A huge hit for Adele in 2011, Someone Like You has here been expertly arranged by Chris Hussey for choirs seeking a powerful centrepiece to their repertoire. Full of gripping emotion and resolve, this dignified tale of romantic reflection won Adele the 2012 Grammy for Best Pop Solo Performance and now choirs too can reap the rewards of this show stopping signature tune. Arranged here for SATB with piano accompaniment. / SATB Et Piano

Invigorate your choir and your concerts with this Ike and Tina Turner 1971 cover of the John Fogerty classic tune. With high energy from beginning to end your audience will be dancing in the aisles! For SATB chorus and Piano.

5 Continents. Cette collection par Gwyn Arch de dix chansons folkloriques peut-être petit, mais cinq continents sont représentés au sein de ces 76 pages, et chaque continent.Du Mexique (Amérique du Sud) vient de La Cucaracha (le cafard), une chanson populaire en langue espagnole avec une mélodie mémorable et Cielito Lindo qui est tré par les Mexicains comme une sorte d'hymne national alternative. Le continent africain est représenté par une chanson à partir de la Tanzanie, Malaika, et une autre Afrique de l'Ouest se réjouir dans le titre Jikela Emaweni hamba sia. Les deux chansons ont été associés à la célèbre chanteuse sud-africaine et militant des droits civiques Miriam Makeba, et de nouvelles paroles (en anglais) ont été fournis par Stuart Smith. En Russie (Europe) musique folklorique est étroitement liée à la vie du village et ses traditions. Kalinka est la rêverie d'un jeune homme sous un pin, tandis que le bouleau Little était un symbole de la beauté en Russie soviétique. Le quatrième continent est l'Asie. S'il ya une chanson juive connue par les Juifs et non-Juifs, il doit être Hava Nagilah. Tum Balalaika est également un traditionnel yiddish, mais il est d'origine juive russe. Le Folkmusic des Maoris de Nouvelle-Zélande (Océanie) est principalement associée à la guerre chants appelé Haka, mais Hine e Hine et Pokarekare Ana révèlent l'influence des colons milieu du 19e siècle britanniques. / Choeur Mixte (SATB) Et Piano

A taste of Baroque for concert contest or festival. Dean Rishel has penned a fresh arrangement of Purcell's setting of the Shakespeare text inviting and inspiring the merriment of making music. “Strike the Viol” isan excellent educational piece for stylistic learning as well as an impressive octavo for performance.

A Thin Place is a work for Unaccompanied SATB choir with words and music by composer Jonathan Wikeley.

The Burning Babe is a work for SATB Choir and Organ by Jonathan Wikeley. The song is a setting of a poem by Robert Southwell and lasts around 2 minutes.

Medley-From rock's early days to the Broadway stage...the music of Jerry Leiber and Mike Stoller defined an era. This fast-paced medley is one super hit after another. Songs include: Baby That Is Rock & Roll; Charlie Brown; Hound Dog; I'm a Woman; Kansas City; Love Potion Number 9; Neighborhood; On Broadway; Poison Ivy; Stand By Me; Teach Me How to Shimmy; Yakety Yak. Available: SATB SAB 2-Part Instrumental Pak ShowTrax CD. Performance Time: Approx. 10:00.

The Novello Book Of British Folksongs For Mixed-Voice Choirs is an enjoyable collection of diverse tunes that have descended from the folksongs across the British Isles. A variety of arrangements are included, both old and new, of well-loved tunes as well as some lesser-known pieces. All 34 tunes are arranged for SATB Chorus with Piano accompaniment, making this a brilliant way to enhance your choir's repertoire.This Book Of British Folksongs offers a grand selection of favourite folk tunes arranged by composers such as Ralph Vaughan Williams, Gustav Holst, Paul Mealor and George Dyson. Tunes like A-Hunting We Will Go, Auld Lang Syne, Bonny At Morn, Come Lasses And Lads and Scarborough Fair suggest the sheer diversity on offer here. From sad tunes to happy songs, the arrangements here are at once beautiful and touching, coming truly to life when sung by a Mixed-Voice Choir. These thirty four folk songs will enrich a performance programme, whether as one part or the entirety. Choirs of all types and abilities will be able to discover their favourite arrangements, either the most beautiful, the funniest, or the most enjoyable to sing. With the country experiencing a revival in singing traditional folksongs, this collection is a great way to experience the unabashed joy that performing these British tunes can bring. With a great number of favourite tunes as well as some lesser-known songs, this collection includes songs like There Were Three Ravens, Yarmouth Town, My Love Is Like A Red, Red Rose, Dance To Your Daddy and The Rio Grande, as well as an extensive and fascinating introduction by Jeremy Summerly.The wonderful thing about singing folksongs is they are like a window into our country's history. They are occasionally funny, often dramatic, but always enjoyable to sing, and their diversity reflects the different people, landscapes and cultural history of the British Isles. These folk tunes can be traced back through British history, evolving through the oral tradition, continually changing lyrics and melody, being amended and sculpted according to the people who sung them. These timeless tunes have been recorded in this innovative Novello Book Of British Folksongs For Mixed-Voice Choir, however, the joy of these songs is you can put your own spin on them, adapting them to how you want them sung and continuing their legacy. This wonderful collection is a fantastic addition to any choir's performance repertoire, and is sure to lead to success for the choir and audience for many years to come. / Choeur Mixte (SATB) Et Piano

Celebrate the special sentiments of the season in this 30-minute medley arranged by Mac Huff with staging suggestions by John Jacobson. Featuring some of the best-known Christmas songs each section stands on its own allowing you to perform the entire medley or create your own unique holiday showcase. I.Christmas Time Is Here: Christmas Time Is Here Silver Bells II. Everyone's a Child at Christmas: Deck the Hall The Christmas Waltz Everyone's a Child at Christmas My Birthday Comes on Christmas I'm Getting Nuttin' for Christmas It's Beginning to Look a Lot like Christmas. III. The White World of Winter: We're Going on a Sleigh Ride Wonderful World of Winter IV. Merry ChristmasDarling: Merry Christmas Darling I'll Be Home for Christmas V. Sing a Christmas Carol: Sing a Christmas Carol Up on the Housetop O Tannenbaum We Wish You a Merry Christmas VI. North Pole Live: Little Saint Nick Frosty the Snowman Rudolph the Red-Nosed Reindeer Santa Baby VII. Christmas Children: Christmas Children Because It's Christmas VII. Christmas Time Is Here - Bows: Christmas Time Is Here. Available separately: SATB SAB 2-Part Preview CD and ShowTrax CD. Performance Time: Approx. 31:30.

Uses: Lent Holy WeekScripture: Isaiah 53:4-7A foundational Scripture for all believers is lovingly presented in this sonorous choral tapestry. Like a delicate tonal watercolor this portrait of graceis replete with word painting and shimmering harmonies that seem to beckon the listener to introspection. The piano is both vocally supportive and musically contributive to the emotive qualities of this moving testament of grace.

Hurry To Bethlehem is a work by composer Jonathan Wikeley for Unaccompanied SSATB Choir. The song sets a translation of a traditional Polish carol.

(with Like a River Glorious)-Blending the classic Like a River Glorious with compelling new material Like a River sings easily. The optional flute obbligato will add the perfect touch. Available: SATB.