Solo and Chamber Works-Signs Games and Messages are series for solo instruments and small chamber ensembles. Each of the three notions refers to an essential factor in Kurtág's music. Signs ties in with the composer's period of study in Paris as a young man when he could not compose merely put graphic signs on the paper. (Additionally the word points to inspiration gained from the art of Klee and Michaux.) Games links with his nine-volume series for the piano with that title. Messages conveys the very personal content of these works in that these short pieces are actually diary notes and missives to musicians and friends important to Kurtág.The collection - like his earlierfive series for stringed instruments - does not form a coherent cycle. The pieces can be played individually or in various orders or among pieces from Signs Games and Messages written for other instruments.

The four dances featured in this new volume aim to complement individual instrumental teaching and to develop the students? taste for ensemble playing. Titles include: Mulberry Bush, Haurrak Ika Suzue, Bloublichky and Danse Basque Espagnole.

Toccata, Adagio e Fuga per quartetto di clarinetti. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Date parution : 1905-06-17/ Répertoire / 4 Clarinettes

Par CURTIS MIKE. Bulgarian Bat Bite was written in 2003 as a commission by the Quartetto Italiano di Clarinetti. It is an adaption and expansion of the composer´s 1992 duet, Khyberian Catfit, which is included in his 10 Klezmer Duos, published by Advance Music of Germany. The Duo‘s name referred to the antics of the family cat, Khyber, without alluding to the Balkan influences upon the composers following a summer, 1992, klezmer tour to Eastern Europe. The name “Bulgarian Bat Bite” properly conveys the influence. The transition to half-clarinets (mouthpiece inserted into the lower joint) in the middle section, discovered in the composer’s lengthy exploration of free jazz, creates non-datonic scales more associated with folk instruments and ecstatic dance. / Niveau : Avancé / score and parts / Recueil / 4 Clarinettes (3 Clarinettes en Sib et Bass Clarin