Composed by Johann Sebastian Bach (1685-1750), edited by Albert Riemenschneider, Charles Boyd. Vocal score book for SATB choir. With vocal score notation (open score in German; closed score in English), introductory text and . Text language English; lyrics in German and English. 127 pages. Published by G. Schirmer, Inc.

SATB chorus and piano - Medium / medium-difficult acc.

SKU: JK.00909

Composed by Thomas R. Winkel. Arranged by Nico D. Snel. Choral SATB, Difficulty Medium, Difficulty Medium Hard, Piano Choir, Special Events Funeral and Memorial, Comfort, Eternal Life, Faith, Fatherhood, Funeral, God the Father, Home, Jesus Christ - Savior, Motherhood, Plan of Salvation, Premortal Life. Christian, Inspirational. Duration 3:30. Jackman Music Corporation #00909. Published by Jackman Music Corporation (JK.00909).

Romans 8:16-17, Acts 17:28-29 (22-31).

Choral arrangement with text from Eliza R. Snow's O My Father and original melody from Thomas R. Winkel, arranged for mixed chorus (SATB) and piano.
Composer: Thomas R. Winkel
Arranger: Nico D. Snel
Lyricist: Eliza R. Snow
Difficulty: Medium / medium-difficult acc.
Performance time: 3:30
Reference: Romans 8:16-17, Acts 17:28-29 (22-31).

A Cantata for Christmas (Preview Pack). Composed by Lloyd Larson and Mark Hayes (1953-). This edition: Preview Pack (SATB Choral Score & Listening CD). Choral (Sacred); Choral Worship Cantata; Church Musicals; Performance Music Ensemble; Worship Resources. Jubilate Music. Christmas; Sacred. CD; Score. Jubilate Music Group #00-47953. Published by Jubilate Music Group

SATB choir (div)

SKU: CA.965900

Composed by Giacomo Mezzalira. Edited by Stefan Schuck. Contemporary Choir Music. Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Full score. 8 pages. Duration 8 minutes. Carus Verlag #CV 09.659/00. Published by Carus Verlag (CA.965900).

ISBN 9790007165901. Text language: Latin.

Mezzalira places his worked entirely in the tradition of Catholic church music: Gregorian elements are associated likewise with Palestrina's counterpoint and Bruckner's sonorous expansin. Thoroughly in the tradition of the motet, the Memorare is structured in four sections, each in accordance with their respective texts. This large structured composition begins in C minor from the depths of the men's voices, building to a song of lamentation which increases to an harmonically enriched E flat major passage on the words virgo maria. In the second section, harmonically in A flat major, Mezzalira places the upper and lower voices in a double choir opposed to each other in block-like manner in order to develop resonating cantilenas in the third part, which is in F major. After a very simple, tender four-part setting of a hymn the composition ends with an Amen with large modally enriched chords in D major.