SKU: CA.9104813
ISBN 9790007231026. Language: Latin.
Score available separately - see item CA.9104800.
SKU: CA.9104812
ISBN 9790007231019. Language: Latin.
SKU: CA.9104819
ISBN 9790007231040. Language: Latin.
Score and parts available separately - see item CA.9104800.
SKU: CA.9104811
ISBN 9790007231002. Language: Latin.
SKU: CA.9104806
ISBN 9790007230982. Language: Latin.
SKU: CA.9104814
ISBN 9790007231033. Language: Latin.
SKU: HL.14026366
ISBN 9781846092114.
A highly authoritative and accurate edition of Henry Purcell's Duets, Dialogues and Trios, which have not been published since the Purcell Society edition in 1922. The new edition lays particular emphasis on accuracy and performance and includes a comprehensive commentary. This edition has been edited, under the supervision of the Purcell Society, by Ian Spink.
SKU: CA.3116405
ISBN 9790007187194. Language: German/English.
This six-movement cantata was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 1715 in his collection Evangelisches Andachts-Opffer. Here, Bach bases his work around the form of the Weimar cantatas which take their texts from Franck's printed collection (BWV 132, 152, 161-163, 165): movements 1-5 are performed by vocal soloists, whilst only the final chorus is given to the chorus. The key concepts of the text are Barmherzigkeit [compassion], Erbarmen [mercy] and wahre Christenliebe [true Christian love]; the chamber music arrangement of the cantata corresponds with this. The two arias for tenor and alto, and the duet for soprano and bass do not contain da capo sections, but repeat the entire text in a condensed form. The instruments do not contrast as a rule, but are treated as a string group (movements 1, 4), duetting (movement 3), and as full unison (movement 5). What is remarkable in all three movements is the thematic linking of the instrumental ritornello parts with the vocal parts through which Bach achieves a kind of unity of form. Score available separately - see item CA.3116400.
SKU: CA.3116400
ISBN 9790007187170. Language: German/English.
This six-movement cantata was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 1715 in his collection Evangelisches Andachts-Opffer. Here, Bach bases his work around the form of the Weimar cantatas which take their texts from Franck's printed collection (BWV 132, 152, 161-163, 165): movements 1-5 are performed by vocal soloists, whilst only the final chorus is given to the chorus. The key concepts of the text are Barmherzigkeit [compassion], Erbarmen [mercy] and wahre Christenliebe [true Christian love]; the chamber music arrangement of the cantata corresponds with this. The two arias for tenor and alto, and the duet for soprano and bass do not contain da capo sections, but repeat the entire text in a condensed form. The instruments do not contrast as a rule, but are treated as a string group (movements 1, 4), duetting (movement 3), and as full unison (movement 5). What is remarkable in all three movements is the thematic linking of the instrumental ritornello parts with the vocal parts through which Bach achieves a kind of unity of form.
SKU: CA.3116449
ISBN 9790007209070. Language: German/English.
This six-movement cantata was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 1715 in his collection Evangelisches Andachts-Opffer. Here, Bach bases his work around the form of the Weimar cantatas which take their texts from Franck's printed collection (BWV 132, 152, 161-163, 165): movements 1-5 are performed by vocal soloists, whilst only the final chorus is given to the chorus. The key concepts of the text are Barmherzigkeit [compassion], Erbarmen [mercy] and wahre Christenliebe [true Christian love]; the chamber music arrangement of the cantata corresponds with this. The two arias for tenor and alto, and the duet for soprano and bass do not contain da capo sections, but repeat the entire text in a condensed form. The instruments do not contrast as a rule, but are treated as a string group (movements 1, 4), duetting (movement 3), and as full unison (movement 5). What is remarkable in all three movements is the thematic linking of the instrumental ritornello parts with the vocal parts through which Bach achieves a kind of unity of form. Score and part available separately - see item CA.3116400.
SKU: CA.3116409
ISBN 9790007209018. Language: German/English.
This six-movement cantata was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 1715 in his collection Evangelisches Andachts-Opffer. Here, Bach bases his work around the form of the Weimar cantatas which take their texts from Franck's printed collection (BWV 132, 152, 161-163, 165): movements 1-5 are performed by vocal soloists, whilst only the final chorus is given to the chorus. The key concepts of the text are Barmherzigkeit [compassion], Erbarmen [mercy] and wahre Christenliebe [true Christian love]; the chamber music arrangement of the cantata corresponds with this. The two arias for tenor and alto, and the duet for soprano and bass do not contain da capo sections, but repeat the entire text in a condensed form. The instruments do not contrast as a rule, but are treated as a string group (movements 1, 4), duetting (movement 3), and as full unison (movement 5). What is remarkable in all three movements is the thematic linking of the instrumental ritornello parts with the vocal parts through which Bach achieves a kind of unity of form. Score and parts available separately - see item CA.3116400.
SKU: CA.3116419
ISBN 9790007209063. Language: German/English.
SKU: CA.3116403
ISBN 9790007187187. Language: German/English.
SKU: BA.BA05547
ISBN 9790006497089. 33.1 x 25.6 cm inches.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HP.8286HB
UPC: 763628282868. 2 Corinthians 1:3, Deuteronomy 31:6, Isaiah 50:10, Isaiah 6:1-8, Lamentations 3:23, Psalms 10:18, Psalms 104:1-35, Psalms 115:9, Psalms 119:114, Psalms 144:2, Psalms 145:9, Psalms 18:2, Psalms 28:7, Psalms 3:3, Psalms 33:21, Psalms 5.
A festive prelude This festive prelude in the Joel Raney series of piano/organ duets, with SATB choir entering at the conclusion for an optional choral introit, uses the tunes: LYONS and ITALIAN HYMN - both based on the theme of Christ the King. Both keyboard parts and a reproducible page of the text for the choir are included. An optional 3-6 octave handbell part and a full conductor's score are available separately.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version