Angelus ad Virginem describes the Annunciation the biblical event in which the Angel Gabriel communicated with Mary about the forthcoming birth of Jesus. The tranquil music is intended to depict the angelic voice of Gabriel and the voice of Mary through its chant-like nature and exotic shifting harmonies. Douglas Mason began his musical training as a chorister in Gloucester Cathedral Choir under John Sanders. He subsequently read music at Durham University and went on to train as a music teacher at Leeds University also singing professionally as a lay clerk in the Choir of Leeds Parish Church at this time.As a composer Douglas focuses on choral works in particular and he has also written and arranged music for schools. As a performer Douglas has sung on numerous television and radio broadcasts and appeared on recordings for several labels including Abbey Priory and ASC records. For several years he was also a member of the William Byrd Singers directed by Stephen Wilkinson.

Now adapted for SSAA by Richard Gabrillo Craig Hella Johnson's setting of Dolly Parton's Light of a Clear Blue Morning is infused with light and hopefulness as it opens with a solo soprano and gradually builds to a joyful overflowing of sound and vocal texture then gently relaxing into a reflective conclusion. With soprano recorder.

A cappella motet from The Healer: A Cantata For St Luke-Motets is a set of intimate and spiritually uplifting a cappella choral works by Karl Jenkins featuring new pieces and arrangements of a selection of movements from his most popular works including The Armed Man Requiem Adiemus and The Peacemakers.Although scored for mixed choir a cappella most pieces include an optional accompaniment for piano or organ. Next to the complete vocal score (BH 12937) all 19 separate motets are also available as single pieces.Motets was recorded on Deutsche Grammophon 0289 479 3232 by Stephen Layton and Polyphony.

Originally recorded by young R and B star Tevin Campbell on his Grammy-nominated debut album in 1991, this soulful ballad is truly stirring. An optional solo at the opening provides the opportunity to feature a star singer, while solid choral writing throughout leads to an uplifting and inspiring finish. / Choeur SSAA

A cappella motet from The Armed Man: A Mass For Peace-Motets is a set of intimate and spiritually uplifting a cappella choral works by Karl Jenkins featuring new pieces and arrangements of a selection of movements from his most popular works including The Armed Man Requiem Adiemus and The Peacemakers.   Although scored for mixed choir a cappella most pieces include an optional accompaniment for piano or organ. Next to the complete vocal score (BH 12937) all 19 separate motets are also available as single pieces.Motets was recorded on Deutsche Grammophon 0289 479 3232 by Stephen Layton and Polyphony.

The Parting Glass. A 4-minute gently flowing arrangement by Joshua Pacey of the traditional Irish/Scottish song. Written for unaccompanied SSAATTBB with soprano and tenor solo. Score includes rehearsal piano reduction. First recorded on VOCES8?s2019 album Enchanted Isle.

The popular love theme from the hit movie Titanic originally recorded by Celine Dion in an exquisite setting by Kirby Shaw. The essence of this very moving emotional ballad with its haunting melody and tender lyrics is beautifully captured with word painting and lush harmonies. Guaranteed to create a moment of sheer magic in your concert.

Straight out of the hip and swinging 1960s, here's a sparkling setting of the favorite holiday tune for choirs in four parts! First featured on The Andy Williams Christmas Album, and recorded by a myriad of artists since then, it's a real show-stopper! / Choeur SSAA

This doo-wop novelty favorite from 1957 was recorded by both The Rays and Herman's Hermits and will surely be an audience favorite! This doo-wop novelty favorite from 1957 was recorded by both The Rays and Herman's Hermits and will surely be an audience favorite!

Recorded by hundreds of major artists over the years the classic simplicity of this Irving Berlin song makes it one of our most treasured standards. This expressive a cappella setting for women's voices will create a magicalmoment in performance! Available separately: SSAA. Duration: ca. 2:10.

Ever since John Coltrane's 1961 recording Rodgers & Hammerstein's My Favorite Things has been a favorite choice for jazz improvisation. Mitos Andaya's SSAA setting is second to none for advanced women's ensembles and all-statehonor groups. Duration: ca. 5:15 (without instrumental break).

Recorded by many artists including Tony Bennett Frank Sinatra and Bobby Darrin this selection was featured in the Broadway production of All American. Beautiful harmonies and a lyrical melody combine to make this special. Performance Time: Approx. 2:35. Available for SATB and SSAA a cappella.

Written for an obscure short-lived musical that never made it to Broadway this song caught the ear of Nat King Cole who promptly recorded it in 1956 and it became a lesser-known standard in the great American songbook. It has since been recorded by artists such as Johnny Mathis Dinah Washington Diane Schuur and Diana Krall. Accessible and hard-swinging this is a perfect addition to any male or female quartet or chorus repertoire!

Based on the Eva Cassidy recording this honest emotional ballad features light arpeggiated textures and soaring harmonies supporting a gorgeous heartfelt soprano melody with occasional duet/trio lines.

(Shout for Joy)-Mendelssohn wrote Psalm 66 Jauchzet Gott alle Lande (Shout For Joy) in 1822 when he was only 13 years old. He wrote it in a similar style to Handel's Messiah full of melismas and very much in a late Baroque style. With a keyboard part realized by Advanced Women's Choir Consortium creator Kathleen Rodde this is a wonderful new offering for college and women's community choirs. ScorePlay - click to view score with recording.