Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein LĂ€mmlein geht und trĂ€gt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted – most likely by Bach – with a new text and the addition of instrumental parts. The motet 'Der Gerechte kommt um' comes down to us as part of the Passioncantata 'Ein LĂ€mmlein geht und trĂ€gt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted—most likely by Bach—with a new text and the addition of insturmental parts. / Musique religieuse / Date parution : 1974-07-01/ RĂ©pertoire / Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse

Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein LĂ€mmlein geht und trĂ€gt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted – most likely by Bach – with a new text and the addition of instrumental parts. The motet 'Der Gerechte kommt um' comes down to us as part of the Passioncantata 'Ein LĂ€mmlein geht und trĂ€gt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted—most likely by Bach—with a new text and the addition of insturmental parts. / Musique religieuse / Date parution : 1974-07-01/ RĂ©pertoire / Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse

Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein LĂ€mmlein geht und trĂ€gt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted – most likely by Bach – with a new text and the addition of instrumental parts. The motet 'Der Gerechte kommt um' comes down to us as part of the Passioncantata 'Ein LĂ€mmlein geht und trĂ€gt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted—most likely by Bach—with a new text and the addition of insturmental parts. / Date parution : 1974-07-01/ RĂ©pertoire / Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse

Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein LĂ€mmlein geht und trĂ€gt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted – most likely by Bach – with a new text and the addition of instrumental parts. The motet 'Der Gerechte kommt um' comes down to us as part of the Passioncantata 'Ein LĂ€mmlein geht und trĂ€gt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted—most likely by Bach—with a new text and the addition of insturmental parts. / Musique religieuse / Date parution : 1974-07-01/ RĂ©pertoire / Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse