Quintette pour piano, hautbois, clarinette, cor et basson, K. 452 Edition : Manuscrit autographe (1784), esquisses, fragment autographe.Présentation de Michel Giboureau : les esquisses - lecture de la partition - restauration de la partition - annotations figurant sur la partition.Esquisses conservées à la Bibliothèque Nationale de France, Paris - Ms 250.Fragment conservé à la Staatsbibliothek Preussischer Kulturbesitz, Berlin - Ms Fot 2449. / Musique De Chambre / 80 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

For Chamber Ensemble.Commissioned by the Hebrides Ensemble and first performed on their Scottish tour in March 2010.In Seven Pierrot Miniatures I took the Commedia dell’arte character Pierrot as my primary sourceof inspiration. Other more tenuous links to Schoenberg’s Pierrot Lunaire also served as a starting point in forming the general shape of the work. The piece is cast in seven short movements whereas the Schoenberg comprises threesets of seven movements. Although there is no part for voice I have taken seven poems by Albert Giraud (none of them set in Pierrot Lunaire) as points of departure:1. The Clouds2. Decor3. Absinthe4.Suicide5. The Church6. Sunset7. The HarpEach movement takes its impetus from the corresponding poem but in the piece as a whole I wanted to explore the extreme contrasts of the multi-faceted character ofPierrot in a musical setting. There is an almost mirror-like quality to the form of the piece and a sense of ending where it has begun: movements 1 3 5 and 7 are closely linked both in terms of their musical material and asense of melancholy dream-like quality and longing. Movements 2 and 6 are also strongly connected with allusions to the more mischievous violent side of Pierrot. Movement 4 serves as a sort-of pivotal point within the work juxtaposing a surreal shimmering calm with brutal outbursts. There is never any direct repetition yet there is a strong sense of material returning and mutating as the workunfolds.InstrumentationFlute doubling piccoloClarinet in Bb doubling Bass Clarinet in BbViolin doubling ViolaCelloPiano

The full score for Arnold Schonberg’s Serenade Op.24 a seven movement serenade for Chamber ensemble consisting of Clarinet Bass Clarinet Mandolin Guitar Violin Viola Cello and Bass Soloist (in the fourth movement). This is an exquisite work by perhaps the most important European composer of the last 150years.

Tutti e soli is scored for a chamber orchestra consisting of flute clarinet bassoon percussion and strings. It is a work in four movements examining as its name suggests the tension and dialogue between soloists small groups of instruments and the whole orchestra. Timbres and unusual performing techniques receive a lot of attention as in most of Bergman's works. The mood is most fragile in the ghost-like mysterious meditation of the second movement and most forcible in the complex closing Energico

A Suite of three Scottish folksongs expertly arranged by James Rae for Clarinet Bassoon and Piano. Commissioned by and dedicated to Iona Garvie Fiona Mitchell and Eleanor Meynell with support from the Clarinet and Saxophone Society of Great Britain.

Balance Problems by contemporary classical composer Nico Muhly is a work arranged for Chamber Ensemble. This product includes the full score and parts for each instrument that is Flute Clarinet in B Trumpet in C Viola Violin (or Acoustic Guitar) and Violoncello. Balance Problems was commissioned by Linda and Stuart Nelson for yMusic an innovative ensemble that intersects the line between pop and classical music. Their debut album was named the number one classical album of the year by Time Out New York and this new Nico Muhly composition forms one track from their 2014 offering also titled 'BalanceProblems.' This work is in the key of C and lasts around 8 minutes.

Work for Chamber Ensemble (Flute Clarinet Violin Cello Percussion Piano and Guitar) composed in 1982.

Moving Parts is the music for Benjamin Millepied’s ballet of the same name. Scored for Violin Clarinet and Pipe Organ the piece is a series of rhythmic etudes. The slow movement is a very slow passacaglia with I hope unexpected lyrical melodies in the violin. After an extended Organ toccata built over a drone a brief slow movement creates a natural midpoint. The violin aggressively plucking builds up to form a canon with a clarinet and after a loud outburst from the organ the piece ends quietly. Moving Parts written in 2012 is dedicated to Benjamin and the Los Angeles Dance Project. 

for Strings and Clarinet Quintet-Two sextets (Opp. 18 36) two quintets (Opp. 88 111 116) and two quartets (Opp. 61 67).