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Stringtastic Book 2: Double Bass
Double Bass
Faber Music Limited
Par WILSON MARK. Stringtastic Book 2: Double Bass teaches through playing in an ...
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Par WILSON MARK. Stringtastic Book 2: Double Bass teaches through playing in an engaging exploration of musical styles. Part of the fully integrated Stringtastic series in which violin, viola, cello and double bass can all learn and play together in any combination. Learn as you play through the world of Stringtastic, with 62 imaginative pieces that have been specifically designed to establish a secure playing technique and build confidence one step at a time. Following on from Stringtastic Book 1, this book takes the student from Grade 1 (Early Elementary) to Grade 2 (Elementary) level. Featuring equal-level duets for all instruments, the pieces are ideal for individual and group tuition as well as flexible ensemble and classroom settings. Every piece is supported by an exciting backing track plus a piano-only track for practice, all available to download. The Stringtastic Book 2: TeacherÂs Accompaniment book provides the complete piano score which works with any combination of the instrumental parts. / Date parution : 2023-10-31/ Recueil / Contrebasse
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Michael Rose: A Sketchbook for Double Bass: Double Bass: Instrumental Album
Double Bass
ABRSM Publishing
Nine tuneful pieces by Michael Rose for the young bass player. These superb tune...
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Nine tuneful pieces by Michael Rose for the young bass player. These superb tunes are in distinct styles including waltz ragtime and a hornpipe with a nod towards Handel. All pieces also include full Piano accompaniments and are ideal for early recitals and festivals. ABRSM Double Bass Syllabus
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StringTastic Beginners: Double Bass (WILSON MARK / WOOD PAUL)
Double Bass
[Sheet music + Audio access]
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Beginner
Faber Music Limited
Par WILSON MARK / WOOD PAUL. StringTastic Beginners is the first in a fun new se...
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Par WILSON MARK / WOOD PAUL. StringTastic Beginners is the first in a fun new series designed to teach through playing, for violin, viola, cello and double bass, fully integrated so that all instruments can play and learn together. Each book contains over 40 imaginative pieces to steadily establish a secure playing technique and build confidence, from complete beginner to Initial Grade level. As well as being a fully integrated series, the first 20 tunes are presented as duets to accommodate multiple stages of progress, ideal for individual tuition as well as group and classroom settings. Every piece is supported by an exciting backing track to transport you into its unique sound world, in addition to piano-only audio for practice. Plus, the teacher?s book provides the complete piano accompaniments which work with any combination of instrumental parts. / Date parution : 2021-12-09/ Recueil / Contrebasse
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Jedem Kind Ein Instrument - Band 2
Double Bass
Schott
Dieses Heft fĂŒhrt die umfassenden Unterrichtsmaterialien zu ?Jedem Kind ein Ins...
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Dieses Heft fĂŒhrt die umfassenden Unterrichtsmaterialien zu ?Jedem Kind ein Instrument' fort.Im didaktischen Teil der Hefte finden sich viele neue Lieder und SpielstĂŒcke, differenzierte Aufgabenstellungen und methodische Anregungen zur WeiterfĂŒhrung des instrumentalen Unterrichts in der Grundschule. DarĂŒber hinaus beinhaltet jeder Band einen umfassenden ?Ensemble Kunterbunt'-Teil mit zahlreichen fantasievollen Arrangements, die sich sowohl im Kleingruppenunterricht als auch im (Schul)-Orchester flexibel einsetzen lassen. / Contrebasse
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Giovannino: Sonata In F Major: Viola: Instrumental Album
Double Bass
[Sheet music]
Yorke Edition
For Violone-Very little is known about the two sonatas which appear here in thei...
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For Violone-Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e. unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period some of which are dated 1698.The sonatas are both inscribed on the title page Sonata Violone Solo. Col Basso per l'Organo o Cembalo. A third sonata bears the words Sonata Violino e Violoncino ùŠ di Giovannino del Violone. Giovannino (=Little or Young John) musthave been a performer and although the third sonata has been copied by a different hand it is conceivable that Giovannino is a connecting link between the three. He cannot however be assumed to be their author.The Violone was a six-stringed instrument with frets and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone or Violoncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family which means that the sonatas might well have been written for a tenor or a bass Viol and not necessarily a Violone as such. Indeed when they are played on a Violone or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument to prevent inversion of the intended harmony. (The use of a Violone/Double Bass continuo or 16' organ tone would overcome this problem.)The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether a Violone player owing to the very nature of his instrument would have used any but the simplest melodic decorations. Nevertheless the performer should acquaint himself thoroughly with those seventeenth century traditions that are known today (see Dart
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String Festival Solos Volume II: Double Bass: Instrumental Album
Double Bass
Alfred Publishing
String Festival Solos are economical collections of transcriptions by Samuel App...
