SKU: CF.WF228
ISBN 9781491153529. 9 x 12 inches.
Compiled and edited by Amy Porter, Treasures for Flute and Piano is acollection of Philippe Gaubert’s shorter works for flute and piano. Gaubertwas a multi-talented musician, a marvelous flutist as well as a composer,teacher, and master conductor. Over his lifetime, he became one of the mostimportant musical figures in France between the World Wars in the first halfof the 20th century. Trained in theory and harmony at the Paris Conservatory,Gaubert was also deeply influenced by other composers at the time, includingDebussy, Fauré, and Dukas. Editor Amy Porter is a distinguished Professorat The University of Michigan School of Music, Theatre & Dance, and hasbeen praised by critics for her exceptional musical talent and her passion forscholarship. This edition represents eleven of the sixteen works from AmyPorter and Dr. Penelope Fischer’s video study guide, “The Gaubert Cycle: TheComplete Works for Flute and Piano by Philippe Gaubertâ€.Philippe Gaubert (1879–1941) was a very important teacher and flutist in our classical flute playing lineage. In this edition we have gathered his beautiful, shorter compositions for flute and piano all in one place, to be cherished as “Gaubert’s Treasures.â€Philippe Gaubert personified the modern French school of flute playing as introduced by his teacher Paul Taffanel (1844–1908) at the Paris Conservatory. Gaubert was a multitalented musician, a marvelous flutist as well as a gifted composer, teacher and master conductor. Over his lifetime he became one of the most important musical figures in France between the World Wars in the first half of the twentieth century. Gaubert’s musical andpedagogical gifts to us are passed along through generations of students and continue to touch the hearts of many who listen to his fine, and refined, music.Philippe Gaubert studied composition at the Paris Conservatory with Raoul Pugno, Xavier Leroux, and then for a brief time with Charles Lenepvu. It was after this study that he won the famous Prix de Rome second prize in composition. Even with his schooling of theory and harmony in Paris, he was deeply influenced by other composers of the time, namely Debussy, Fauré and Dukas. Between the years of 1905–1914 Gaubert’s early workswere arrangements and short pieces written for the year-end final exam pieces at the Conservatory.Between 1914–1918 Gaubert served in the French Army during World War I, most notably in the battle of Verdun in 1916. This was considered one of the largest battles against the Germans in WWI. He was wounded but his creativity level was not dampened. He was rewarded for his service and awarded medals for his bravery. It was during this time that he found the energy to compose his Deux Esquisses or 2 Scenes, and sketched out his first flute sonata.Gaubert composed his remaining five flute and piano works after 1922 in Paris, and clearly his poetic soul was transformed from the earlier years. He took in new forms and styles of compositions such as a Suite, a Ballade and a Sonatine. He also completed his Second and Third Sonatas for Flute and Piano, all of them dramatic works in terms of compositional techniques and grandeur of tone.Gaubert composed music easily throughout his lifetime, especially during summer breaks when the orchestra and Paris Opera seasons were on hiatus and he was not conducting. He loved literature and poetry which inspired over thirty vocal works from 1903 through 1938.He also wrote twenty-six instrumental chamber works for other instruments: oboe, cornet, clarinet, trombone, violin, viola, cello, harp and combinations of these instruments with piano. Some of these were commissioned jury pieces, but many were for his musician friends.Six full-length stage works, both ballets and operas for the stage, several tone poems and symphonies were written throughout his lifetime.This edition represents eleven out of the sixteen works from our video study guide “The Gaubert Cycle: The Complete Works for Flute and Piano by Philippe Gaubert†with guest pianist Tim Carey. Omitted in this edition are Sonatas Nos. 1–3, Ballade, and Sonatine.
SKU: IS.FP4175EM
ISBN 9790365041756.
Jozef (Jef) Schampaert's 1952 Notturno e Danza (Nocturne and Danse) for flute and piano, written as a concours piece for the Royal Conservatoire Antwerp in Belgium, is a bit of a curious beast. While the rest of the Belgian school was experimenting with a return to lush romanticism (Alpaerts, Maes, and the musical progeny of Benoit), or beginning to prod the tonal bounds of listenable 12-tone and serialism (Constant and Verbesselt), Schampaert took towards a different sound: that of the Impressionists, transmuted through his distinctly Flemish touch. The Nocturne and Danse is no exception. The core of the Nocturne is a relatively straightforward melody, but it's quickly pulled apart into Debussyian fragments and melodic cells - a rhapsody in miniature, with touches of Ibert's stranger runs and figures through. The Danse retains a clearer sense of melody, but one that's even closer to Debussy and Ravel - grace notes and intertwined, changing runs are integral melodic material, by turns dark then playful. A small cadenza again touches on a sense of Ibert before the piece is brought to a quiet close.
SKU: HL.49044897
ISBN 9790001192200. UPC: 841886019935. 9.25x12.0x0.096 inches.
The famous Golliwogg's Cakewalk is the final piece from Debussy's cycle Children's Corner which consists of 6 miniatures for piano, written for his daughter in the years 1906-1908.The style corresponds to that of ragtime, a dance which was in vogue around the turn of the century. In the middle section, he parodies several times the beginning of the opera Tristan and Isolde by Richard Wagner with whom Debussy had a rather ambiguous relationship.The present arrangement now allows musicians to play the popular movement in a version for melodic instrument with accompaniment.
SKU: HL.44013040
SKU: BR.EB-8906
ISBN 9790004185384. 9 x 12 inches.
,,La comparaison avec le celebre ,Children's Corner' de Debussy est justifiee. On y trouve la meme verve, l'humour, la richesse harmonique en meme temps que les marques du romantisme tardif et du nouveau siecle. Souhaits a cette edition de trouver le chemin des concerts et du disque. (Pascal Gresset, Tempo flute).
SKU: BT.1769-10-400-M
ISBN 9789043134354. 9x12 inches. International.
Die 1915 entstandene Sonate en trio für Flöte, Viola und Harfe wurde wegen ihrer ungewöhnlichen Besetzung bislang eher selten aufgeführt. Dem wollte Franco Cesarini mit dieser Bearbeitung, in welcher Viola- und Harfenstimme ineinem Klavierpart aufgegangen sind, abhelfen. Auf der beiliegenden CD ist eine vollständige Aufnahme jedes Stückes zu hören.Composée en 1915, la Sonate en trio pour Fl te, Alto et Harpe séduit par une ambiance sonore douce et mélancolique aux accents orientaux. Sa particularité réside dans son instrumentation singuliére - Fl te, Alto et Harpe. Pourfaciliter l'exécution de cette piéce, Franco Cesarini a rassemblé les voix d'Alto et de Harpe en une seule partie pour Piano. Sur le compact disc, vous trouverez deux versions de la Sonate : une version intégrale et une versionoù ne subsiste que l'accompagnement.
SKU: BT.EMBZ8290
SKU: HL.132414
UPC: 884088972486.
SKU: HL.50489358
ISBN 9790080079331. Bach (23 x 30,2 cm) inches. Hungarian, English. Oliver Nagy.
SKU: M7.VHR-3666
ISBN 9783864341052.
In der Ausgabe 'Flötenzeiten' (VHR 3665) hat die erfahrene Flötenpädagogin Anna von Korff über 100 bekannte und beliebte Stücke aus tausend Jahren Musik für ihre Flötenschüler gesammelt, darunter Werke von Bach, Haydn, Mozart, Beethoven, Verdi, Debussy u.v.a., unsterbliche Melodien wie 'Greensleeves' und Musik aus Filmklassikern wie 'Fluch der Karibik' oder 'Die fabelhafte Welt der Amélie'. Der vorliegende Band bietet leicht bis mittelschwer gesetzte Klavierbegleitungen zu einem Großteil der Stücke.
SKU: HL.50563936
UPC: 073999639360. 10.75x13.25x0.017 inches.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
