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You've Selected:
Orchestra
Flute, Orchestra
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
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EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Soprano Saxophone and Piano (2)
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Flute, Basso continuo (2)
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Trompette ou Tuba et Concert B… (2)
Narrateur Et Orchestre (2)
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English horn, Piano (2)
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Rapport Critique (2)
STRING ENSEMBLE (2)
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OB/ORCH::Oboe, Orchestra (2)
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Voice Soprano, Cello (2)
2 Guitars (duet) (2)
Book (2)
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Soli/Choeur SATBB Sans Accompa… (2)
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Erik Norby: Illuminations - Capriccio For Flute and Orchestra: Flute: Score
Flute, Orchestra
[Sheet music]
Wilhelm Hansen
Illuminations - Capriccio For Flute And Orchestra was composed by Erik Norby in...
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Illuminations - Capriccio For Flute And Orchestra was composed by Erik Norby in 1977. Programme Note:The title should rightly be pronounced in French (same spelling) as the piece was composed for and is dedicated to French flute virtuoso Jean-Pierre Rampal who premiered ILLUMINATIONS in connection withhimreceiving the Danish Sonnings Musikpris in 1978.The title reflects my endeavour to create different illuminative effects in sound for which the flute is an excellent medium with its apparent ability to transform lightphenomena into musical shapes. Tue music in ILLUMINATIONS sometimes sounds like glitteringreflections sometimes like a roaring bonfire. The absence of ordinary flutes in the orchestra further enables the soloist to shine above a darker orchestral background. Several motives and shapes are illuminated along the way and the music progressesin kaleidoscopic pattems of prismatic refractions. Erik Norby
24.99 GBP - Sold by Musicroom UK
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Carl Nielsen: Concerto For Flute And Orchestra: Flute: Score
Flute, Orchestra
[Sheet music]
-
Intermediate/advanced
Carl Nielsen Edition
Concerto For Flute And Orchestra was composed by Carl Nielsen in 1926. This Flut...
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Concerto For Flute And Orchestra was composed by Carl Nielsen in 1926. This Flute concerto mirrors the more modernistic currents of the 1920s and was composed for and premiered by the flautist Gilbert Jespersen.
35.95 GBP - Sold by Musicroom UK
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Franz Joseph Haydn: Concerto for Flute and Orchestra in D Major: Flute
Flute, Orchestra
Dowani
Concerto for Flute and Orchestra in D Major
22.50 GBP - Sold by Musicroom UK
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Joaquín Rodrigo: Aria Antigua For Flute And String Orchestra: Flute: Score
Español
Flute, Orchestra
[Sheet music]
Unión Musical Ediciones
Aria Antigua for flute and string orchestra was first performed by Bernard Wyst...
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Aria Antigua for flute and string orchestra was first performed by Bernard Wystraete and The Instrumental Soloists Ensemble B W on 23 March 1999 in Versailles. Includes score and parts.
11.99 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Andante In C Major For Flute and Orchestra: Flute:
Flute, Orchestra
[Sheet music]
Barenreiter
Andante In C Major For Flute and Orchestra
9.50 GBP - Sold by Musicroom UK
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Reza Vali: Concerto for Flute and Orchestra: Orchestra and Solo: Score
Flute, Orchestra
Lauren Keiser Music Publishing
Concerto for Flute and Orchestra
129.99 GBP - Sold by Musicroom UK
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Flûte En Suite
Flute, Orchestra
Schott
This ?Suite' is not one of my 'epic' instrumental concertos such as the concerto...
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This ?Suite' is not one of my 'epic' instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom.Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family) - the string section in the Sarabande - in both chorales (extremely muted in the first and brutalist in the second), the brass etc. - and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously.This permits the flute to remain the provider of all impulses - it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights - acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann / Flûte Et Orchestre
75.09 EUR - Sold by LMI-partitions
(Seller in french langage)
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John McCabe: Flute Concerto: Flute: Instrumental Work
Flute, Orchestra
[Sheet music]
Novello & Co Ltd.
Study score with solo flute part. The Flute Concerto was commissioned by the Lon...
