The iconic spiritual arrangement by Moses Hogan has been masterfully adapted for treble voices by Rollo Dilworth. From the powerful opening chords to the exhilarating call and response sections this is a work that will bring downthe house! Available: SSAA a cappella. Duration: ca. 2:45.

Traditional Zulu Dowry Song-Here is a popular Zulu traditional song as arranged by Rudolf de Beer former conductor of the Drakensberg Boys Choir of South Africa. What a vivid connection to the people and culture of that part of the world! Authenticpercussion and movement suggestions give this selection great visual appeal. Available separately: SATB SSAA. Duration: ca. 1:50.

Five choral songs. Par SCHONHERR CHRISTOPH. Since his earliest childhood, Christoph Schönherr has been fascinated by all things nautical. His cycle Von Schiffen, Meer und Wind (Of Ships, Sea and Wind) brings together verses by different poets that explore the sea in its various guises. The work's selected poems describe the vast ocean that can fill us with a deep sense of tranquility, but can also bring mortal danger with its storms and destructive waves. Boats, and especially sailing ships, are often associated with freedom, a sense of weightlessness, and security. But if we are caught in a storm at sea, we suddenly find ourselves at the mercy of nature. We are made painfully aware of our own insignificance in the greater scheme of things.According to the composer and passionate sailor: ?In the five choral songs I attempt to characterize the atmosphere of the texts and the emotions they contain. My experiences at sea, for example in storms or when simply contemplating the motionless water, guided me in my search for a suitable means of musical expression.? / Date parution : 2023-06-01/ Répertoire / SSAA

This a cappella Shawnee Press Classic by composer Houston Bright has been a staple in choral libraries for many years. Suitable for developing voices and smaller choirs retaining the vocal finesse. Discover again this greatchoral work. Available separately: SSAB a cappella; SATB a cappela; SSAA a cappella; TTBB a cappella. Duration: ca. 2:17.

This song has now been covered over one hundred times by a range of artists in a range of styles. This edition has been arranged for SSAA by Deke Sharon.

Emma Lou Diemer's wit and style are on full display in this collection of short musical settings of limericks by her sister Dorothy Diemer Hendry (1918-2006). SSAA voices with piano or 2 pianos and percussion. Movements include: A Wanna-be Poet At the Derby Homing Pigeons The Beatles and a Beetle Road Rag. Score and Parts for Two Pianos and Percussion available digitally. Duration: 11:00.

Vocal Score (Lat)-Arrangement for female choir (SMezAA) based on the Urtext of the ?New Mozart Edition?.Straightforward Piano reduction.Mozart?s ?Missa in C major? (K. 220) nicknamed the ?Sparrow Mass? for its frequently recurring characteristic motifs in the violins has retained a firm place in the choral repertoire to the present day. Now it has been arranged for female choir and is appearing as part of the recently started ?Bärenreiter Female Choir? series.Heribert Breuer has judiciously transferred the tenor and bass solos to the high voices and incorporated the original soprano and alto parts largely unchanged into the solo and chorusparts. He has thereby retained the work?s original substance while giving it a wholly new and delightful sound.Heribert Breuer was professor of choral conducting and music theory at Berlin University of the Arts until 2010. He is the founder and director of the Berlin Bach Akademie and has made a name for himself with his many arrangements of works from Bach to Schubert.The vocal score is compatible with the performance material of the original work for mixed chorus BA 5343.

Blow Ye The Trumpet was originally composed as a chorus for as part of Kirke Mechem's Opera John Brown based on the life of the abolitionist campaigner of the same name. It was later popularised inSongs of the Slave a suite of works from the same opera. The text is adapted from a traditional hymn said to be Brown’s favourite with a new tune composed in the early American folk style. KirkeMechem (b. 1925) is an American composer who has found worldwide popularity with his collection of over 250 compositions in almost every form. Blow Ye The Trumpet has been arranged here for SSAA chorus andPiano with optional orchestral accompaniment.

A wonderful motet for SSAA a cappella which is a setting of words by St. Bernard of Clairvaux from the 12th Century which have been translated by Michael Hodgetts.

Nicola Porpora (1686-1768) was a Neopolitan composer and singing teacher. A rival of Handel he formed an opera company which performed his own compositions all over Europe. He was widely acclaimed during his lifetime both as a composer and also as a pedagogue counting Haydn among his students. Regrettably most of his compositions have largely fallen into obscurity since his death. Credidi Propter is a setting of Psalm 116 originally for SSAA Upper Voice Choir Strings and Organ Continuo with optional Viola part. It has been edited by D. E. Hyde and arranged with Piano accompaniment.

Slumber Song is an Art Song by the Russian composer Anton Arensky. It is scored for SSAA Upper Voice Chorus with a Piano reduction provided for rehearsal purposes. It has been translated into English by the composer Frederick Corder (1852-1932). Anton Arensky (1861-1906) was a Russian composer pianist and pedagogue. He studied composition at the St Petersburg Conservatory with Rimsky-Korsakov before becoming a Professor at the Moscow Conservatory and later director of the Imperial Choir. His musical style was initially dismissed as being unoriginal and heavily reliant on Tchaikovsky but has recently been re-evaluated and hischamber music is now experiencing a revival.

Jameson Marvin through his work with Harvard and Radcliffe has re-established the importance of teaching polyphony in the modern choral classroom. This beautiful setting of the Magnificat byPalestrina has been edited by Dr. Marvin to accommodate modern notation clefs and measure lines. He also maintains rhythmic groupings enabling the singers to move beyond the tyranny of the bar line and bring a beautifuland authentic performance to the stage.

Uses: Memorial PatrioticThis inscription found on the Statue of Liberty and set to glorious song has been standard repertoire for patriotic gatherings for decades. This classic arrangement will be a wonderfuleducational piece and a heartfelt moment of unity and national pride for your patriotic commemorations. The vintage harmonic vocabulary of this classic choral will make your choir sound rich and powerful.

Released in SATB in 2004 this piece has been popular enough to demand a setting for women's voices. Brian Tate cleverly combined the texts from a variety of frequently used spirituals to create a brand new choral selection. The yearning for belonging is quickly evident and rocks gently to a satisfying finish. Brian Tate has been composing and arranging a steady string of choral hits that deserves our attention.

with Joyful Joyful We Adore Thee-This exciting and upbeat a cappella version of the traditional spiritual Mary Had A Baby has been combined with Beethoven's ever-popular tune from the Ninth Symphony Joyful Joyful We Adore Thee. New seasonal lyrics for the Beethoven will be perfect for any winter concert! SSAA version.