GENE. Hymns Made Easy for Cello is a collection of favorite tradition...
(+)
Par CLARKE GENE. Hymns Made Easy for Cello is a collection of favorite traditional hymns with guitar accompaniment, suitable for church, teaching or recreational settings. The material includes cello parts and bowing indications in first position, with guitar chord names written above the staff. All the arrangements in this book are compatible with Hymns Made Easy for Violin and Hymns Made Easy for Viola. Hymns Made Easy for Cello is a collection of favorite traditional hymns with guitar accompaniment, suitable for church, teaching or recreational settings. The material includes cello parts and bowing indications in first position, with guitar chord names written above the staff. All the arrangements in this book are compatible with Hymns Made Easy for Violin and Hymns Made Easy for Viola. / Niveau : Facile / Musique religieuse / Date parution : 2019-05-27/ Recueil / Violoncelle
15.20 EUR - Sold by LMI-partitions
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Sonata C Minor Op. 28 (YSAYE EUGENE)
Cello
[Sheet music]
Schott
Par YSAYE EUGENE. Format: New Edition portrait/ Répertoire / Violoncelle
17.00 EUR - Sold by LMI-partitions
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Johann Sebastian Bach: Six Suites For Violoncello Solo: Cello: Instrumental
Cello
Barenreiter
Bwv 1007-1012-Urtext edition with articulation markings - Soft-cover performing ...
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Bwv 1007-1012-Urtext edition with articulation markings - Soft-cover performing editionWhen you think cello you think of Bach?s immortal cello suites.The suites take centre stage in the cello literature. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level.Appropriately and not surprisingly there are countless editions of the suites. But the composer?s autograph has not come down to us. It is lost and this circumstance has always been a major challenge for editors. The four surviving handwritten sources and the original first edition of 1824 differ in many details the articulation andphrasing being particularly ambiguous.At Bärenreiter having published the New Bach Edition and presently publishing the New Bach Edition-Revised we feel particularly committed to the cello suites. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike.This new edition based on volume 4 of the New Bach Edition Revised (NBArev) now completes Bärenreiter?s collection of the cello suite editions. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day.The musical text of the edition is based on these findings. It approaches the composer's original intentions as far as the sources will permit. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources. ?This edition does not present a perfect reconstruction of the lost autograph; no editor could claim to do so. Instead I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer.?- Urtext edition with articulation by the editor on the basis of intensive source comparison- Musical text identical
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6 Suites For Violoncello Solo Bwv 1007-1012
Cello
Barenreiter
Urtext edition with articulation markings - Soft-cover performing editionWhen yo...
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Urtext edition with articulation markings - Soft-cover performing editionWhen you think cello, you think of Bach's immortal cello suites.The suites take centre stage in the cello literature. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level. Appropriately and not surprisingly there are countless editions of the suites. But the composer's autograph has not come down to us. It is lost and this circumstance has always been a major challenge for editors. The four surviving handwritten sources and the original first edition of 1824 differ in many details, the articulation and phrasing being particularly ambiguous.At Bärenreiter, having published the New Bach Edition and presently publishing the New Bach Edition-Revised, we feel particularly committed to the cello suites. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike.This new edition, based on volume 4 of the New Bach Edition - Revised (NBArev), now completes Bärenreiter's collection of the cello suite editions. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day.The musical text of the edition is based on these findings. It approaches the composer's original intentions as far as the sources will permit. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources. 'This edition does not present a perfect reconstruction of the lost autograph - no editor could claim to do so. Instead, I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer.?- Urtext edition with articulation by the editor on the basis of intensive source comparison- Musical text identical to the text in New Bach Edition - Revised Volume 4, Book 1- Detailed introduction (Ger/Eng) / Violoncelle
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Albert Sammons: The Secret of Cello Technique: Cello: Instrumental Tutor
Cello
Spartan Press
The Secret Of Technique In Cello Playing.Daily practice for soloists and advance...
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The Secret Of Technique In Cello Playing.Daily practice for soloists and advanced players by Albert Sammons. Op20. Transcribed by Lionel Handy. 'I was introduced to Albert Sammons' classic work The Secret of Technique in Violin Playing by Hugh Bean. I was fortunate to play chamber music with Bean for many years and he maintained that his ability to keep his technical level was largely due to Sammons teaching in general and this book in particular. Bean was a pupil of Sammons for more than twenty years and believed that this concise work was ofgreat benefit to students and also professional players with limited practice time. I am very grateful to Mr Richard King Sammons grandson and Mrs Mary Bean for allowing me not only to transcribe this work for Cello but also to include where appropriate the suggestions Sammons made in his original text and the additional notes that Bean added in the 2002 edition. I have tried to stay as close as possible to Sammons material but some adaptation has obviously been necessary. I hope that my own comments for cellists will clarify the changes that have been made and are offered as Hugh Bean said in his 2002 edition in the spirit of wishing to help both aspiring and established string players utilize to the full their practice time. Although this transcription contains several exercises not found in the classic Cello studies of Popper Duport and Grutzmacher et al I hope that the unorthodox nature of these exercises will broaden and free the imagination of cellists by providing a more extended approach to Cello technique.' - Lionel Handy
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Kaija Saariaho: Amers: Cello: Instrumental Work
Cello
[Sheet music]
Chester
Amers is the title of a book of poems by Saint-John Perse dedicated to the sea....
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Amers is the title of a book of poems by Saint-John Perse dedicated to the sea. It is also the title chosen by Kaija Saariaho born in Finland in 1952 for a work completed in the studios of IRCAM in Paris.Amers is the Frenchword for 'navigation beacons' strategically spaced along the coast for sailors. One of the earliest ideas about the piece was the effect of a solo cello 'as a sailor charting a course through a sea of sounds' but his journey scattered with phrases defined by the existing sound material is hampered by the surroundings. To a certain extent Amers is a concerto even though the composer has tried to avoid the usual duel between orchestra and soloist. Instead the piece divides naturally on three levels - each with a certain independence. The cello juxtaposed with the instrumental ensemble and with computer generated sounds cannot reach its scheduled ports of call directlyand is often pulled off course.
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David Blake: Scenes Cello Solo: Cello: Instrumental Work
Cello
[Sheet music]
Novello & Co Ltd.
Written for Moray Welsh whilst still an undergraduate at York University. This p...
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Written for Moray Welsh whilst still an undergraduate at York University. This piece was completed in mid-September. Inspired by Hermann Hesse's Steppenwolf. A solo 'cello seemed an appropriate medium for music which might explore the character of Harry Haller with his desire for bourgeois comfort and his strong misanthropic and suicidal tendencies. The opening theme attempts to express this - melancholy nostalgic a bit Biedermeyer (cf. Brahms Intermezzi). The basic theme of the book at its simplest is that every human personality consists of hundred of different personalities - within every man there lurks a wolf. Accordingly the tendency of my piece is for allits musical material to become distorted either by thematic transformation or by changes of timbre. There are three movements played without a break. The first is a character portrait of the Steppenwolf. The second is concerned in the most general sort of way with the dance elements in the novel - Harry's being taught to dance and appreciate low 'popular' music - a tango is recapitulated in a waltz and 'Yearning' a popular song of the time (1927) is hinted at. The third movement concerns the Masked Ball and the Magic Theatre. Mozart is one of Hesse's great loves and he is repeatedly mentioned in the book. Inevitably some Mozart quotes have been worked in the most significant being a reference to The Magic Flute 'fire and water' flute theme in the middle of the second movement. Long before I finished the piece I was disenchanted with the work of Hesse. Much of Steppenwolf I now find rather embarrassing and the claims currently made for Hesse's greatness seem to me exaggerated. Since my piece is in no important sense programmatically specific this change of heart doesn't really matter.© David Blake
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Gest: Sunflowers In The Night: Cello: Instrumental Album
Cello
CelloLid.com
Music for romantic moments. These four separate pieces for cello and piano may b...