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Study score with solo flute part. The Flute Concerto was commissioned by the London Symphony Orchestra first performed by James Galway at the Barbican Centre Concert Hall London on 20 September 1990.Arranged for solo flute (doubling alto flute)and orchestra. Duration 23 minutes.
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...Un Temps De Silence... Concerto Pour Flûte (JARRELL MICHAEL)
Français
Flute, Orchestra
[Sheet music]
Lemoine, Henry
Par JARRELL MICHAEL. Michael Jarrell est un compositeur du dialogue. La plupart ...
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Par JARRELL MICHAEL. Michael Jarrell est un compositeur du dialogue. La plupart de ses oeuvres récentes pour grande formation mettent en regard, en écho ou en résonance un ou plusieurs solistes et la masse orchestrale. Citons ...prisme / incidences... pour violon et orchestre (1998), Assonance IX pour clarinette et orchestre (2000), le concerto pour piano Abschied (2001), Epigraphe pour accordéon et orchestre (2003), ou encore Sillages, avec flûte, hautbois et clarinette solistes, joué en première mondiale pendant la saison 2005-2006 de l'Orchestre de la Suisse Romande. Sa toute dernière création ...un temps de silence..., met cette fois la flûte seule en vedette. 'Ce n'est pas un concerto à proprement parler, mais un peu plus que les autres quand même !', confie avec malice le compositeur genevois (entretien réalisé par Luca Sabbatini en février 2007 à Genève). 'Bien sûr, il n'y a pas de hiérarchie traditionnelle soliste/accompagnement. La flûte doit constamment trouver sa place. L'orchestre ne joue pas un rôle de faire-valoir, il possède son autonomie. En cela, ...un temps de silence... est plus proche de mon concerto pour piano que de ...prisme / incidence..., où tout venait du violon.' Comme le titre le suggère, la musique de cette nouvelle oeuvre tend vers sa propre dissolution. 'J'ai voulu faire entendre différents types de silence', confirme Michael Jarrell. 'On ne peut les percevoir qu'en variant les contextes. Le silence n'est pas le même après un seul accord ou après une cascade de notes.' Plusieurs idées temporelles d'affrontent. L'une, très pulsée, naît de l'orchestre et se transmet à la flûte. Une autre correspond à 'des moments hors du temps, qui glissent vers le silence'. La virtuosité exigée du soliste atteint des niveaux de difficulté proprement diaboliques. 'Emmanuel Pahud est venu me rendre visite et nous avons travaillé sur ce qu'il était possible de faire à la flûte', raconte le compositeur. 'La partition est écrite sur mesure, en tenant compte des capacités d'Emmanuel.' ...un temps de silence... s'ouvre sur trois accords marqués des cordes, percussion, harpe et piano, qui reviendront trois fois de façon audible, mais orchestrés différemment. Ces accords génèrent également 'l'harmonie fantôme' sur laquelle repose l'oeuvre. L'orchestre installe peu à peu une pulsation régulière, ce qui 'plonge la flûte dans une situation de stress', selon Michael Jarrell. Elle s'accroche, tente de rattraper l'orchestre, court après lui à bride abattue. La subtilité de la mise en place, avec de nombreux échanges ou superpositions rapides entre soliste et orchestre, rend tout le passage périlleux. Un grand tutti introduit la partie centrale, où les protagonistes entrent en symbiose sur un tempo très lent, qui dérive peu à peu vers un 'hors temps' énigmatique. Puis le silence. La dernière partie repart au galop, mais cette fois c'est la flûte qui dicte son rythme à l'orchestre, qui devient l'axe autour duquel tous les autres instruments tournent. L'orchestre finit par prendre le dessus dans ce jeu du chat et de la souris, au cours d'un épisode d'environ une minute, mené à une vitesse vertigineuse. Deux des trois accords du début reviennent, puis se diluent sur un tempo lent, où les percussions, notamment le bongo, dominent. Michael Jarrell cite alors son propre opéra Galilée, créé au Grand Théâtre de Genève la saison dernière: soutenu par trois rins japonais et quelques instruments, un woodblock aigu joue une pulsation régulière, sur laquelle la flûte vient poser ses commentaires. L'harmonie fait du sur place, le temps se fige, comme un arrêt sur image. La musique ne disparaît pas dans le silence. Elle est devenue son négatif, son ombre, son souffle. Luca Sabbatini in Programme du concert de l'Orchestre de la Suisse Romande du 22 mars 2007, Victoria Hall (Genève) / contemporain / Répertoire / Flûte Traversière et Orchestre
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Jacob Gade: Tango Fantasia: Flute: Score
Flute, Orchestra
[Sheet music]
Wilhelm Hansen
For Flute and Symphony Orchestra-Tango Fantasia by Jacob Gade & Toke Lund Christ...
