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ORCHESTRA - BAND
ORCHESTRA - BAND
Flute and Piano
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Soprano Saxophone and Piano (2)
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Voix solo - piano (2)
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Narrateur Et Orchestre (2)
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Choeur De Femmes (SSA) A Cappe… (2)
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Carillon Cloches (2)
Solistes SATB, Choeur SATB, 2 … (2)
Flte Seul Ou Avec Piano (2)
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Solistes SATB, Choeur SATB, 2 … (2)
Rapport Critique (2)
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Voix Mixtes et Orchestre (2)
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Voice Soprano, Cello (2)
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Book (2)
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Baryton Solo, Choeur et Orches… (2)
Soli/Choeur SATBB Sans Accompa… (2)
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Choeur SATB, 2 Hautbois, 2 Cla… (2)
3 Trombones (trio) (2)
MANDA::Mandola (2)
Cor Anglais (Hautbois), Trompe… (2)
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Flte Traversire(S) Et Autres… (2)
Solistes SATB, Choeur SATB, (4… (2)
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2 Clarinets (duet) (2)
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Orchestre De Percussions (2)
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Xylophone (2)
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Reportage (2)
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Petit Orchestre Ou Voix Et Pet… (2)
Descent (Soprano) Recorder, Pi… (2)
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Alto (Partie spare) (2)
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2 Pianos, 3 hands (2)
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Solistes SATB, SATB et Orchest… (2)
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Concerto for flute and orchestra (1985)
Flute and Piano
[Sheet music]
Fennica Gehrman
Huilukonsertto. Par ENGLUND EINAR. Einar Englund?s (1916-1999) Flute Concerto (1...
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Huilukonsertto. Par ENGLUND EINAR. Einar Englund?s (1916-1999) Flute Concerto (1985) is beyond dispute one of his greatest works. Its finest attributes are its rich melodic invention, colourful instrumentation and immediate message. Add to these its rewarding solo part, and the result is truly one of his best concertos ? and works. He himself did not hesitate to regard it as such. It was premiered in Helsinki on September 16, 1985, having been completed at Ljugarn on the Swedish island of Gotland at the end of June. The Finnish Radio Symphony Orchestra was conducted by Leif Segerstam, and the soloist was the concerto?s dedicatee, Mikael Helasvuo. The Flute Concerto opens with a Ritornello in which the flute's playful, dance-like passages make sharp contrast with the orchestra's heroic stance. In the mellow Canzona which follows, the flute plays rhapsodically over repetitive orchestral figures. The work's 'action-packed' finale hints at parody in its military march-like opening, but also gives rein to the lyricism already familiar from the second movement. This product includes the solo flute part and the piano reduction. The orchestral study score (composer?s manuscript) is available for sale (product number 9790550117471). The performance material is available for hire from the publisher. Duration: c. 23? Instrumentation of the orchestra: 3(III=picc)222?4330?14?harpsichord( celesta)?hp?str / Date parution : 2022-05-31/ Répertoire / Flûte Traversière et Piano
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Wolfgang Amadeus Mozart: Concerto In G For Flute And Orchestra K.313: Flute:
Flute and Piano
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Schirmer
In a letter dating from 1777 Mozart reported to his father from Mannheim that Jo...
(+)
In a letter dating from 1777 Mozart reported to his father from Mannheim that Johann Baptist Wendling principal Flautist of the famous Mannheim Orchestra had been approached by a wealthy Dutch businessman by the name of De Jean who was prepared to pay 200 gulden for three easy flute concertos and four flute quartets for his own use. Mozart accepted the commission. By the day before the Dutchman left Mozart had delivered only three of the quartets andtwo concertos for which he had been paid 964 gulden. The composer who was himself being pressed by his father to continue his own journey to Paris with his mother was full of excuses writing back to Salzburg on 14 February 'It is not surprising I have been unable to finish them for I never have a single hour's quiet here...Moreover you know I become quite powerless when I am obliged to write for an instrument I can't stand.' There is more than a hint of disingenuousness in Mozart's words for this was the height of the period during which he was being distracted from his work by his new-found love for the Mannheim singer Aloysia Weber. (He ultimatelymarried her sister Constanze.) If Mozart's dislike of the Flute was as great as he claimed there are few signs in the Flute Concerto No.1 in G major particularly in the expressive central Adagio ma non troppo. The outermovements are an Allegro maestoso and a concluding Rondo: Tempo di Menuetto. The work is scored for two oboes (replaced by flutes in the Adagio) two horns and strings. This Great Performers' Edition is edited byJames Galway.
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André Jolivet: Concerto For Flute And String Orchestra: Flute: Instrumental Work
Flute and Piano
Heugel
André Jolivet (1905-1974) composed this Concerto for Flute and Strings in 1949....
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André Jolivet (1905-1974) composed this Concerto for Flute and Strings in 1949. Initially written for Flute and String Orchestra this version contains the scores for the Flute and the Piano and lasts 12 minutes. This strong>Concerto for Flute and Strings is quite unusual as it was only created in two movements each divided into a slow introduction and a fast main part. Used as one of the main pieces of the Geneva music contest “Concours de Genève” in 2014 this concerto requires advanced skills. André Jolivet is a French composer who was really inspired by theAntiquity and had a strong interest for atonality. He also wrote many chamber music pieces eleven concertos some orchestral and some vocal music.
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Jacques Ibert: Concerto For Flute And Orchestra: Flute: Instrumental Work
Flute and Piano
[Sheet music]
Leduc, Alphonse
Published in 1934 this is one of the most frequently interpreted flute concert...
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Published in 1934 this is one of the most frequently interpreted flute concertos by Jacques Ibert (1890-1962) a neoclassical composer who won the Prix de Rome in 1919. Written for the French flautist Marcel Moyse it is rated as difficult and is composed of three movements: Allegro Andante and Allegro Scherzando. The first Allegro is challenging with a rapid suite of sixteen notes followed by a theme more lyrical. Andante the second movement is lyrical and recalls its suites Escales (1924). Finally Allegro Scherzando reminds us of French drama through its theatricality and can be difficult for the soloist due to itsrhythmic part. Jacques Ibert (1890-1962) also composed many symphonic suites operas and seven orchestras including Angelique (1926) and Divertissement (1930). He also was in charge of the Accadémie de France in the Villa Médicis (Roma) and was later administrator for the Paris Opera.
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Wolfgang Amadeus Mozart: Concerto for Flute and Orchestra G major K.313: Flute:
Flute and Piano
G. Henle
Concerto for Flute and Orchestra G major K.313
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Henri Tomasi: Concerto For Flute And Orchestra: Flute: Instrumental Work
Flute and Piano
[Sheet music]
Leduc, Alphonse
Concerto For Flute And Orchestra
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Hue: Nocturne For Flute And Orchestra: Flute: Instrumental Work
Flute and Piano
[Sheet music]
Leduc, Alphonse
Nocturne For Flute And Orchestra
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Henri Dutilleux: Symphonie N02 Le Double: Orchestra: Score
Flute and Piano
[Sheet music]
Heugel
2ème Symphonie “Le Double” is a symphonic piece for Orchestra and...
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2ème Symphonie “Le Double” is a symphonic piece for Orchestra and chamber orchestra composed by Henri Dutilleux. It was commissioned for the 75th birthday of the Boston Symphony Orchestra in 1959. The piece features three movements which consists in dialogues between the Orchestra and the Chamber Orchestra: I. Animato ma misterioso II. Andantino sostenuto III. Allegro fuocoso — Calmato This is the conductor's score which also includes all parts. Henri Dutilleux was internationally acclaimed for his work winning prizes such as the Gold Medal ofthe Royal Philharmonic Society and the UNESCO's International Rostrum of Composers amongst many others. His work also includes a Piano sonata two symphonies the Cello concerto 'Tout un monde lointain' (A whole distant world) the Violin concerto 'L'arbre des songes' (The tree of dreams) and the string quartet 'Ainsi la nuit' (Thus the night).
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Wolfgang Amadeus Mozart: Concerto For Flute And Orchestra In D KV314: Flute:
Flute and Piano
[Reduction]
G. Henle
Concerto For Flute And Orchestra In D KV314
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Georg Philipp Telemann Edvard Grieg: Album Vol. VII for Flute and Piano: Flute
Flute and Piano
[Sheet music + CD]
Dowani
DOWANI 3 Tempi Play Along is an effective and time-tested method of practicing t...
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DOWANI 3 Tempi Play Along is an effective and time-tested method of practicing that offers more than conventional play-long editions. DOWANI 3 Tempi Play Along enables you to learn a work systematically and with accompaniment at different tempi.Thefirst thing you hear on the CD is the concert version in a first-class recording with solo instrument and orchestral continuo or piano accompaniment. Then the piano or harpsichord accompaniment follows in slow and medium tempo for practicepurposes with the solo instrument heard softly in the background at slow tempo. Finally you can play at the original tempo to the accompaniment of an orchestra piano or basso continuo.Allversions appearing on the CD were recorded live by renownedsoloists accompanists and orchestras. There are no synthesised sounds in a DOWANI edition! 1 G. Ph. Telemann (1681-1767): Allegro - 'Der getreue Musikmeister (Polonoise')2 L. Mozart (1719-1787): Allegro ('Children`s Symphony')3 M. Moszkowski (1854-1925): 'Spanischer Tanz' op. 124 E. Grieg (1843-1907): 'Anitras Tanz' - Peer Gynt (Suita No 1)
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By the Forest Brook Am Waldesbach Op. 33: Flute and Accomp.: Score and Part
Flute and Piano
Southern Music Ltd
PAUL WETZGER (1870-1937) was a German flutist composer born in Dahme near Lübe...
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PAUL WETZGER (1870-1937) was a German flutist composer born in Dahme near Lübeck. At a young age he took violin lessons from the local music director later switching to flute. By 15 years of age Wetzger had played his first concert in the main church of Dahmen and was second flutist of the municipal orchestra. He later became solo flutist with the municipal orchestra of Essen and taught at the Essen conservatory. He wrote numerous pieces for flute and several chamber music works also editing works by the French composer/flutist Jules Demersseman. Wetzger's Am Waldesbach (By the Forest Brook) ideally for flute and orchestra or piano was a staple of celebrated flutistMarcel Moyse recorded by him in 1935 on the French Columbia label. Since then it has become a favorite in the flute teaching repertory perhaps most notably included Toshio Takahashi's famous Suzuki Flute Method. This Southern Music edition faithfully captures this classic piece as performed by living legend of the flute Sir James Galway.
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Revelation: Flute and Accomp.: Instrumental Album
Flute and Piano
Southern Music Ltd
Composed originally for flute and alto flute duo with chamber orchestra this tu...
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Composed originally for flute and alto flute duo with chamber orchestra this tuneful and songlike piece was later arranged by the composer for various duo and solo combinations with both orchestra and piano accompaniment. This version for solo flute and piano is part of the James Galway Presents series designed to introduce players of all abilities to noteworthy contemporary works and composers for flute.
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Thais Meditation Flûte Et Piano (MASSENET JULES)
Flute and Piano
[Sheet music]
Heugel
Par MASSENET JULES. The instantly recognisable and ever-popular Meditation, from...
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Par MASSENET JULES. The instantly recognisable and ever-popular Meditation, from the opera Thaï s by Jules Massenet (1842-1912), remains a strong favourite in the classical repertoire, superbly arranged for Flute and Piano by French flautist, Paul Taffanel. Massenet first studied music with his mother before entering the Paris Conservatoire. He is best known for his operas, of which he composed over thirty. Thaï s was first performed at the Opera Garnier in Paris in 1894 and continues to be one of the composer's most performed operas. The famous Meditation, isan intermezzo, originally for Violin and Orchestra, which has since been arranged for many different instruments, making it a frequent concert piece. The arrangement for Flute and Piano remains in the original key of D major and displays the passionate religious intentions. Taffanel 's adaptions include breath marks, phrasing, changing octaves for some notes and articulation, among other aspects. Massenet 's Meditation is challenging through its use of lyricism in the upper register, yet it remains a favoured and popular piece in the Flute's repertoire. / Opéra-opérette / Répertoire / Flûte Traversière et Piano
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Blaz Pucihar: Concerto for Flute and Strings: Flute: Score and Parts
Flute and Piano
[Sheet music]
Pucihar Music
Blaz Pucihar's Concerto For Flute And String Orchestra. Piano reduction and Flut...
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Blaz Pucihar's Concerto For Flute And String Orchestra. Piano reduction and Flute part. Orchestral material on rental.
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Jules Massenet: Méditation de Thaïs pour Flûte et Piano: Flute: Instrumental
Flute and Piano
[Sheet music]
Heugel
The instantly recognisable and ever-popular Méditation from the opera Thaïs b...
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The instantly recognisable and ever-popular Méditation from the opera Thaïs by Jules Massenet (1842-1912) remains a strong favourite in the classical repertoire superbly arranged for Flute and Piano by French flautist Paul Taffanel. Massenet first studied music with his mother before entering the Paris Conservatoire. He is best known for his operas of which he composed over thirty. Thaïs was first performed at the Opéra Garnier in Paris in 1894 and continues to be one of the composer's most performed operas. The famous Méditation isan intermezzo originally for Violin and Orchestra which has since been arranged for many different instruments making it a frequent concert piece. The arrangement for Flute and Piano remains in the original key of D major and displays the passionate religious intentions. Taffanel's adaptions include breath marks phrasing changing octaves for some notes and articulation among other aspects. Massenet's Méditation is challenging through its use of lyricism in the upper register yet it remains a favoured and popular piece in the Flute's repertoire.
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Concerto Flûte Et Orchestre (JOLIVET ANDRE)
Flute and Piano
[Sheet music]
Heugel
Par JOLIVET ANDRE. Andre Jolivet (1905-1974) composed this Concerto for Flute an...
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Par JOLIVET ANDRE. Andre Jolivet (1905-1974) composed this Concerto for Flute and Strings in 1949. Initially written for Flute and String Orchestra, this version contains the scores for the Flute and the Piano and lasts 12 minutes. This strong> Concerto for Flute and Strings is quite unusual as it was only created in two movements, each divided into a slow introduction and a fast main part. Used as one of the main pieces of the Geneva music contest ; Concours de Genève in 2014, this concerto requires advanced skills. Andre Jolivet is a French composer who was really inspired by theAntiquity and had a strong interest for atonality. He also wrote many chamber music pieces, eleven concertos, some orchestral and some vocal music./ Répertoire / Flûte Traversière et Piano
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John Harbison: Flute Concerto: Flute: Instrumental Album
Flute and Piano
[Sheet music]
Associated
This 19-minute concerto was commissioned by a consortium of three orchestras an...
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This 19-minute concerto was commissioned by a consortium of three orchestras and premiered by Ransom Wilson with the American Composers Orchestra in 1995. The piece was recorded on Albany Records.
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Anton Emil Titl: Serenade: Flute and Accomp.: Instrumental Work
Flute and Piano
[Sheet music]
Southern Music Ltd
for Flute and Piano-Emil Titl's Serenade was originally composed for flute and h...
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for Flute and Piano-Emil Titl's Serenade was originally composed for flute and horn with orchestra or piano accompaniment. With a lilting Bel Canto style in 12/8 its lyric melody features passages of filigree work that will excite and challenge the musician's technical as well as expressive capabilities. The piece is ideal for contest or recital for the intermediate player. This edition for flute and piano has been carefully arranged and edited by world-renowned flutist and teacher Sir James Galway.
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Johann Sebastian Bach: Overture - Orchestal Suite In B Minor: Flute:
Flute and Piano
[Sheet music]
Barenreiter
for Flute and Harpsichord obbligato (Piano)-The B Minor Suite has a special plac...
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for Flute and Harpsichord obbligato (Piano)-The B Minor Suite has a special place among the four extant Orchestral suites by Johann Sebastian Bach (BWV 1066-1069) for two reasons: it is the only suite that calls for only one wind instrument and the only one with extensive solo passages for one instrument. Since moreover it is essentially Bach's only composition for solo Flute with Orchestra it enjoys great favour among flutists.A proper string ensemble is not always at one's disposal. Therefore an arrangement {or Flute and Obbligato Harpsichord has been prepared similar to one Bach himself might have written. The aim here has been to do nothing thatBach himself would not have done yet to refrain from doing everything of which he was capable.
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Kohler Ernesto - Concerto Op.97 En Sol Mineur - Flute and Piano
Flute and Piano
Zimmermann
Ernesto Köhler's fantastic Flute Concerto Op. 97 actually requires the accompan...
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Ernesto Köhler's fantastic Flute Concerto Op. 97 actually requires the accompaniment of a large orchestra. The orchestral material is available on hire with Musikverlag Zimmermann. The Concerto is characterized mainly by the high virtuosity. The audience in the early 20th century loved the display of technical possibilities of a musical instrument. Ernesto Köhler himself was regarded as unsurpassed in the clean interpretation of his work and the fine tone he coaxed from the flute. His Concerto was frequently performed by leading soloists in Europe and America in his time.
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Jean-Baptiste Loeillet: Sonata in C: Flute: Instrumental Work
Flute and Piano
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Intermediate
Schirmer
Written for Flute And Piano in four movements between 1680 and 1730. Edited by ...
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Written for Flute And Piano in four movements between 1680 and 1730. Edited by Louis Moyse.Professionally Loeillet was first referred to when he moved to London in 1705. By 1707 he was a member of the orchestra at Drury Laneplaying the flute and oboe. By 1709 he had become the principal oboist for the Queen's operatic theatre orchestra. Concerts were often given in this talented musicians home including the English premiere of Corelli's concertigrossi. The transverse flute was popularized in England by Loeillet as well.
