Eight great flexible arrangements in two parts, for Bass Clef Instruments, including Cello, Trombone and Bassoon with specially recorded arrangements. The CD includes full backing tracks, professionally arranged and recorded. The Book contains carefully selected and editied Bass Clef arrangements for two parts in score format. Compatible with other editions in the series. / Pop

Dieser Band enthält 20 energiegeladene Songs aus dem Bereich Spirituals und Gospels, die garantiert nicht verstaubt sind! Und mit der hochwertigen Begleit-CD, die alle Songs als Voll- und Playback-Versionen enthält, kommt garantiert Schwung in den Saal - ob beim Üben oder beim Konzert. Alle Stücke sind sehr leicht gesetzt, im bewährten übersichtlichen Layout, so dass sie sich bestens für den Unterricht eignen. Sie können alleine oder im Duett gespielt werden. Wahlweise auch mit CD erhätllich. U.a. enthalten: Amen, Down By The Riverside, Go Down, Moses, The Gospel Train, O Happy Day und viele mehr. / 1 Ou 2 Violoncelle(s)

I Used to Play Cello is a new book for adults looking to get back into playing the Cello and will help jumpstart their memory and comfort with music. Its no. 1 goal is to get people re-acquainted with their instrument by providing them with types of music they want to play like pop jazz and classic tunes rather than etudes. The book contains a CD with audio MP3 files of complete performances of most songs plus accompaniment-only versions. The CD also contains printable PDFs of piano parts for practice or performance opportunities. It’s just the push former players need to fall back in love with the Cello again!

This folio features 14 classics from the Oscar-winning movie adaptation of Boublil and Schönberg superlative musical Les Misérables expertly arranged for solo Cello. Includes the new song Suddenly and: At the End of the Day ? Bring Him Home ? Castle on a Cloud ? Do You Hear the People Sing? ? Drink with Me (To Days Gone By) ? Empty Chairs at Empty Tables ? A Heart Full of Love ? I Dreamed a Dream ? In My Life ? A Little Fall of Rain ? On My Own ? Stars ? Who Am I?

13 songs from the musical: At the End of the Day • Bring Him Home • Castle on a Cloud • Do You Hear the People Sing? • Drink with Me (To Days Gone By) • Empty Chairs at Empty Tables • A Heart Full ofLove • I Dreamed a Dream • In My Life • A Little Fall of Rain • On My Own • Stars • Who Am I?.

The image and concept of this piece is easiest to describe by using the visual images of the Dutch artist M. C. Escher. He made many woodcuts where the whole surface of the picture has a figurative function often just in black and white. For example a row of white ducks 'transversing' the painting which are described by black ducks transversing in the opposite direction. In this way the two figures describe each other so to speak.In this piece melody has been approached in a similar way: a melody is used which can be framed in rhythmically different groupings - in groups of fours or fives etc- thus creating new hierarchical melodies which grow more and moreobvious to the ear. The initial melody then becomes background to the new melody until disappearing and a new rhythmical pattern is imposed on the second melody and so forth. Later the different 'rhythm melodies' are woven together creating a new perceptual image one that is at the same time actually a 'holographic' reproduction of the initial melody. The latter situation is similar to the way Bach makes hidden 3- or 4-part counterpoints in his Cello suites by intersecting the parts successively into beautifully interwoven patterns.The very static sections of the piece are chiefly inspired by the powerful singing of the buddhist-monks of Tibet who are able to relax their vocal chords to such an extent that they create an overpowering deep note not normally thought to be produced by a human voice. Figure and Ground Study I was first performed by Mats Olofson at the Numus Festival 1995.

