| Let Us Worship And Bow Down Choral SATB Carl Fischer
Choral SATB choir SKU: CF.CMF1 A Choral Collection for All Seasons of ...(+)
Choral SATB choir SKU: CF.CMF1 A Choral Collection for All Seasons of the Church Year. Composed by Anonymous, Claire Cloninger, Gary Hallquist, and Ron Harris. Edited by Cherry Tadlock. Arranged by Gary Hallquist. SWS. Choral. Piano reduction/vocal score. With Standard notation. Carl Fischer Music #CMF1. Published by Carl Fischer Music (CF.CMF1). ISBN 9780825857768. UPC: 798408057763. 6.75 X 10.5 inches. Text: Keith Hibbs; Claire Cloninger; Cherry Tadlock; Ron Harris. Claire Cloninger, Ron Harris, Cherry Tadlock, Keith Hibbs. This collection offers both seasonal and general worship anthems from one of America’s premiere church writers. The anthems in this collection are perfectly suited for praise and worship and are sure to become an integral part of church choir programs. Seven anthems total, Hallquist has skillfully written these beautiful pieces with care and thoughtfulness; a style that has been one of his trademarks throughout the years. A must-have for every church choir! Faithful to the Vision (Anniversary/Dedication), I Often Dance (General Praise/Worship), In Times Like These (Encouragement/Easter Resurrection), Let Us Worship and Bow Down (Call to Worship), On a Hillside in Bethlehem (Christmas), They Could Not (Easter) and We Are His Love (Missions/Ministry). $7.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A Vision Unfolding: A Five-Movement Work (Choral Score) Choral SATB SATB, Piano Galaxy Music Corporation
SATB choir, piano, and Spoken word, with optional violin, B- flat trumpet, and ...(+)
SATB choir, piano, and Spoken
word, with optional violin, B-
flat trumpet, and snare drum -
Late Intermediate
SKU: EC.1.3682
Composed by Kyle Pederson.
9/11 Service, National
Songs/Patriotic. Galaxy Music
Corporation #1.3682. Published
by Galaxy Music Corporation
$12.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Hymn to St. Cecilia Choral SSATB SSATB A Cappella Boosey and Hawkes
(SSATB with Solos a cappella). By Benjamin Britten (1913-1976). For Choral (SSAT...(+)
(SSATB with Solos a cappella). By Benjamin Britten (1913-1976). For Choral (SSATB). BH Large Choral. 48 pages. Boosey and Hawkes #M051481666. Published by Boosey and Hawkes
$10.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Without Form and Void Choral SATB SATB, Piano Theodore Presser Co.
Choral SATB choir, piano SKU: PR.362034230 A Prologue to THE CREATION ...(+)
Choral SATB choir, piano SKU: PR.362034230 A Prologue to THE CREATION by Franz Joseph Haydn. Composed by Dan Welcher. Sws. Premiered at the Northwest Hills United Methodist Church, Austin, TX. Choral. Performance Score. With Standard notation. Composed July 5 2014. 16 pages. Duration 5:15. Theodore Presser Company #362-03423. Published by Theodore Presser Company (PR.362034230). ISBN 9781598069556. UPC: 680160624225. Letter inches. English. When the Texas Choral Consort asked Welcher to write a short prologue to Haydn's The Creation, his first reaction was that Haydn already presents Chaos in his introductory movement. As he thought about it, Welcher began envisioning a truer void to precede Haydn's depiction of Chaos within the scope of 18th-century classical style - quoting some of Haydn's themes and showing human voices and inhuman sounds in a kind of pre-creation melange of color, mood, and atmosphere. Welcher accepted this challenge with the proviso that his prologue would lead directly into Haydn's masterpiece without stopping, and certainly without applause in between. Scored for mixed chorus and Haydn's instrumentation, Without Form and Void is a dramatically fresh yet pragmatic enhancement to deepen any performance of Haydn's The Creation. Orchestral score and parts are available on rental. When Brent Baldwin asked me to consider writing a short prologue to THE CREATION, my first response was “Why?