SKU: KJ.8661

Fun to Sing Tale of A False Lover Who Finally Meets His Match. Ideal For Changing Voices. Grade 2.

SKU: OU.9780193413450

ISBN 9780193413450. 10 x 7 inches.

for SATB double choir unaccompanied
A setting of Shakespeare's much-loved Sonnet 18, Bednall's expressive work highlights this timeless text with sumptuous harmony, including pleasing tonal shifts and topical false relations. Various choral textures are explored, from the imitative lines of 'Sometime too hot', to the warm richness of the closing pages, where the choir divides into eight parts. This work is part of the New Horizons series and a piano reduction is included for rehearsal purposes.

About Oxford New Horizons

New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral genres, both secular and sacred, and includes pieces for upper-voice and mixed choirs. With titles by some of the most accomplished choral composers active in Great Britain and abroad, the series introduces new repertoire and fresh talent to a broad spectrum of choirs. New Horizons features composers with growing reputations for quality composition reflecting a strong individual voice. The series is continually expanding and should be the first place to look for attractive and performable contemporary choral music.

SKU: ST.EM39

ISBN 9790220209895.

CONTENTS
A wise man poor (SAATB)
As sudden death (SSAATB)
But when himself (SSATB)
Farewell, false love (SSAB (or T))
From the Tarpeian Rock (SSATB)
Mourn now, my Muse (SSAATB)
My lady wept (SSATB)
My mistress is a paragon (SAATB)
O help, alas (SSAATB)
O Jesu, look (SSATB)
O shall I die (SSAATB)
O When my love (SSAATB)
See, what is life (SAATB)
Sleep aye, fond Hope (SSATB)
That man that climbeth (SAATB)
The ivy green (SSATB)
The tyrant Love (SAATB)
Unkind, alas (SSAATB)
Use thyme whose tender plant (SAATB).

SKU: ST.EM4

ISBN 9790220211263.

CONTENTS
About the maypole (SATTB)
Dainty fine sweet nymph (SSATB)
Fire, fire my heart (SST (or A) TB)
I love, alas, I love thee (SAABB)
I saw my lovely Phillis (SSATB)
Lady those cherries plenty (ST (or A) TTB)
Leave alas this tormenting (SSATB)
Lo she flies (SSATB)
My bonny lass she smileth (Questo dulce sirena) (SAATB)
My lovely wanton jewel (SSATB)
No no Nigella (SSATB)
Now is the month of Maying (SATTB)
Phillis I fain would die now (Dialogue SSAATTB)
Shoot false love I care not (SSATB)
Sing we and chant it (A lieta vita) (SSATB)
Singing alone (SAATB)
Those dainty daffadillies (SAT (or A) BB)
Thus saith my Galatea (SSATB)
What saith my dainty darling? (SSAA (or T) B)
Why weeps alas (SATTB)
You that want to my pipes sound (SSATB).

SKU: HL.14065370

SKU: CA.3913613

ISBN 9790007216054. Language: German. Text: von Lingen, Hermann Ulrich. Text: Hermann Ulrich von Lingen.

Thanks to the false attribution to Johann Sebastian Bach (BWV 219) of the cantata for St. Michael's Day Siehe! es hat uberwunden der Lowe TVWV 1:1328 by Georg Philipp Telemann, one of Telemann's works experienced an unusually early renaissance. In 1884 the cantata was published in the Bach-Gesamtausgabe (Complete Edition) and from then onwards enjoyed some fame as an apocryphal Bach cantata. Alfred Durr was able to identify the work as a composition by Telemann in the 1950s. Score and part available separately - see item CA.3913600.

SKU: CA.3913603

ISBN 9790007074173. Language: German. Text: von Lingen, Hermann Ulrich. Text: Hermann Ulrich von Lingen.

Thanks to the false attribution to Johann Sebastian Bach (BWV 219) of the cantata for St. Michael's Day Siehe! es hat uberwunden der Lowe TVWV 1:1328 by Georg Philipp Telemann, one of Telemann's works experienced an unusually early renaissance. In 1884 the cantata was published in the Bach-Gesamtausgabe (Complete Edition) and from then onwards enjoyed some fame as an apocryphal Bach cantata. Alfred Durr was able to identify the work as a composition by Telemann in the 1950s. Score available separately - see item CA.3913600.

SKU: CA.3913614

ISBN 9790007216061. Language: German. Text: von Lingen, Hermann Ulrich. Text: Hermann Ulrich von Lingen.

Thanks to the false attribution to Johann Sebastian Bach (BWV 219) of the cantata for St. Michael's Day Siehe! es hat uberwunden der Lowe TVWV 1:1328 by Georg Philipp Telemann, one of Telemann's works experienced an unusually early renaissance. In 1884 the cantata was published in the Bach-Gesamtausgabe (Complete Edition) and from then onwards enjoyed some fame as an apocryphal Bach cantata. Alfred Durr was able to identify the work as a composition by Telemann in the 1950s. Score and part available separately - see item CA.3913600.

SKU: AP.49755

UPC: 038081568423. English.

It's a dynamic duo of fabulous '50s holiday hits! Choral singers will enjoy the traditional harmonies and laid-back swing of this mini-medley that clocks in at just over three minutes. The doo-wop falsetto pops near the end provide a nifty nod to nostalgia. For even more fun, add some showmanship with Santa hats, jingle bells, and riser choreography. SoundPax includes parts for a standard rhythm section.

SKU: CA.3105223

Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and part available separately - see item CA.3105200.

SKU: CA.3105224

Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and part available separately - see item CA.3105200.

SKU: CA.3105231

Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and part available separately - see item CA.3105200.

SKU: CA.3105219

ISBN 9790007206352. Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and parts available separately - see item CA.3105200.