By Michael W Smith. Arranged by Thomas Fettke. For SATB choir, piano. Sacred Anthem. Octavo. Published by Crystal Sea Music Publishing

SATB choir - Moderate

SKU: LP.765762174504

Arranged by Russell Mauldin. Anthems. Contemporary and Sacred. CD-ROM orchestration. Published by Lillenas Publishing Company (LP.765762174504).

UPC: 765762174504.

It's here: the first truly exciting version of this well-loved classic to come along in ages! The simple uncomplicated melody with minor overtones explodes into percussion licks fit for any drum line in this dynamic new arrangement. Arranger/Orchestrator Russell Mauldin keeps the choral writing accessible to choirs of all sizes and the orchestrations exciting and challenging. This is a must-have for your choir and sure to become a perennial favorite. Instrumentation: Flute 1 & 2 Oboe Clarinet 1 & 2 Horn 1 & 2 Trumpet 1 Trumpet 2 & 3 Trombone 1 & 2 Trombone 3 Percussion Snare Drums Timpani/Bass Drum Rhythm Violin 1 & 2 Viola Cello String Bass Substitute Instruments: Keyboard String Reduction; Soprano Sax (sub for Oboe); Alto Sax 1 & 2 (sub for Horn 1 & 2); Baritone T.C./Tenor Sax (sub for Trombone 1 & 2); Baritone Sax (sub for Trombone 3); Bassoon/Bass Clarinet (sub for Cello).

SATB Choir and Piano

SKU: HL.14021021

Composed by Sir Peter Maxwell Davies. Music Sales America. Choral. Part. Composed 1999. 86 pages. Chester Music #CH61481. Published by Chester Music (HL.14021021).

ISBN 9780711975187. UPC: 884088440541. 9x12 inches.

A work for SATB soli, SATB chorus and orchestra, using a variety of texts, selected by Alistair Grant, who commissioned the work to commemorate the 250th anniversary of the Jacobite rising (1745-6). It was first performed in October 1997 in Glasgow by Lisa Tyrrell (soprano), Margaret McDonald (mezzo soprano), Neil Mackie (tenor) and David Wilson-Johnson (baritone), the Scottish Chamber Orchestra Chorus (chorus master Ben Parry) and the Scottish Chamber Orchestra, conducted by the composer. Vocal score with piano reduction of the instrumental score. Duration c. 40mins.

By Giacomo Puccini (1858-1924). Edited by Dieter Schickling. For Baritone Voice Solo, SATB Choir, Ottavino, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, tuba, percussion, 2 Violin, viola, cello, contrabass. This edition: P. Vocal Score. Motets.

Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, violin, 2 violas, 2 cellos, contrabass, harp, organ

SKU: CA.2731119

Composed by Gabriel Faure. Edited by Marc Rigaudiere. French Sacred Music. German title: Requiem. Fassung 1889 Fur Kleines Orchest. Sacred vocal music, Requiem. Set of Orchestra Parts. Composed 1901. Duration 35 minutes. Carus Verlag #CV 27.311/19. Published by Carus Verlag (CA.2731119).

ISBN 9790007133894. Language: Latin.

The Requiem of Gabriel Faure is now available in two versions: in the symphonic version which was completed in 1900 and in a version with small orchestra of 1889. The symphonic version of Gabriel Faure's Requiem, published in 1901, was the product of a 13-year compositional process. Starting from the original five-movement form for strings, harp and organ, the composer wrote two additional movements, one after the other, and expanded the instrumentation in various stages for later performances. The present reconstruction of a version with small orchestra differs from other such attempts in that for the first time it presents the work not in a mixed version, but rather in the unified form from 1889. This is distinguished from the final version both in musical terms, as well as through the fact that it forgoes the use of flutes, clarinets and bassoons, while employing only two horns instead of four. With a critical Report with information about the source situation and the edition, and containing the individual readings (alternative readings, etc.). Since in 1889 the Offertoire was still without the choral section the present edition contains the Offertoire of the final version as appendix. Now available in carus music, the choir app. Score and parts available separately - see item CA.2731100.

Bass voice solo or baritone voice solo, SATB choir, flute (recorder), oboe, bassoon, 2 violins, viola and basso continuo

SKU: CA.3911305

Kantate zum 22. Sonntag nach Trinitatis. Composed by Georg Philipp Telemann. TVWV 1:1724. Sacred vocal music, Trinity. Choral Score. TVWV 1:1724. 2 pages. Duration 15 minutes. Carus Verlag #CV 39.113/05. Published by Carus Verlag (CA.3911305).

ISBN 9790007130558. Language: German.

A solo cantata for bass-baritone (B-f1), whose two recitatives and arias are framed with two chorale verses sung by the choir. Particularly beautiful is the first aria, accompanied by flute, oboe and basoon. The flute part can be also be performed by an alto recorder. Score available separately - see item CA.3911300.

Solo bass voice (baritone voice), SATB choir, 2 violins, viola, basso continuo, [trumpet] - Level 3

SKU: CA.3911900

Christmas cantata. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Allein Gott in der Hoh sei Ehr. Sacred vocal music, Cantatas, Christmas. Full score. TVWV 1:58. Duration 18 minutes. Carus Verlag #CV 39.119/00. Published by Carus Verlag (CA.3911900).

ISBN 9790007055547. Key: B flat major. Language: German/English.

In his Christmas cantata Allein Gott in der Hoh sei Ehr (To God, on high alone be praise), Telemann celebrates the birth of Jesus as a symbol of the reconciliation with God and as a message of salvation for a sinful humanity. The cantata makes provision for a competent baritone soloist who sings two challenging arias, as well as a four-part choir which provides the framework for the composition with two unadorned chorale verses and, as a climax, intones the Christmas paean from Luke 2:14 Ehre sei Gott in der Hohe (Praise to God in his high heaven). In the first aria, the muted sounds of the optional high trumpet accompany the words O Freudengetone, wie lieblich, wie schone (O music of blessing! How lovely, how pleasing), evoking a gentle Christmas luster.

Solo bass voice (baritone voice), SATB choir, 2 violins, viola, basso continuo, [trumpet] - Level 3

SKU: CA.3911914

Christmas cantata. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Allein Gott in der Hoh sei Ehr. Sacred vocal music, Cantatas, Christmas. Single Part, basso continuo. TVWV 1:58. 8 pages. Duration 18 minutes. Carus Verlag #CV 39.119/14. Published by Carus Verlag (CA.3911914).

ISBN 9790007055592. Key: B flat major. Language: German/English.

In his Christmas cantata Allein Gott in der Hoh sei Ehr (To God, on high alone be praise), Telemann celebrates the birth of Jesus as a symbol of the reconciliation with God and as a message of salvation for a sinful humanity. The cantata makes provision for a competent baritone soloist who sings two challenging arias, as well as a four-part choir which provides the framework for the composition with two unadorned chorale verses and, as a climax, intones the Christmas paean from Luke 2:14 Ehre sei Gott in der Hohe (Praise to God in his high heaven). In the first aria, the muted sounds of the optional high trumpet accompany the words O Freudengetone, wie lieblich, wie schone (O music of blessing! How lovely, how pleasing), evoking a gentle Christmas luster. Score and part available separately - see item CA.3911900.

Solo bass voice (baritone voice), SATB choir, 2 violins, viola, basso continuo, [trumpet] - Level 3

SKU: CA.3911913

Christmas cantata. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Allein Gott in der Hoh sei Ehr. Sacred vocal music, Cantatas, Christmas. Single Part, Viola. TVWV 1:58. 4 pages. Duration 18 minutes. Carus Verlag #CV 39.119/13. Published by Carus Verlag (CA.3911913).

ISBN 9790007055585. Key: B flat major. Language: German/English.

In his Christmas cantata Allein Gott in der Hoh sei Ehr (To God, on high alone be praise), Telemann celebrates the birth of Jesus as a symbol of the reconciliation with God and as a message of salvation for a sinful humanity. The cantata makes provision for a competent baritone soloist who sings two challenging arias, as well as a four-part choir which provides the framework for the composition with two unadorned chorale verses and, as a climax, intones the Christmas paean from Luke 2:14 Ehre sei Gott in der Hohe (Praise to God in his high heaven). In the first aria, the muted sounds of the optional high trumpet accompany the words O Freudengetone, wie lieblich, wie schone (O music of blessing! How lovely, how pleasing), evoking a gentle Christmas luster. Score and part available separately - see item CA.3911900.