â€Â THE CREATION already contains a prologue; it’s called “Representation of Chaosâ€, and it’s Haydn’s way of showing the formless universe. How could a new piece do anything but get in the way? But the more I thought about it, the more it made sense. The Age of Enlightenment’s idea of “Chaos†was just extended chromaticism, no more than Bach used (in fact, Bach went further).Perhaps there might be a way to use the full resources of the modern orchestra (or at least, a Haydn-sized orchestra) and the modern chorus to really present a cosmic soup of unborn musical atoms, just waiting for Haydn’s sure touch to animate them. Perhaps it could even quote some of Haydn’s themes before he knew them himself, and also show human voices and inhuman sounds in a kind of pre-creation mélange of color, mood, and atmosphere. So I accepted the challenge, with the proviso that my new piece not be treated as some kind of “overtureâ€, but would instead be allowed to lead directly into Haydn’s masterpiece without stopping, and certainly without applause. I crafted this five minute piece to begin with a kind of “music of the spheres†universe-hum, created by tuned wine glasses and violin harmonics. The chorus enters very soon after, with the opening words of Genesis whispered simultaneously in as many languages as can be found in a chorus. The first two minutes of my work are all about unborn human voices and unfocused planetary sounds, gradually becoming more and more “coherent†until we finally hear actual pitches, melodies, and words. Three of Haydn’s melodies will be heard, to be specific, but not in the way he will present them an hour from now. It’s almost as if we are listening inside the womb of the universe, looking for a faint heartbeat of worlds, animals, and people to come. At the end of the piece, the chorus finally finds its voice with a single word: “God!â€, and the orchestra finally finds its own pulse as well. The unstoppable desire for birth must now be answered, and it is----by Haydn’s marvelous oratorio. I am not a religious man in any traditional sense. Neither was Haydn, nor Mozart, nor Beethoven. But all of them, as well as I, share in what is now called a humanistic view of how things came to be, how life in its many forms developed on this planet, and how Man became the recorder of history. The gospel according to John begins with a parody of Genesis: “In the beginning was the Word, and the Word was with God, and the Word was God.â€Â  I love that phrase, and it’s in that spirit that I offer my humble “opener†to the finest work of one of the greatest composers Western music has ever known. My piece is not supposed to sound like Haydn. It’s supposed to sound like a giant palette, on which a composer in 1798 might find more outrageous colors than his era would permit…but which, I hope, he would have been delighted to hear. $3.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Looking Up Choral SATB SATB, Piano St Rose Music Publishing
Choir, Piano Accompaniment (SATB Choir) SKU: HL.277282 SATB and Piano ...(+)
Choir, Piano Accompaniment (SATB Choir) SKU: HL.277282 SATB and Piano Vocal Score. Composed by Nico Muhly. Music Sales America. Classical. Softcover. 60 pages. St. Rose Music #SRO10015201. Published by St. Rose Music (HL.277282). UPC: 840126915006. 6.75x10.5 inches. Program note:
Looking Up is a piece for large chorus and orchestra, and is in three sections, played without pause. In the 16th century, a variety of psalters in meter were printed in England, with the idea of making psalm-singing something that could happen easily at home, with the rhyming meter being an aid to memorization. These translations are wonderful exercises in brevity and sometimes clumsy rhymemaking, and were usually prefaced by a lengthy explanation as to their merits; the title of one of the first such volumes in English is: The Psalter of Dauid newely translated into Englysh metre in such sort that it maye the more decently, and wyth more delyte of the mynde, be reade and songe of al men. I thought it would be appropriate to set one of these introductions, and the first section of Looking Up sets the preface to Thomas Ravenscroft's psalter (1621), in which he writes: “The singing of Psalmes (assay the Doctors) comforteth the sorrowfull, pacifieth the angry, strengtheneth the weake, humbleth the proud, gladdeth the humble, stirres up the slow, reconcileth enemies, lifteth up the heart to heavenly things, and uniteth the Creature to his Creator.”
It begins meditatively, but eventually grows agitated and fervent, with a vision of the “quire of Angels and Saints” “redoubling anddescanting” - an ecstatic and terrifying vision of the skies opening up. Ravenscroft then encourages the use of instrumental musicfor worship, at which point, a long, acrobatic orchestral interlude with jagged edges antagonizes the choir, who sing a kind of private, anxious meditation on two pitches.
