Clarinet and Piano. By Wolfgang Amadeus Mozart. Arranged by Yona Ettlinger. (Clarinet). Boosey and Hawkes Chamber Music. Size 9x12 inches. 20 pages. Published by Boosey & Hawkes.

Clarinet & piano

SKU: HH.HH259-FSP

Composed by Francois Devienne. Edited by Nicholas Cox. Clarinet & Piano. Series @Mozart. Full score and parts. Duration ca. 9 minutes. Edition HH Music Publishers #HH259-FSP. Published by Edition HH Music Publishers (HH.HH259-FSP).

ISBN 9790708092698.

The present work, which has been realized and edited by the well known British clarinettist Nicholas Cox, will be particularly suitable for reasonably advanced students of both modern and classical clarinets.

Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Richard Carder. Winds and Piano. For clarinet and piano. Very effective transcription.. Classical. Score and parts. Published by Rosewood Publications

Clarinet and Piano

SKU: HL.49016024

By Arthur H. Christmann. By Avgerinos. Edition Schott. Classical. Book Only. 304 pages. Schott Music #GS33028. Published by Schott Music (HL.49016024).

ISBN 9780793526048. UPC: 073999302806. 305 X 229 inches.

Contents: Adagio (Wagner) • Adagio from Concerto, K.622 (Mozart) • Adagio (Spohr) • Adagio (Baermann) • Adagio and Allegro (Handel) • Allegro (Albinoni) • Allegro (Bach) • At the Brook(Starokadomsky) • Etude (Baermann) • Fantasy Piece (Schumann) • First Movement from Flute Concerto in D (Vivaldi) • Gavotte (Lully) • Gavotte and Minuet (Stanley) • Intermezzo (Starokadomsky) •Larghetto from Quintet, K.581 (Mozart) • Romance (Stamitz) • Second Movement from Concerto No. 1 in F Minor (Weber) • Second Movement from Concerto Militaire (Baermann) • Sonata in G Major (Marcello) •Tambourin (Gossec) • Valse Triste (Gliere).Selected and edited by Arthur H. Christmann. A collection of 20 pieces of medium difficulty, many of which were originally written for the clarinet. With piano accompaniment.

Contents: Adagio (Wagner) • Adagio from Concerto, K.622 (Mozart) • Adagio (Spohr) • Adagio (Baermann) • Adagio and Allegro (Handel) • Allegro (Albinoni) • Allegro (Bach) • At the Brook(Starokadomsky) • Etude (Baermann) • Fantasy Piece (Schumann) • First Movement from Flute Concerto in D (Vivaldi) • Gavotte (Lully) • Gavotte and Minuet (Stanley) • Intermezzo (Starokadomsky) •Larghetto from Quintet, K.581 (Mozart) • Romance (Stamitz) • Second Movement from Concerto No. 1 in F Minor (Weber) • Second Movement from Concerto Militaire (Baermann) • Sonata in G Major (Marcello) •Tambourin (Gossec) • Valse Triste (Gliere).

Composed by Various Artists. Music Sales America. Classical. Book Only. 48 pages. Chester Music #MUSCH71841. Published by Chester Music

With Piano Accompaniment. Edited by Thea King. Chester Woodwind Series. Classical. Book Only. Composed 2005. 30 pages. Chester Music #MUSCH55089. Published by Chester Music

Clarinet & piano

SKU: HH.HH562-FSP

Composed by Jean-Xavier Lefèvre. Edited by Nicholas Cox. Full score and part. Edition HH Music Publishers #HH562-FSP. Published by Edition HH Music Publishers (HH.HH562-FSP).

ISBN 9790708185772.

These Sonatas were written as part of Jean-Xavier Lefèvre’s Méthode for the Clarinet. They are great stepping stones to the more difficult clarinet master works by Mozart and Weber and are also invaluable first pieces for those studying period performance on the classical clarinet. They retain Lefèvre’s original notation for clarinet and the bass lines are transposed down a tone so the Sonatas are playable on the B flat clarinet. The right hand of the piano parts have been realised from a single unfigured bass line probably intended for the cello. The piano parts are designed to be stylistic, complementary to the clarinet line, satisfying to play and occasionally challenging.

Clarinet & piano

SKU: HH.HH539-FSP

Composed by Jean-Xavier Lefevre. Edited by Nicholas Cox. Full score and parts. Edition HH Music Publishers #HH539-FSP. Published by Edition HH Music Publishers (HH.HH539-FSP).

ISBN 9790708185543.

Jean-Xavier Lefèvre’s Clarinet Method, published at the beginning of the 19th century, contains a number of sonatas that are significant stepping-stones to the more difficult clarinet master works of Mozart and Weber. They are also invaluable first pieces for those studying period performance on the classical clarinet. Lefèvre’s original notation for the instrument has been retained, and the bass lines are transposed down a tone so that the sonatas are playable on the B flat clarinet. The piano accompaniments, whose right-hand parts have been realized from a single, unfigured bass line probably intended for the cello, are stylistic, always complementary to the clarinet line, and satisfying (if occasionally challenging) to play.