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Music for romantic moments. These four separate pieces for cello and piano may be used as encores following a recital. Or for vowing in general.
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Josef Hofer: Kompendium für Cello Vol. 7: Cello
Cello
Dowani
Die enge und weite 1. Lage mit #Erweiterung der BogeneinteilungDie halbe LageEt...
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Die enge und weite 1. Lage mit #Erweiterung der BogeneinteilungDie halbe LageEtüdchenFingertabelleTonleiternAkkorde
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Philip Sparke: Skilful Solos: Cello: Instrumental Album
Cello
[Sheet music + CD]
-
Intermediate
Anglo Music
20 Progressive Pieces with Piano Accompaniment-Philip Sparkeâ??s Skilful Solos ...
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20 Progressive Pieces with Piano Accompaniment-Philip Sparkeâ??s Skilful Solos is the second volume of a progressive series of solo books that takes the young string player from beginner to accomplished musician. Following on from the first book in the series Starter Solos this collection generally contains longer pieces suitable for the developing young musician. Specifically tailored for each instrument Skilful Solos introduces the concept of phrasing by suggesting suitable breathing points and takes the player into new keys with extended instrumental ranges new notes being introduced in a gradual and logical manner. Skilful Solos comes with a play-along CD. The advantages of playing either with piano or CD accompaniment arethat the beginning player can now experience the important aspects of ensemble playing from their earliest lessons thus developing the essential skills of listening while they play and maintaining strict tempo which is not always achieved when playing alone.
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Philip Sparke: Super Solos: Cello: Instrumental Album
Cello
Anglo Music
10 Selected Solos with Piano Accompaniment-Philip Sparke’s Super Solos is...
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10 Selected Solos with Piano Accompaniment-Philip Sparke’s Super Solos is the third volume of a progressive series of solo books that takes the young string player from beginner to accomplished musician. Following on from the first two books in the series (Starter Solos and Skilful Solos) this collection generally contains longer pieces suitable for the developing young musicians. Specifically tailored for each instrument Super Solos extends technical and musical demands takes the player into new keys with larger instrumental ranges and adds new notes in a gradual and logical manner.The books provide invaluable additional material to complement any teaching method. Including play-along CD.
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Gene Clarke: Hymns Made Easy for Cello: Cello: Instrumental Collection
Cello
-
Easy
Mel Bay
Hymns Made Easy for Cello is a collection of favorite traditional hymns with gui...
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Hymns Made Easy for Cello is a collection of favorite traditional hymns with guitar accompaniment suitable for church teaching or recreational settings. The material includes cello parts and bowing indications in first position with guitar chord names written above the staff. All the arrangements in this book are compatible with Hymns Made Easy for Violin and Hymns Made Easy for Viola.
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Contemporary Cello Etudes: Reference Books: Instrumental Album
Cello
[Sheet music + Audio access]
Berklee
Studies in Style
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Eugene Goossens: Rhapsodie Op.13: Cello: Instrumental Work
Cello
Chester
Eugène Goossens' Rhapsodie Op.13 for Cello and Piano.
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Monologue 14 (Approximations)
Cello
Doblinger
/ Violoncelle
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Sonata Op. 27/3
Cello
Simrock
/ Violoncelle
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Genete Op. 15 (SCHULER THOMAS HERWIG)
Cello
Doblinger
Par SCHULER THOMAS HERWIG. Vc Klav/ Répertoire / Violoncelle
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Scottish Airs Wev U.16
Cello
Schott
En 1826, Weber a écrit des arrangements musicaux de dix mélodies traditionnell...
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En 1826, Weber a écrit des arrangements musicaux de dix mélodies traditionnelles écossaises. Certains des textes de l'édition allemande de suivre les textes originaux en anglais, d'autres sont des textes totalement indépendants.Les pièces sont également disponibles. / Violoncelle
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