One of the most delicious biblical texts is an Apocryphal prayer known as the Benedicite or the Prayer of the Three Children (the same who were rescued by an angel after King Nebuchadnezzar tried to have them burnt in an oven for not bowing to his image). The text is repetitive, obsessive, and a gift to composers - each line is an invocation of an element of the natural world, followed by the phrase, “blesse ye the Lord, praise him & magnify him for ever.” In Looking Up, the setting begins with three solo voices, and then grows to include the whole choir, itemizing the whole of creation. The idea that these boys are spared from the furnace and then five minutes later are saying, “O ye the fire and warming heate, blesse ye the Lord...” has always felt very loaded to me, and the orchestra plays with this conflict between joyful praise and a more terrible (in the 16th-century sense) awefor the divine.
The text for the third, and shortest, section is taken from Christopher Smart's (1722-1771) A Song to David, purportedly written during his confinement in a mental asylum. This ode to King David points out how David, as the author of some of the Psalms, observes the whole world from the “clustering spheres” to the “nosegay in the vale.&rdquo. $7.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Three Folk Hymns (Complete Piano/Choral Score) Choral SATB SATB, Piano Schirmer
Composed by Gwyneth W. Walker (1947-). 21st Century. Complete piano/choral score...(+)
Composed by Gwyneth W. Walker (1947-). 21st Century. Complete piano/choral score. Duration 11 minutes, 45 seconds. Published by E.C. Schirmer Publishing (EC.8255).
$3.35 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Faithful to the Vision Choral SATB SATB, Piano Carl Fischer
Choral SATB Choir and Piano SKU: CF.CM8776 SATB Voices and Alto Solo w...(+)
Choral SATB Choir and Piano SKU: CF.CM8776 SATB Voices and Alto Solo with Keyboard. Composed by Gary Hallquist. Choral. Piano reduction/vocal score. With Standard notation. Carl Fischer Music #CM8776. Published by Carl Fischer Music (CF.CM8776). ISBN 9780825850158. UPC: 798408050153. 6.875 X 10.5 inches. Key: C major. A striking setting of an original text, beautifully written for Alto solo with mixed choir by one of the best new church choral writers of the day, this choral anthem is perfect for anniversary Sundays, All Saints Day, or mission-emphasis worship. The words state very clearly, the vision and purpose of the Christian Church, while calling believers to accountability for responding to the challenge of life today. Musically, the piece is dynamic, lush and powerful, and incorporates the familiar hymn Lead On, O King Eternal, that fits well with the spirit and message. An accompaniment track offers full instrumental support for choirs and soloist. $2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Be thou my vision Choral SATB SATB, Piano - Beginner Oxford University Press
SATB chorus & piano/organ/small orchestra (fl, ob, 2cl, 2hn, hp, str) - Very Eas...(+)
SATB chorus & piano/organ/small orchestra (fl, ob, 2cl, 2hn, hp, str) - Very Easy SKU: OU.9780193413092 Composed by John Rutter. This edition: paperback. Sacred choral - mixed voices. John Rutter Anniversary Edition. Full score. 20 pages. Duration 4.5'. Oxford University Press #9780193413092. Published by Oxford University Press (OU.9780193413092). ISBN 9780193413092. 12 x 9 inches. For SATB and small orchestra Full score for John Rutter's anthem of haunting simplicity and rich orchestral colours. About John Rutter Anniversary Edition The John Rutter Anniversary Edition celebrates the 70th birthday of one of Britain's leading composers and the 30th anniversary of his choir, The Cambridge Singers. Featuring mainly earlier pieces from the composer's catalog, this series presents seminal works for mixed chorus in brand new editions and with accompanying notes on both the music and performance, written by the composer himself. The Anniversary Edition provides the most comprehensive and authoritative performance materials (including full scores and parts) for over 30 of the composer's favorite anthems, carols, and songs. $31.50 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| The Way of Jesus: His Mission in Word and Song (Choir Score) Choral SATB SATB, Organ MorningStar Music Publishers
Congregation, unison voices or SATB choir, organ, optional handbells, timpani (+)
Congregation, unison voices or SATB choir, organ, optional handbells, timpani SKU: MN.70-200 Composed by Hal H. Hopson. Multi-Movement/Large Choral Work. Lent, 21st Century. Score. MorningStar Music Publishers #70-200. Published by MorningStar Music Publishers (MN.70-200). UPC: 688670702006. This hymn festival provides a unique experience in hymn singing. The congregation and choir sing ten hymns from various Christian traditions. The accompaniments are arranged for organ or piano, and several of the hymn settings include optional handbells and timpani. The accompanying narration provides commentary on the words and deeds of Jesus and also creates a transition from one hymn to the next. This spiral-bound edition allows for reproduction of handbell and timpani parts, narrator pages, and congregation pages.
