This setting of the Magnificat and Nunc Dimittis is large in scale and features compelling melodies and harmonies moments of high drama and at the same time sensitive handling of the words. This is Wesley at his most masterful.Composer and Organist Samuel Sebastian Wesley is the grandson of Charles Wesley founder of Methodism and son of composer Samuel Wesley. He composed music almost entirely for the Anglican church and his works are frequently performed there.By most accounts Wesley was a difficult man who in his determination to improve the quality of country cathedral music often won enemies and lost support. After two unhappy appointments as cathedralOrganist Wesley accepted a position at the Leeds Parish Church which had a new building a new Organ and a vicar determined to create a choir for full Choral services. It was in these congenial circumstances that Wesley first presented this significant and influential Magnificat and Nunc Dimittis.

Johann Sebastian Bach's Here Yet Awhile from 'St. Matthew Passion' for SSAATTBB choir with Piano or Organ accompaniment. Edited by H. W. Nicholl.

The antiphon 'O Sapientia' (with a text from the Old Testament Book of Wisdom) bears testimony to Pawel Lukaszewski's genuine artistry and to his fascinating very individual musical imagination as an academic composer (hestudied composition at the Music Academy in Warsaw where he is a lecturer at present) as well as to his vast knowledge and profound understanding of the immense wealth of choral church music tradition. He is a man deeplyinvolved in the development of new liturgical music the organiser of an association a competition and a festival of sacred music as well as founder of a choir in one of Warsaw's two cathedrals. 'O Sapientia' is neither eclecticnor experimental – it is rather a mature continuation of the tradition on the highest artistic level.For unaccompanied SATB chorus (with divisions) with a Piano accompaniment for rehearsal purposes.

This chart-topping song by English singer/songwriter Adele was a dramatic addition to the GLEE 'Prom Queen' episode. It can be performed a cappella as in the GLEE version or with the bluesy soulful accompaniment. Availible separately SATB TTBB SSAA SAB

Psalm 109 for SSAATTBB soli and chorus instruments and organ continuo.This version is edited from the Selva Morale Et Spirituale Venice (1641) by John Steele.Vocal score with organ/piano accompaniment.