Bass voice solo or baritone voice solo, SATB choir, flute (recorder), oboe, bassoon, 2 violins, viola and basso continuo

SKU: CA.3911309

Kantate zum 22. Sonntag nach Trinitatis. Composed by Georg Philipp Telemann. TVWV 1:1724. Harmony parts. Sacred vocal music, Trinity. Set of Orchestra Parts. TVWV 1:1724. 10 pages. Duration 15 minutes. Carus Verlag #CV 39.113/09. Published by Carus Verlag (CA.3911309).

ISBN 9790007215484. Language: German.

A solo cantata for bass-baritone (B-f1), whose two recitatives and arias are framed with two chorale verses sung by the choir. Particularly beautiful is the first aria, accompanied by flute, oboe and basoon. The flute part can be also be performed by an alto recorder. Score and parts available separately - see item CA.3911300.

Bass voice solo or baritone voice solo, SATB choir, flute (recorder), oboe, bassoon, 2 violins, viola and basso continuo

SKU: CA.3911300

Kantate zum 22. Sonntag nach Trinitatis. Composed by Georg Philipp Telemann. This edition: Paperbound. TVWV 1:1724. German title: Wo soll ich fliehen hin. Sacred vocal music, Trinity. Full score. TVWV 1:1724. 20 pages. Duration 15 minutes. Carus Verlag #CV 39.113/00. Published by Carus Verlag (CA.3911300).

ISBN 9790007094362. Language: German.

A solo cantata for bass-baritone (B-f1), whose two recitatives and arias are framed with two chorale verses sung by the choir. Particularly beautiful is the first aria, accompanied by flute, oboe and basoon. The flute part can be also be performed by an alto recorder.

Bass voice solo or baritone voice solo, SATB choir, flute (recorder), oboe, bassoon, 2 violins, viola and basso continuo

SKU: CA.3911313

Kantate zum 22. Sonntag nach Trinitatis. Composed by Georg Philipp Telemann. TVWV 1:1724. Viola. Sacred vocal music, Trinity. Single Part, Viola. TVWV 1:1724. 2 pages. Duration 15 minutes. Carus Verlag #CV 39.113/13. Published by Carus Verlag (CA.3911313).

ISBN 9790007215514. Language: German.

A solo cantata for bass-baritone (B-f1), whose two recitatives and arias are framed with two chorale verses sung by the choir. Particularly beautiful is the first aria, accompanied by flute, oboe and basoon. The flute part can be also be performed by an alto recorder. Score and part available separately - see item CA.3911300.

Bass voice solo or baritone voice solo, SATB choir, flute (recorder), oboe, bassoon, 2 violins, viola and basso continuo

SKU: CA.3911311

Kantate zum 22. Sonntag nach Trinitatis. Composed by Georg Philipp Telemann. TVWV 1:1724. Violin 1. Sacred vocal music, Trinity. Single Part, Violin 1. TVWV 1:1724. 2 pages. Duration 15 minutes. Carus Verlag #CV 39.113/11. Published by Carus Verlag (CA.3911311).

ISBN 9790007215491. Language: German.

A solo cantata for bass-baritone (B-f1), whose two recitatives and arias are framed with two chorale verses sung by the choir. Particularly beautiful is the first aria, accompanied by flute, oboe and basoon. The flute part can be also be performed by an alto recorder. Score and part available separately - see item CA.3911300.

SATB choir, vocal soloists, ensemble

SKU: FG.042-07701-6

Composed by Erik Valdemar Bergman. Score. Published by Fennica Gehrman (FG.042-07701-6).

ISBN 979-0-042-07701-6.

The Hathor Suite for soprano, baritone, mixed chorus and ensemble (cor anglais, flute, harp and percussion) is Bergman's most colourful works. The first movement is to the goddess' power and glory. In the second movement the glissandos and changing vowel-sounds of the chorus wind around a harp ostinato. The ecstatic third movement is based on an ostinato rhythm. In the fourth movement the vibraphone and female chorus have a chord which gradually expands to include all twelve chromatic notes. The fifth movement celebrates the goddess as 'a lady of the dance, mistress of the music'. Text: Siegfried Schott after ancient Egyptian texts (German), duration 18 minutes.