Organist plays from the hymn festival score (70-200A). All instrumental parts, narrator pages, and congregation pages are included in the full score.
Contents: Alleluia! Sing to Jesus Lord, When You Came to Jordan Jesus Calls Us O'er the Tumult Though I May Speak with Bravest Fire This Little Light of Mine The Lord's My Shepherd, I'll Not Want Be Thou My Vision All Who Hunger, Gather Gladly Christ Is Risen! Should Hosanna! Go, My Children with My Blessing. $3.20 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| To H.C.Andersen Poesier Choral SATB SATB A Cappella Wilhelm Hansen
SATB Choir a Cappella SKU: HL.14033692 Composed by Per Norgard. Music Sal...(+)
SATB Choir a Cappella SKU: HL.14033692 Composed by Per Norgard. Music Sales America. Classical. Vocal Score. Composed 2005. Edition Wilhelm Hansen #WH30605. Published by Edition Wilhelm Hansen (HL.14033692). 1. The Native Land of Light (for mixed chorus, SATB) 2. Come lift me up (for mixed chorus, SATB -) -) the second movement may be performed by a children's chorus or by the female voices (SSA) from a mixed chorus Programme Note From my very first aquaintance with these Andersen poems, I was deeply moved by the simple, almost naive, yet evocative imagery, with which Andersen realized his visions, images like: The Melody of the Heart, The Poem of Beauty, A Spiritual Hindustan, Fly, Death, over the Sea of Time, fly to Eternal Summer. Along with this childishness Hans Christian Andersen's poetry encompasses enormous - almost Willim Blake-ish - cosmic visions, in theinterpolations between e.g. reaching the Heaven as opposed to you'll find it in a Rosebud, or the juxtaposition of Everyday Life and Eternal Poetry - which become one. Thus the music came to life in my immediate encounter with these words, which almost sang themselves into my Musical Furnace - if you will. Per Norgard. $8.25 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Callis Stellarum (Path of Stars) Choral SSATB EMB (Editio Musica Budapest)
Choral (SSATB) SKU: HL.50605353 Mixed Voices SSATB. Composed by D&...(+)
Choral (SSATB) SKU: HL.50605353 Mixed Voices SSATB. Composed by Dá and niel Dobos. EMB. Classical, General Worship, Sacred. Softcover. 24 pages. Editio Musica Budapest #Z15140. Published by Editio Musica Budapest (HL.50605353). ISBN 9781705180310. UPC: 196288106210. Dániel Dobos (* 1994) studied with Gyula Fekete and Máté Bella at the Department of Composition of the Liszt Ferenc Academy of Music. In his violin concerto Sylvanus, he uses the technical repertoire of Transylvanian folk violinists. His piano piece, Drumul dracului, which won the first prize in 2018 at the Béla Bartók World Competition, also focuses on a new interpretation of Transylvanian folk music roots. In Callis stellarum, Dobos set one of the apocalyptic visions by the prophet Isaiah: “For the stars of heaven and the constellations thereof shall not give their light: the sun shall be darkened in his going forth, and the moon shall not cause her light to shine.†At the end of the composition, the Hungarian folk song “Csillagok, csillagok†(Stars and Stars) is heard as a kind of hopeful association. Commissioned by the municipality of Debrecen, this piece won the first prize in the youth mixed choir category of the HangKELTO Youth Composition Competition held in 2021. $7.45 - See more - Buy online | | |
| Ave Maria Choral SATB Fennica Gehrman
Mixed choir SKU: FG.55009-452-9 Composed by Josquin Desprez. Edited by Ro...(+)
Mixed choir SKU: FG.55009-452-9 Composed by Josquin Desprez. Edited by Ross Duffin. Published by Fennica Gehrman (FG.55009-452-9). ISBN 979-0-55009-452-9. This is one of three early renaissance Marian motets, along with Mouton's Nesciens Mater and de la Rue's Gaude Virgo, edited by Ross Duffin. It is a classic example of this great composer's balanced unfolding of motifs, with two-part paired imitation followed by four-voice imitative sections and punctuations in homophony. Especially, striking is the personal supplication at the end, in the words O rnater dei, memento mei. Fazer Editions of Early Music is a choral series under the