version for Horn and Piano (version for Horn and Orchestra EP 66201b or Horn and Wind Symphony Orchestra EP 66201a ) / Cor Et Piano

This work was commissioned by the Royal Philharmonic Orchestra. It was first performed on 2nd May 2000 at the Barbican Centre London by Richard Watkins. Peter Maxwell Davies: The horn writing is extremely virtuoso throughout not least in exploring the full range of the horn from the deepest notes in the bass normally exclusive to an orchestral fourth horn player to the highest most exposed sostenuto of a first horn soloist presenting herechallenges of embouchure and sheer stamina I should think fairly unprecedented.Duration c.23 minutes. Miniature score on sale CH61757 Conductor's score and orchestral parts on hire.

KV 495-Barenreiter Urtext Edition Piano reduction of Mozart's Concert In E-Flat No.4 KV.495 originally for Horn and Orchestra.

KV 447-The Bärenreiter piano reduction of Mozart's Horn Concerto No.3 In E Flat K.447 (BA5312a) has an idiomatic and uncluttered keyboard part. The reduction is conceived for performances with keyboard as well as for rehearsal purposes for renditions with orchestra.Franz Giegling?s editorial work on the concertos in the New Mozart Edition is the definitive scholarly-critical publication and is based naturally on every known source.The publication reflect the needs of performers today. It contains clearly laid out solo horn parts in E-flat and F a detailed historical preface commenting on the sources and a special brochure containing cadenzasand ? Eingänge ?. The cadenza and ? Eingänge ? brochure offers for the first time in print the important cadenzas by Dennis Brain Timothy Brown and Dominic Nunns. The cadenzas are presented in E-flat and then in a slightly altered version for the natural horn. All of the material has also been transposed and presented for the valve horn.

As if looking back on his youth toward the end of his life Richard Strauss wrote a second concerto for horn and orchestra again in Eb major around sixty years after his first concerto for horn. This sublimely beautiful late work which gives no indication of the oppressive circumstances of Strauss? poor health and the Second World War was premiered in 1943 by Gottfried von Freiberg under the direction of Karl Böhm. It was not until after Strauss? death that the concerto appeared in print in London making a critical new edition on the basis of the autograph sources and performance material more than overdue. The editor Hans Pizka former principal horn of the BavarianState Opera in Munich learned first-hand about the performance tradition and genesis of the concerto as a pupil of Gottfried von Freiberg. For use in lessons and for performances the especially playable piano reduction by Johannes Umbreit is a great help. As if looking back on his youth toward the end of his life Richard Strauss wrote a second concerto for horn and orchestra again in Eb major around sixty years after his first concerto for horn. This sublimely beautiful late work which gives no indication of the oppressive circumstances of Strauss? poor health and the Second World War was premiered in 1943 by Gottfried von Freiberg under the direction of Karl Böhm. It was not until after Strauss? death that the concerto appeared in print in London making a critical new edition on the basis of the autograph sources and performance material more than overdue. The editor Hans Pizka former principal horn of the BavarianState Opera in Munich learned first-hand about the performance tradition and genesis of the concerto as a pupil of Gottfried von Freiberg. For use in lessons and for performances the especially playable piano reduction by Johannes Umbreit is a great help.

10 Pieces by 10 Composers Edited by the Horn Virtuoso Barry Tuckwell-This title contains ten pieces by ten revered composers arranged by Horn virtuoso Barry Tuckwell. Barry Tuckwell has had an extensive performing career playing from a young age in the Melbourne andSydney Symphony Orchestra to playing First Horn in the London Symphony Orchestra. Pieces range from C minor to F Major. Composers include Beethoven Cherubini Förster Haydn Mozart Rossini Schumann Strauss Telemann and Von Weber.    

Adagio and Allegro is one of the first works of major importance written for the valve Horn. The original title was Romance and Allegro. It was composed during the first few months of 1849 a period when Schumann also composed solo works for Oboe and Piano Clarinet and Piano as well as the Konzertstucke for four Horns and Orchestra. Edited for French Horn and Piano by Barry Tuckwell.

Mozart composed his Rondo In E-Flat Major for Horn and Orchestra on 21 March 1781 just five days after his move from Munich to Vienna. The Rondo was most likely intended as a final movement of what would have been Mozart's first Horn concerto.

Par WILLIAMS JOHN. selections from Harry Potter and the Prisoner of Azkaban Instrumental solo book, accompaniment CD and set of performance parts for horn in F and piano accompaniment. With fingering chart, black and white photos and color photos. The arrangements are completely compatible with each other and can be played togor as solos. Each book contains: A carefully edited removable part that is appropiate for the Level -3 player, a piano accompaniment that can be easily played by a teacher or intermediate piano student (it includes the instrumental solo part in concech, added above the piano part so the accompanist or teacher can follow the soloist), a fully orchestrated accompaniment CD with each song on the Cd includes a Demo track, which features a live instrumental performance, followed by the Play-along traitself. Double Trouble - A Window To The Past/ Recueil / Cor et Piano

La musique de petites formes était ce que le compositeur français Gabriel Fauré (1845-1924) axé sur. En 1874, après de nombreuses années passées dans les 'provinces, les professeur de Camille Saint-Saëns a pris le poste d'organiste dans Paris- plus tard, il a non seulement travaillé comme un musicien d'église, mais aussi comme un enseignant. Dans l'été de 1887 Fauré a écrit son opus Pavane. 50, initialement prévu pour un concert fourniture de divertissement léger, qui bientôt acquis une grande popularité comme un ensemble orchestral avec et sans le choeur ajoutée par Fauré. Le romantique, un peu mélodie mélancolique est un accrocheur air qui, grâce à la présente arrangement, peut maintenant aussi être effectué soloistically avec piano accompagnement. / Cor En Fa Et Piano / Partition

Oddly Mozart wrote out the score of his most famous Horn Concerto not only in black ink but also in red green and blue. Whether he meant this as a genial prank or had higher aspirations in mind willremain an eternal mystery. Whatever the case Henle‘s Piano reduction takes Mozart at his word and prints the enclosed urtext Horn part in exactly the same colours as are found in the autograph score. Perhaps themulti-coloured publication will inspire Horn players to create new interpretations of this popular concerto.