SKU: FL.FX071872

This composition was created for young musicians (mostly teenagers), and will be played as a pop song. Indeed, its texture (silky and polished) is related to the use of triplets and harmonic series built on the principle of 'verse / chorus'. Its tempo (close to the human body beat) and duration (3 minutes) will make it the hit of the summer!

SKU: CY.CC2761

Villa-Lobos' Pequena Suite is an early work written in 1913 originally composed for Cello and has been arranged for Euphonium and Piano by Ralph Sauer. The Suite of six movements are titled:
1. Romancette
2. Legendaria
3. Harmonias soltas
4. Fugato (all'antica)
5. Melodia
6. Gavotte-Scherzo
The movements alternate slow-fast-slow-fast, etc., the slow movements are serious and contemplative and the fast ones are playful and bouncy.

The complete work is about 13 minutes in length and suitable for advanced performers.

SKU: CY.CC2796

Mendelssohn's expressive Sonata No. 1 for Cello, Opus 45 was composed in October 1838.

The Sonata has three movements and works beautifully for Euphonium.

This 25-minute work for advanced performers, all in bass clef, is a wonderful composition and is a great test of musicianship, stamina and technique for both performers.

Mendelssohn's Sonata has been brilliantly transcribed by Ralph Sauer.

Format: Score & solo part are in booklet format - 56 pages total.

SKU: CY.CC2922

The Five Pieces in Folk Style by Schumann were originally written for Cello and Piano. They have been expertly transcribed for Euphonium by Ralph Sauer, retired Principal Trombonist of the Los Angeles Philharmonic. The five movements are in contrasting styles and work very well for Euphonium. Schumann was considered the Poet of the Romantics. This music is expressive and full of robust and elegant phrases. For moderately advanced performers. The complete work is almost 17 minutes in length and can be a major work on your concert. Parts are supplied for bass and treble clef readers.

SKU: CY.CC2769

As the title suggests the work dying and dancing for Euphonium solo and Piano accompaniment is in two parts, which are played without a pause between the two.

The first part, an adagio, is not necessarily meant to be evocative of the actual act of passing away, but more perhaps of the contemplation and reflection upon one's life as that time approaches, and particularly of sorrow over regret and disappointment. The unsettled mood of the music reflects this bitterness, and stands in contrast to the expansive peace of the grave, heard at the beginning and end of the adagio.

Dance, with ironic wit, the second part, is the other side of the same coin; perhaps humor of the gallows describes its spirit. At once fatalist and mocking, it brings to mind the words of the ancient teacher Koheleth, The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth.

I was pleased to compose dying and dancing in 2013 for Mark Kellogg, a superb Euphonium artist and my former trombone iProfessor at the Eastman School of Music.

SKU: FL.FX071513

A rhythmic composition in which the cells quaver / two semiquaver and two semiquaver / quaver are like a leitmotiv until the end of the Piece. The numerous triplets are a wink of Rhapsody in Blues from George Gershwin. My goal was to facilitate the listening, the exchange and the mimicry between the two associated players: no tandem (Temps d'M) without that!

SKU: CY.CC2604

Faure is well known for his lyricism and haunting harmonies. In a way, he was the father of French Impressionist music.

The Serenade, Opus 98 was originally written for the great 20th century Cellist, Pablo Casals.

Mr. Ralph Sauer has kept the arrangement in the same key as the Cello. The work is playable by advanced performers.

This arrangement is another example of Mr. Sauer's excellent feel for the subtleties of the composer's style.