A fantastic choral piece by Betty Roe based on a classic Metaphysical poet John Donne. This romantic and expressive piece is scored for unaccompanied Solo Soprano and SATB mixed choir.

A celebratory and devout song for Christmas by Betty Roe written for Soprano solo mixed chorus and Orchestra. This item is the chorus part with solo line.

Mealor divides his setting of this religious Latin text into four sections the first of which is unaccompanied. For SATB chorus with soprano solo and piano. Also available with harp (or piano) and string accompaniment.

Britten's Te Deum In C is arranged for Treble (Soprano) solo SATB choir and Organ accompaniment.In preparing for publication the 1935 orchestral version of Britten's Te Deum in C it became clearthat there were a number of discrepancies between the manuscript and the original 193 vocal score. Some of these were minor: different articulation and dynamic markings something Britten was later very fussy about but perhapsleft unchanged on proof because of his relative inexperience at this stage of his career with the processes of music publishing. Others were more important: wrong pedal notes for example which Britten failed to notice on proof and which have been perpetuated in performances and recordings for nearly seventy years. These have been corrected in the new edition of the vocal score and in the orchestral score (Britten clearly used the published vocal scoreto prepare his orchestral version).The two versions have been made consistent in other details - rehearsal cues and bar numbers for example - since Britten intended choristers to use the vocal score to perform theorchestral version. This would have been an easy task for these is little discrepancy in essential details between versions (a rare departure occurs in bars 53 to 56 where the works 'Lord God of Sabaoth' are unaccompanied in theorchestral version but doubled by Organ in the original). Sustained Organ chords are often filled out with arpeggiated string writing while the spacing of chords is frequently much wider in the string version with melodiestransposed into different octaves.Although harmony in both versions is identical voice leading is sometimes altered in the latter to make it better suited to the idioms of the instruments concerned. So although inessence the two versions are the same the soundworld explored in each is quite distinct. Britten's orchestral version should neither be viewed as an occasional piece nor considered solely a liturgical work like many of his

Réduction pour chant & piano-The vocal score of Francis Poulenc's Stabat Mater setting originally composed in 1950 for soprano solo mixed chorus and orchestra. This edition features a Piano reduction of the orchestral material.

Edition : Piano Reduction/Vocal Score; Urtext Edition Editor : Federhofer, Hellmut Binding : stapled Instrumentation : Soprano solo, Mixed Choir (SATB), Piano

Patrick Hawes' 2013 piece Out Of The Depths scored for Soprano SATB chorus and Piano. Rebecca Tavener in the December 2014 issue of Organists' Review wrote that Out Of The Depths is 'unashamedly lyrical accessible emotional and yes beautiful.'

Symphony No. 3-Symphony No. 3 - KaddishVocal/piano score for voice speakers mixed choir (SATB) boys' choir and piano reduction. Hebrew and English.

Par MOZART WOLFGANG AMADEUS. Ausgaben Für Die Praxis Nach Der Neuen Mozart-Ausgabe. Urtext/ Répertoire / Soprano, 4 Parties Mixtes 2 Trompettes, Instrument