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String Festival Solos are economical collections of transcriptions by Samuel Applebaum. In two volumes for each instrument the solos are in progressive order of difficulty. Each volume contains nine pieces -- all classic titles in the Applebaum teaching repertoire. Some of these have been hard to find. Volume I progresses from Level 1 to Level 2 Volume II progresses from Level 2 to Level 3. The solos are useful for teaching technique dynamics phrasing and overall musicianship. String Festival Solos are excellent for recitals auditions and performances for assemblies concerts or festivals. Contains: Two Austrian FolkTunes (Kohler) * Rigaudon (Lee) * First Sonatina (Drew) * Minuet (Pleyel) * March (Clarke) * Second Sonatina (Drew) * The Strange Man (Schumann) * Two Classical Pieces (Reinagle) * Adagio and Allegro (Galliard).
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Lennox Berkeley: Introduzione and Allegro: Double Bass: Instrumental Album
Double Bass
[Sheet music]
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Advanced
Yorke Edition
Good work for examinations and recitals by an important British composer. Durati...
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Good work for examinations and recitals by an important British composer. Duration c.6'. AMEB (Australian Syllabus) 2004. Programme notes as follows:Lennox Berkeley was born in 1903 and died in 1989. After reading modern languages at Oxford he had no intention of becoming a composer until he met Ravel in 1926 who encouraged him to study in Paris with Nadia Boulanger. He stayed in Paris until 1932 developing his own musical language. In 1936 after the death of his mother he went to Barcelona for the International Society for Contemporary Music festival where he met Benjamin Britten. The two lived together at Snape in Suffolk for a while until the outbreak ofwar before Berkeley moved back to London to work for the BBC. Here he met his future wife Freda Bernstein. He taught at the Royal Academy of Music in London from 1946 until 1968 where his pupils included Richard Rodney Bennett Nicholas Maw and John Tavener among others. He was knighted in 1974. In early February 1971 I was playing in a concert at St. John's Smith Square London then only relatively recently restored as a superb venue for music. The programme which I believe was being broadcast included Berkeley's Serenade Op.12. It was a work I had always enjoyed playing and was standard string orchestra repertoire at the time. There was initially no platform at St. John's and so the audience sat virtually on top of the performers. So close were they on this occasion that I had to ask for a little more room in order to play. At the end of the piece the orchestra acknowledged the applause and the gentleman who I had all but practically decapitated with my over-enthusiastic playing stood up and took a bow. I had been almost playing in Lennox Berkeley's lap! The opportunity was too good to miss and I wasted little time in introducing myself. Mr Berkeley said that he had been fascinated by my playing and asked me to write to him about a possible commission.This I did on 6 February mentioning that
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F. Baines: Grounds For Solo Double Bass: Double Bass: Instrumental Album
Double Bass
[Sheet music]
Yorke Edition
Yorke Edition-Born in Oxford in 1917 Francis Baines was a well-known and much r...
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Yorke Edition-Born in Oxford in 1917 Francis Baines was a well-known and much respected professional double bass player. He studied at the Royal College of Music in London with Claude Hobday where he later taught. Something of an eccentric he immersed himself in early music at a time when few people were taking it seriously. He owned a beautiful Amati bass that he had restored as a violone which it probably was originally and he was a regular fixture as a principal player in a number of orchestras and ensembles that dedicated themselves to period performing including those directed by Denys Darlow with whom he broadcast and recorded frequently.Besides playing the doublebass Francis Baines was an exponent of the treble viol and led the Jaye Consort of Viols which he founded. He also played several kinds of bagpipe and the hurdy-gurdy. As a composer he dabbled in many styles one of his greatest claims to fame being that of writing for the popular Hoffnung concerts in the 1960s. He was the author of a number of papers about the history of the double bass sometimes arriving at scholarly conclusions that were colourful if not always entirely accurate. He discovered the Giovannino del Violone sonatas subsequently published by Yorke Edition although today it is thought that they were probably not written for a 16' pitch instrument at all. His edition of the Capuzzi double bass concerto published by Boosey & Hawkes was for many years one of the few solo works available for the instrument. This however he largely re-composed because he thought it could be improved: towards the end of his life he confessed that with hindsight he probably should have treated it differently.Grounds was written in 1969 as a sort of party piece and was given to Yorke Edition in support of a drive to enlarge the repertoire for the instrument in a wide variety of styles. It was set on the syllabus of the Associated Board of the Royal Schools of Music for many years.Francis Baines died
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Duckett Bull: Team Strings 2. Double Bass: Double Bass: Instrumental Tutor
Double Bass
Faber Music Limited
Team Strings 2 is ideal for individual group and class tuition allowing the vi...
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Team Strings 2 is ideal for individual group and class tuition allowing the violin viola or cello and double bass to be taught in the same lesson. This method contains carefully-graded music in a wide variety of styles developing instrument-related aural skills improvisation and composition. Book only edition.
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New Orleans Classics: Double Bass Solo: Instrumental Album
Double Bass
[Sheet music + CD]
Music Minus One
Performed by Matt Perrine bass and Sousaphone Accompaniment: Tim Laughlin's Ne...
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Performed by Matt Perrine bass and Sousaphone Accompaniment: Tim Laughlin's New Orleans All-Stars Many people consider New Orleans the birthplace of jazz. After all Louis Armstrong was born and played there as well as Joseph King Oliver the Dodds Brothers Sidney Bechet and a roster of players to fill not one but many all-star bands. Louis Prima was a 'child of the Crescent City' as is Harry Connick and Wynton Marsalis. The whole Marsalis clan was raised there and are all acknowledged jazz masters so its reputation as the seminal jazz town has long been acknowledged. We assembled a band of New Orleans' best players for our times veterans all of many street parades andsteamboat gigs and asked them to put together a typical program of New Orleans classics. Under the direction of Tim Laughlin clarinetist supreme and led by Connie Jones Jr. one of the great hornmen of this city which boasts so many great players they put together an album of must-hear must-have songs that every traditional jazz player cherishes. Hear them now in these perfect renditions. Then join the band on your own instrument be it clarinet trumpet trombone tenor piano bass or drums as they swing through the French Quarter of New Orleans.
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J.J. Johnson: Exercises and Etudes for the Jazz Instrumentalist: Bass
Double Bass
[Sheet music]
Hal Leonard
Bass Clef Edition-Bass Clef Edition. Exercises and Etudes for the Jazz Instrumen...
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Bass Clef Edition-Bass Clef Edition. Exercises and Etudes for the Jazz Instrumentalist is a collection of original pieces by master trombonist and composer J.J. Johnson. Designed as study material and playable by any Bass Clef instrument these pieces (the harmonies of which are based on well-known standards) run the gamut of the jazz experience featuring common and uncommon time signatures and keys and styles from ballads to funk. They are progressively graded so that both beginners and professionals will be challenged by the demands of this wonderful music. Published in both treble and bass clef editions this book also includes text to guide the player as well as a biographyof Johnson.
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Nate Sabat: Dirt Simple Upright Bass: Double Bass Solo: Instrumental Tutor
Double Bass
[Sheet music + Audio access]
Mel Bay
Dirt Simple Upright Bass. Although designed for newcomers to the upright bass an...
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Dirt Simple Upright Bass. Although designed for newcomers to the upright bass and bluegrass music in general, this unique approach to creating basslines has something for everyone! The first half focuses on bass-playing essentials, giving the reader a solid technical footing with the instrument. Then, using his own baritone voice and the classic bluegrass song, ?Going Down the Road Feeling Bad,? author Nate Sabat reveals his creative process in crafting effective basslines from the song?s melody and chord progression. The second half focuses on bass playing within the specific context of complementing bluegrass vocals. Well beyond what you might expect from an introductory method, Nate tastefully guides the reader by presenting multiple composed bassline options for each of five well-known bluegrass songs: Rabbit in the Log, Don?t this Road Look Rough and Rocky?, Long Journey Home, I Am a Pilgrim, and Angel Band.Nate?s warm, pitch-perfect vocals can be heard on virtually every track, giving this method an undeniable musicality. A lightly accompanied vocal track with no bass is also provided, so you can be the sole upright or electric bassist in the band. You?ll not only want to back Nate up?but sing harmony with him too! The impulse to sing can?t help but influence your bass playing in a natural and positive way. Nate provides notated versions of the eight major scales most commonly used in bluegrass. Once you get them under your fingers, you?ll soon be able to play along with the book?s 50 companion online recordings.With its simple harmonic palette and repetitive nature, bluegrass music offers bassists the perfect opportunity to become musically literate. If you?ve hesitated to learn to read music, this is the time and place to eliminate that drawback. Working through these 46 pages will provide the tools and confidence needed to create your own engaging and musical basslines and hopefully, you?ll be inspired to continue your bluegrass bass journey for years to come. Includes access to online audio.