editorial supervision of Paul Hillier, founder and artistic director of the renowned Hilliard Ensemble. Although each title in this series is the result of careful scholarly research and is a reliable source for musicologists, the series' main purpose is to make practical performing editions available to choirs and other vocal ensembles. The original C clefs have been replaced by G and F clefs and the note values adapted to conform to modern practice. All the works in the series are intended for mixed voices. Each title includes a lengthy introduction in English and notes on the editorial principles. Where necessary, an English translation of the text and a guide to pronunciation are provided. $5.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Nesciens Mater Choral SATB Fennica Gehrman
Mixed choir SKU: FG.55011-110-3 Composed by Jean Mouton. Published by Fen...(+)
Mixed choir SKU: FG.55011-110-3 Composed by Jean Mouton. Published by Fennica Gehrman (FG.55011-110-3). ISBN 979-0-55011-110-3. Nesciens mater is an exquisite setting of an antiphon for the Octave of the Nativity, with a tenor voice based on Gregorian melody. It is an undulating tapestry of sonority created, remarkably, by means of a four-voice imitative texture in canon with itself a fifth higher and one bar later. Fazer Editions of Early Music is a choral series under the editorial supervision of Paul Hillier, founder and artistic director of the renowned Hilliard Ensemble. Although each title in this series is the result of careful scholarly research and is a reliable source for musicologists, the series' main purpose is to make practical performing editions available to choirs and other vocal ensembles. The original C clefs have been replaced by G and F clefs and the note values adapted to conform to modern practice. All the works in the series are intended for mixed voices. Each title includes a lengthy introduction in English and notes on the editorial principles. Where necessary, an English translation of the text and a guide to pronunciation are provided. $5.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Osud (Fate) Choral SATB - Intermediate/advanced Barenreiter
4 soprano voice solos/alto voice solo/2 tenor voice solos/baritone voice solo/ba...(+)
4 soprano voice solos/alto voice solo/2 tenor voice solos/baritone voice solo/bass voice solo/SATB choir/piccolo/3 flutes/2 oboes/english horn/2 clarinets/bass clarinet/2 bassoons/contrabassoon/4 horns/3 trumpets/4 trombones/tuba/timpani/triangle/bass dru (solo voices, SATB Choir, Fl-picc, 3Fl, 2 Ob, EnglHn, 2 clarinet, clarinet-B, 2 bassoon, bassoon-Co, 4Hn, 3Trp, 4trombone, Tb, timpani, Tri, Tr-Gr, Tam, Be, Xyl, Gl, harp, Org, piano, 2 Violin, Viola, Cello, Double Bass, (2 Va-dam), Kindertrompete, Tr-Kl) - Level 4 SKU: BA.BA09562-01 Three novel-like scenes. Composed by Leos Janacek. Edited by Jirà Zahrádka. This edition: complete edition, urtext edition. Linen. Complete edition, Score. Baerenreiter Verlag #BA09562_01. Published by Baerenreiter Verlag (BA.BA09562-01). ISBN 9790260107380. 34 x 27.5 cm inches. Text Language: Czech, English, German. Preface: Zahrádka, JirÃ. Text: BartoÅ¡ová, Fedora. Janacek's operaOsudis an extraordinary example of the creative boldness of the composer and presents demanding dramaturgical challenges. This new critical edition is based on a thorough comparison of all surviving sources. The principle source is a copyist's copy of authorised by Janacek in which all revisions are marked. Further sources include a manuscript copy of the vocal score together with the orchestral parts and various copies of the libretto. The score of this new edition will be published as part of theComplete Critical Edition of the Works of Leos Janacek.
* First critical edition of this opera * Foreword on the genesis of the work and its reception by Jiri Zahradka (Cz/Eng/Ger) * New idiomatic piano reduction by Rasmus Baumann * Singable German translation
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$847.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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