for solo cello. Par LARCHER THOMAS. I do not compose my pieces for a certain voice range or orchestration, but for musicians, for people. It is almost impossible for me to produce a piece without having a particular person in mind or to hear him/her inwardly. No matter how standardized the interpretation of classical music is, and no matter how many coordinates have been fixed and defined, I do not want to have them seen (and therewith the notation) as determining and limiting signs, but rather as guideposts towards the creation of vital, organic music. In differentiated music, two participants are necessary in order for a piece to evolve-- the composer and the musician. Just as there is no one way for a composer to express himself or to notate music, etc., neither is there one way for a musician to read the notation, to interpret, or to live. We find ourselves, for this reason, in a network of meanings, gestures, and signs which have to be fathomed and expanded together. The tone, the breath, the gestures, the dedication, and the potentialities of a musician were also ultimately decisive for the form of this piece. It is music which pushes the expressive and technical possibilities of the instrument to its very limits. It is music in which the musician has to transport the contexts and expression over and above the notation. It was not necessary for me to find a new form for this piece; it is a work which can and should be performed in a ‘normal’ concert situation. I deliberately wanted to integrate the perhaps new and unusual content into a familiar form (thus the title ‘Sonata’) And I also wanted to embed the aforementioned extreme situations (in which the technical extremes are synonyms for tension, isolation, loss or tenderness) in an organic process in order for the listener to be able to empathize with and comprehend what is expressed in the piece. I would like to thank Natalie Clein, to whom the Sonata is dedicated, for inspiring this piece and for the path that led to the realization of the music. Thomas Larcher/ Répertoire / Violoncelle

This book is part of a String series arranged for Violin, Viola, and Cello. The arrangements are completely compatible with each other and can be played together or as solos. Each book features a specially designed piano accompaniment that can be easily played by a teacher or intermediate piano student, and a carefully crafted removable part, complete with bowings, articulations, and keys well suited for the Level 2-3 player. A fully orchestrated accompaniment CD is also provided. Each song on the CD includes a DEMO track, which features a live string performance, followed by the PLAY-ALONG track by itself. Titles are: from Episode I: Augie's Great Municipal Band * Duel of the Fates * Qui-Gon's Funeral * Star Wars (Main Title); from Episode II: Across the Stars * The Imperial March * May the Force Be with You * The Meadow Picnic; from Episode III: Battle of the Heroes * Princess Leia's Theme * The Throne Room.

Boost your performance with these songs, all specially arranged for students at Grade 2 level. Songs include ?Someone Like You? (Adele), ?Shotgun? (George Ezra), ?Havana? (Camila Cabello), ?He?s a Pirate? (Pirates of the Caribbean), ?Star Wars: Main Theme? (John Williams), and more. Demonstration, backing tracks, and piano accompaniment PDFs are included in the price of this book and can be streamed or downloaded using the unique code found inside. This edition includes PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right - available exclusively from Hal Leonard.

Instrumental Play-Along-Ahoy mateys! Join Captain Jack Will Turner and Elizabeth on their adventures in the Caribbean! 16 pieces from this swashbuckling blockbuster are arranged so you can play along with great accompaniment tracks.

Cello Part. This book contains nine pieces from ABRSM?s Grade 5 Cello syllabus from 2024, three pieces chosen from each of Lists A, B and C ? ideal for both Practical and Performance Grade exams. The pieces have been carefully selected to offer an attractive and varied range of styles, creating a collection that provides an excellent source of repertoire to suit every performer. The book also contains helpful footnotes and, for those preparing for exams, useful syllabus information. An edition with piano accompaniment and audio is also available - it includes downloadable recordings of all nine pieces, plus piano accompaniment tracks.

Instrumental Play-Along-All your favourite instrumental themes are in this superb collection for soloists! The 15 themes include Hollywood hits like ?Axel F? from Beverly Hills Cop and ?Bella's Lullaby? from Twilight; inspirational sports anthems like ?Bugler's Dream? (Olympic Fanfare) and ?Chariots of Fire?; as well as popular TV show theme songs from Hawaii Five-O and I Love Lucy. Includes a full-accompaniment play-along CD with tempo adjustment software.

Arrangeur: Martin Tourish. Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. 'World Music - Celtic? presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music is often 'skeletal?, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice. The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes. 'World Music - Celtic? is available in six formats, each with complete recordings and backing tracks on CD: as solo versions for violin, violoncello, flute, clarinet or saxophone (with piano) and in an ensemble version for two melodic instruments (C, Bb or Eb), piano, guitar, bass and bodhrán./ Recueil / Violoncelle et Piano