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Have Fun With The Double Bass Vol.2
Double Bass
[Sheet music + CD + Accessory]
Bote and Bock
Amusez-vous avec le Double Bass est une nouvelle publication unique qui ajoute l...
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Amusez-vous avec le Double Bass est une nouvelle publication unique qui ajoute la joie et la diversitĂ© de l'apprentissage de l'instrument. Ce second volume dĂ©veloppe les connaissances et l'apprentissage afin de dĂ©velopper la lecture et de l'expĂ©rience de l'Ă©lĂšve. Les exercices courts peuvent ĂȘtre accompagnĂ©s par l'enseignant sur le piano. / Contrebasse
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Have Fun With The Double Bass Vol.1
Double Bass
[Sheet music + CD]
Bote and Bock
Amusez-vous avec le Double Bass est une nouvelle publication unique qui ajoute l...
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Amusez-vous avec le Double Bass est une nouvelle publication unique qui ajoute la joie et la diversitĂ© de l'apprentissage de l'instrument. Il comprend beaucoup de chansons que les enfants seront familiarisĂ©s avec ce qui rend Ă la fois plus facile et amusant Ă pratiquer.Gerd Reinke a prĂȘtĂ© une grande attention aux dĂ©tails, comme il couvre les compĂ©tences de base essentielles pour un bassiste en herbe comme des exercices rythmiques, la posture et les termes techniques.Les exercices courts peuvent ĂȘtre accompagnĂ©s par l'enseignant sur le piano. / Contrebasse
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Rudolf Nelson: Essential String Method 2: Double Bass: Instrumental Tutor
Double Bass
[Score]
Boosey and Hawkes
Sheila Nelson's award winning teaching approach available in a clearly structure...
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Sheila Nelson's award winning teaching approach available in a clearly structured progressive method covering preliminary to grade three in all stringed instruments. The Essential String Method - Double Bass Book 2 develops the pupil as a musician as well as an instrumentalist through an integrated programme of games activities songs and pieces. Developed by Double Bassist Cathy Elliott. ABRSM Double Bass Syllabus Grade 1.
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Audrey Akerman: Tricks to Tunes Book 1 Double Bass: Double Bass: Instrumental
Double Bass
The Tricks To Tunes series is designed for teaching mixed string instruments in ...
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The Tricks To Tunes series is designed for teaching mixed string instruments in groups. It is a systematic program developed over many years from many years experience teaching strings in schools. The tutors are aimed at the primary and lower secondary school age group but are also suitable for older beginners.The children learn ???tricks??? for their fingers or bows which are fun when done in a group. Reading skills are developed at the same time.Each page represents a small step in musical and technical development based on reading music from the very first lessons. Theory homework is included at the end of most sections providing the complete theoryrequired as children progress.The tutors for each instrument are identical in content except where differences are required to accommodate the different instruments.Books 1 and 2 of the series are each intended to cover one year of group tuition based on a school year of 40 weeks. Book 3 provides material for two years. Progress will vary according to the age of the children the size of the group and the extent of their previous musical experience.Additional repertoire at the end of the books provides: extension work for pupils who reach the end of the book before the rest of the group additional work for those who want it and end of year concert pieces. These brilliant tutors make playing music fun as it should be!
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101 Upright Bass Tips: Bass Guitar Solo: Instrumental Tutor
Double Bass
[Sheet music + Audio access]
Hal Leonard
Stuff All the Pros Know and Use-In 101 Upright Bass Tips renowned bassist Andy M...
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Stuff All the Pros Know and Use-In 101 Upright Bass Tips renowned bassist Andy McKee presents valuable how-to insights that Double Bass players at all levels will benefit from.The text photos music diagrams and accompanying audio tracks provide a terrific easy-to-use resource for a variety of topics including: right- and left-hand technique improvising and soloing practicing proper care of the instrument ear training performance and much more.
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Duckett Bull: Team Strings 2. Double Bass: Double Bass: Instrumental Tutor
Double Bass
Faber Music Limited
Team Strings 2 is ideal for individual group and class tuition allowing the vi...
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Team Strings 2 is ideal for individual group and class tuition allowing the violin viola or cello and double bass to be taught in the same lesson. This method contains carefully-graded music in a wide variety of styles developing instrument-related aural skills improvisation and composition.
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Domenico Dragonetti: Dragonetti: Concerto: Double Bass: Instrumental Work
Double Bass
[Sheet music]
Leduc, Alphonse
This famous Concerto for Double Bass and Piano accompaniment by Edouard Nanny is...