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For Flute and Symphony Orchestra-Tango Fantasia by Jacob Gade & Toke Lund Christiansen arranged for Flute and Symphony Orchestra by Tormod Tvete Vik in 2009.
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Johann Stamitz: Flötenkonzert G-dur: Flute: Piano Reduction
Flute, Orchestra
Breitkopf & Härtel
Konzert für Flöte und Streichorchester-Johann Stamitz's Flute Concerto In G fo...
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Konzert für Flöte und Streichorchester-Johann Stamitz's Flute Concerto In G for Flute and String Orchestra. Reduction for Flute and Piano. Duration: 16 minutes.
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Wolfgang Amadeus Mozart: Flute Concerto In D K.314: Flute: Parts
Flute, Orchestra
Barenreiter
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Hor...
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Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Wolfgang Amadeus Mozart: Flute Concerto In D K.314: Flute: Part
Flute, Orchestra
Barenreiter
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Hor...
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Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Wolfgang Amadeus Mozart: Flute Concerto In D K.314: Flute: Part
Flute, Orchestra
Barenreiter
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Hor...
(+)
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Wolfgang Amadeus Mozart: Flute Concerto In D K.314: Flute: Part
Flute, Orchestra
Barenreiter
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Hor...
(+)
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Wolfgang Amadeus Mozart: Flute Concerto In D K.314: Flute: Part
Flute, Orchestra
Barenreiter
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Hor...
(+)
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Carter E. - Flute Concerto - Flute
Flute, Orchestra
Schott
for Flute and Ensemble / flute and orchestra
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Wolfgang Amadeus Mozart: Flute Concerto In D K.314: Flute: Score
Flute, Orchestra
[Sheet music]
Barenreiter
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Hor...
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Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Wolfgang Amadeus Mozart: Concerto In G Major For Clarinet: Flute: Instrumental
Flute, Orchestra
Barenreiter
In an arrangement by A. E. Müller after the Clarinet Concerto K. 622-About Conc...
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In an arrangement by A. E. Müller after the Clarinet Concerto K. 622-About Concerto in G major for Flute and Orchestra (1801)In an arrangement by A. E. Muller after the Clarinet Concerto K. 622. By Wolfgang Amadeus Mozart. Edited by Christopher Hogwood. For Flute Solo Oboe (2) Bassoon (2) Horn (2) Strings. Piano Reduction/Vocal Score; Single Part. KV 622. Duration 24'. Published by Baerenreiter-Ausgaben (German import). (BA5335 90)
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Wolfgang Amadeus Mozart: Concerto In G For Flute Kv.313: Chamber Ensemble:
Flute, Orchestra
[Sheet music]
Barenreiter
for Flute and Orchestra-Mozart's Concerto In G For Flute Kv.313 in authoritative...
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for Flute and Orchestra-Mozart's Concerto In G For Flute Kv.313 in authoritative Urtext edition and arranged with a Piano reduction of the original Orchestral material.Mozart exhibited a special affinity with the woodwind family writing prolifically for the instruments throughout his lifetime. This Urtext edition is based upon original manuscripts and features a short editorial and scholarly history of the piece making it the ideal choice for both academic study and informed concert performance.The book also features a seperate pull-out part of notated cadenzas and Eingange by Rachel Brown Konrad Hunteler and Karl Engel.
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