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Aus Liebe Will Mein Heiland Sterben (BACH JOHANN-SEBASTIAN)
Flute and Piano
Alry Publications
Arrangeur: Elizabeth Walker. Par BACH JOHANN-SEBASTIAN. Johann Sebastian Bach (1...
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Arrangeur: Elizabeth Walker. Par BACH JOHANN-SEBASTIAN. Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute and Piano is the heart-wrenching aria, 'Aus Liebe will mein Heiland sterben, extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question. Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute and Piano is the heart-wrenching aria, 'Aus Liebe will mein Heiland sterben, extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question./ Répertoire / Flûte Traversière et Piano
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B. Kelly: Snapshots: Flute: Instrumental Album
Flute and Piano
[Sheet music]
Hunt Edition
Five short contrasting pieces transporting us from Norway to the Caribbean via...
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Five short contrasting pieces transporting us from Norway to the Caribbean via Hungary France and Spain.Bryan Kelly was born in Oxford in 1934 and studied at the R.C.M. and in Paris with Nadia Boulanger. He was on the staff of the Royal Scottish Academy of Music then moved to the Royal College in London where he taught Harmony Counterpoint and Orchestration for twenty years. He has also lived and worked in the U.S.A. Eygpt Italy and France. His musical output is copious and includes many works for orchestra solo instruments and voices. He appears regularly as a solo pianist and is co-founder of the Zodiac Ensemble.
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Concertino Op. 107
Flute and Piano
Schott
The great talent of Cécile Chaminade (1857-1944) showed very early: At the age ...
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The great talent of Cécile Chaminade (1857-1944) showed very early: At the age of 12, she published her first composition. Georges Bizet, a friend of the family, predicted her great future. After her successful debut as a pianist in Paris in 1877, she began busy concert activities as a solo pianist, chamber musician and conductor in many European countries as well as in the USA and Canada.Although many of her compositions became bestsellers during her lifetime, they are almost all missing in the concert programmes of today. Only the Concertino for flute and orchestra Op. 107 is still performed regularly. The demanding piece was written in 1902 as a competition piece at the Paris Conservatoire - initially still with piano accompaniment. The orchestral version was composed by Chaminade two years later.The piece begins with a wide melody and then turns into a virtuoso solo section which is followed by a cadenza. The piece ends with the initial theme as recapitulation and a coda. / Flûte Et Piano
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Bozza: Soir Dans Les Montagnes: Flute: Instrumental Work
Flute and Piano
Leduc, Alphonse
Having won many prizes at the Paris Conservatoire during the 1920s-1930s Eugèn...
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Having won many prizes at the Paris Conservatoire during the 1920s-1930s Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline Bozza's compositions were well-received by audiences Soir Dans Les Montagnes for Flute and Piano being no exception. This Bozza piece for Flute is characteristically French with lyrical and graceful melodies displays of the beautiful lower register of the Flute and fast flourishing semiquaver passages accompanied by spread chords andstaccato in the Piano. As music educationalist Paul Griffiths has written of Bozza's compositions 'his works reveal melodic fluency elegance of structure and a consistenly sensitive concern of instrumental capabilities.'
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HANDEL G.F. - KONZERT G-MOLL HWV 287 - FLUTE (HAUTBOIS) and PIANO
Flute and Piano
Barenreiter
Händel, Georg Friedrich
Concerto for Flute (Oboe) and Orchestra in G minor...
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Händel, Georg Friedrich
Concerto for Flute (Oboe) and Orchestra in G minor HWV 287
Urtext based on newly found source
Edition no.
BA08533-90
ISMN
9790006521142
The Concerto for Flute and Orchestra in G minor, HWV 287 is a first edition.
Although published in the Handel Complete Edition, IV/12 for oboe in 1971, the work has for many years been considered spurious because no contemporary source existed. This concerto was thought to have been written by an amateur musician who borrowed material from Handel's works written or published after 1733. The situation changed drastically when a contemporary set of parts for the concerto, originally copied in Stuttgart for the Erbprinz Friedrich Ludwig von Württemberg, were found in 1993. These parts, copied about 1720, show that the composer borrowed from this concerto for compositions such as the organ concerto HWV 296a, the concerto grosso op. 6 No.11, HWV 329 as well as the trio sonata in G minor, HWV 390. The parts are titled Concerto à 5 for 1 Flut Travers e Hautb , 2 Violino , 1 Alto Viola Col Basso continuo. This new critical edition by Terence Best is the first to make use of this new source. The score contains a lengthy preface and critical commentary.
- First ever publication making use of the new source material
- Informative preface describing the origin and genesis of the work
- A major new work for flute players / Partitions classique / Bois / Hautbois / BARENREITER
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