SKU: BA.BA10557
ISBN 9790006553068. 33 x 25.8 cm inches. Language: German.
The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbel??s arias, vocal concerti and large-scale Magnificats have received little attention up to now. Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbel??s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach. The Critical Edition The edition aims to make available all of Johann Pachelbel??s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz. Two volumes per year are planned. As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbel??s authorship is doubtful appear at the end of the respective group. Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: PR.312418660
ISBN 9781598064124. UPC: 680160605828. Octavo inches. English. Text: Spiritual. Spiritual.
From the blog of Opera Roanoke: The four spirituals are densely packed portraits resonant with the black church tradition... Weaving together a fabric of history and presence, pain and struggle, exile and homecoming, Goin’ Home is an engaging musical canvas whose complex palette is challenging as it is rewarding.
SKU: CA.743400
ISBN 9790007181772. Language: German.
For the 500th anniversary of the Reformation a collection of all 35 hymns by Luther is being released on a double CD for the first time (Carus 83.469). The recorded choral pieces, chorale cantatas and chorale settings come from six centuries and cover a wide stylistic range. This piece was specially written for this collection.
SKU: BA.BA02564
ISBN 9790006423033. 27 x 19 cm inches.
Motet no. 14 from Israelsbrunnlein.
SKU: BA.BA02572
ISBN 9790006423118. 27 x 19 cm inches.
Motet no. 22 from Israelsbrunnlein.
SKU: GI.G-9610
UPC: 785147961000. Latin. Text Source: Attr. Ambrose of Milan, 340–397. Text by Ambrose of Milan.
Composer's Notes When I met Kelsey Rose in Oxford in St. Stephen’s House chapel over the summer of 2017, we had both just attended a very moving candlelit concert by Westminster Williamson Voices, featuring my setting of “Tenebrae lumini.” I was delighted to be asked to write a piece for compline in Princeton University Chapel, celebrating the 150th anniversary of the Anglican/Episcopal chaplaincy at Princeton University. “Aurora” is the result of that meeting. Composing by commission often throws up some interesting challenges. The piece had to fit both as an accompanying piece to the plainchant of compline, whilst simultaneously being a celebratory anthem. I was instantly drawn back to the poetry and hymns of St. Ambrose of Milan, particularly “Aurora iam spargit polum.” Fragments of chant (both real and imagined) are used to create the powerful imagery of the descending golden light of dawn. The piece reaches its climax with the plea for the despair of night to “vanish,” which it then does, leaving the sopranos alone on a high G.
SKU: BA.BA00506
ISBN 9790006403035. 27 x 19 cm inches.
Basso continuo-vocie see BA 500 67(Organ) und BA 500 86(Cello/Contrabass/Bassoon).
SKU: BA.BA02865
ISBN 9790006426577. 29.8 x 21 cm inches. Text Language: Italian, German. Translation: Hans Joachim Moser.
Print on demand (POD).
SKU: BA.BA02859
ISBN 9790006426515. 27 x 19 cm inches. Text Language: Italian, German. Translation: Hans Joachim Moser.
SKU: BA.BA02565
ISBN 9790006423040. 27 x 19 cm inches.
Motet no. 15 from Israelsbrunnlein.
SKU: BA.BA02554
ISBN 9790006422937. 27 x 19 cm inches.
Motet no. 4 from Israelsbrunnlein.
SKU: BA.BA02561
ISBN 9790006423002. 27 x 19 cm inches.
Motet no. 11 from Israelsbrunnlein.
SKU: BA.BA02570
ISBN 9790006423095. 27 x 19 cm inches.
Motet no. 20 from Israelsbrunnlein.
SKU: BA.BA02575
ISBN 9790006423149. 27 x 19 cm inches.
Motet no. 25 from Israelsbrunnlein.
SKU: BA.BA02553
ISBN 9790006422920. 27 x 19 cm inches.
Motet no. 3 from Israelsbrunnlein.
SKU: BA.BA02855
ISBN 9790006426478. 27 x 19 cm inches. Text Language: Italian, German. Translation: Hans Joachim Moser.
SKU: BA.BA02566
ISBN 9790006423057. 27 x 19 cm inches.
Motet no. 16 from Israelsbrunnlein.
SKU: CA.927600
ISBN 9790007296117. French. Text: Gautier, Theophile.
A prevailing melancholy mood is characteristic of Theophile Gautier's (1811-1872) poetry; a melancholy mood which inspired composers such as Hector Berlioz and Gabriel Faure to compose settings. Tristesse (Sadness) is taken from the 1838 collection La Comedie de la Mort (The Comedy of Death). With over 50 poems this is regarded as Gautier's major Romantic work. Although the narrator in the poem is conscious of the joy and zest for life of spring coming into bloom around him, he cannot share this: Helas! j'ai dans le coeur une tristesse affreuse. (Alas, in my heart I bear a terrible grief.). Faure's setting portrays this effect less as a dramatic sigh than a melancholic unworldliness with peaceful piano accompaniment in the minor key. This art song was originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted it to suit the requirements and expressive possibilities offered by a larger ensemble, without losing any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist.The songs have been recorded by the figure humaine chamber choir on the CD ... Wo die Zitronen bluhn (Carus 83.514).
SKU: BA.BA02573
ISBN 9790006423125. 27 x 19 cm inches.
SKU: BA.BA02563
ISBN 9790006423026. 27 x 19 cm inches.
Motet no. 13 from Israelsbrunnlein.
SKU: BA.BA02568
ISBN 9790006423071. 27 x 19 cm inches.
Motet no. 18 from Israelsbrunnlein.
SKU: BA.BA02860
ISBN 9790006426522. Text Language: Italian, German. Translation: Hans Joachim Moser.
SKU: BA.BA02559
ISBN 9790006422982. 27 x 19 cm inches.
Motet no. 9 from Israelsbrunnlein.
SKU: BA.BA02560
ISBN 9790006422999. 27 x 19 cm inches.
Motet no. 10 from Israelsbrunnlein.
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