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This famous Concerto for Double Bass and Piano accompaniment by Edouard Nanny is part of the “Double Bass Classics”. It is the famous piece n°23 of this collection which even though attributed to Dragonetti is commonly acknowledge as a tribute to him composed by Edouard Nanny. The book features a score and Double Bass part. Written in A major and divided in three parts Allegro Moderato Andante and Allegro Giusto all its movements start with the Piano which is later joined by the Double Bass. This latter then becomes the main element the Piano accompaniment being mainly chords. Quite difficult this piecewould fit the skills and abilities of advanced players for recitals or concerts. Edouard Nanny (1872-1942) was a well-known French Double Bass player composer and professor.
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Todd Phillips' Bass Workout and Practice Regimen: Double Bass Solo: Instrumental
Double Bass
Homespun
The acoustic bass is a notoriously physical instrument one that demands strengt...
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The acoustic bass is a notoriously physical instrument one that demands strength and stamina as well as a keen ear and an overall sense of musicianship. Master bassist Todd Phillips has devised a personal training workout and exercise plan that will help bassists at all levels and in all styles play with great tone precise timing and in good tune. 1 hr. 30 min.
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A Comprehensive String Method - Bk 2 (Double Bass): Double Bass: Instrumental
Double Bass
FJH
New Directions For Strings:-New Directions for Strings - Double Bass Book 2 emph...
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New Directions For Strings:-New Directions for Strings - Double Bass Book 2 emphasises the expansion of students' musical horizons through the reinforcement of the US National Standards for Musical Education. Specific activities include theory improvisation and composition as well as singing. History and culture notes throughout the book increase students' knowledge of various composers and musical styles.New Directions for Strings represents the first method ever written by a team of pedagogues representing each of the four stringed instruments. With more than 100 years of combined teaching experience the authors of New DirectionsĂÂź for Strings explore manynew directions including equal integration of all the instruments a tetrachord-based approach to support proper development of the left hand and ensemble opportunities that occur throughout the book.Based on more than 100 years of combined teaching experienceWritten by a team of pedagogues representing each of the four stringed instrumentsSupplemental music by Soon Hee Newbold and Elliot Del BorgoIncludes 2 Play-Along CDs with each student book and the Teacher's Manual
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Double Bass Scales & Arpeggios Grades 1-5: Double Bass: Instrumental Reference
Double Bass
[Sheet music]
ABRSM Publishing
from 2012-ABRSM: Double Bass Scales And Arpeggios - Grades 1-5 (From 2012) conta...
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from 2012-ABRSM: Double Bass Scales And Arpeggios - Grades 1-5 (From 2012) contains all the scales and arpeggios required for ABRSM's Grades 1-5 Double Bass exams.Key features:all scales and arpeggios for the revised syllabus from 2012 with bowing patternshelpful introduction including advice on preparing for the examuser-friendly format and clear page layout
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Paul Harris: Improve your sight-reading! D Bass 1-5: Double Bass: Instrumental
Double Bass
[Sheet music]
Faber Music Limited
Does the thought of sight-reading make you groan? The ability to sight-read flue...
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Does the thought of sight-reading make you groan? The ability to sight-read fluently is a vital skill enabling you to learn new pieces more quickly and play with other musicians. The best-selling Improve Your Sight-reading! series by renowned educationalist Paul Harris is designed to help you overcome all your sight-reading problems especially in the context of graded exams. Step by step you build up a complete picture of each piece firstly through rhythmic and melodic exercises related to specific technical issues then by studying prepared pieces with associated questions and finally ‘going solo’ with a series of meticulously gradedsight-reading pieces.New edition devised to support the revised sight-reading criteria from the ABRSM from 2012.
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Emile Ratez: Characteristic Pieces Book 1: Double Bass: Instrumental Album
Double Bass
[Sheet music]
Recital Music
Composed in France over a century ago these three short pieces are ideal for th...
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Composed in France over a century ago these three short pieces are ideal for the intermediate bassist. The style is lyrical tonal and approachable offering interesting study or concert repertoire with lively supportive and effective accompaniments. Parade is lively and rhythmic remaining in bass clef throughout; Cantabile is melodic and dramatic offering cantabile and musical challenges in equal measure and Menuet Varie has lyrical and rhythmic contrasts and is the most challenging of the three. Ratez was a fairly prolific composer and these pieces were dedicated to M. Charpentier Professor of Double Bass at the Paris Conservatoire. These piecesare popular with students and teachers alike.
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