SKU: HL.49044799
ISBN 9790001181037. UPC: 841886018280. 9.0x12.0x0.057 inches.
An easy arrangement by Wolfgang Birtel for horn and piano or organ.
SKU: BR.EB-7435
ISBN 9790004173961. 9 x 12 inches.
The French-born horn player Henri Kling edited Mozart's horn concertos for Breitkopf & Hartel. He prepared the piano reductions himself and set markings in the solo parts. In subsequent printings the editions were supplemented by a part for horn in F, thus making them ideally suited for the performance practice.
SKU: HL.50565997
ISBN 9781705149959. UPC: 196288016670. 9.0x12.0x0.133 inches.
“Musique française†is a series designed for students and teachers as well as professionals. These editions offer masterworks in French music, with performance suggestions and historical and stylistic commentary by noted scholars.
SKU: HL.50607051
UPC: 196288292418. 9.0x12.0x0.1 inches.
Paul Dukas wrote his Villanelle as a demanding exam piece for the horn class of the Paris Conservatoire in 1906. Alongside the technical challenges, the piece is successful because of its refreshing melodies, for which reason the Villanelle is still one of the most popular performance pieces for the horn.
SKU: BR.EB-32114
The first edition of a forgotten treasureThis edition contains the original solo part for horn in D as well as a version for horn in F.
ISBN 9790004186794. 9 x 12 inches.
Schumann's horn sonatas were composed in 1936/37. Considering the slim repertoire offered horn players from this period, it is more than surprising that these two masterpieces could have slumbered for so long. Both sonatas are similar in structure, with op. 118 being one Schumann's few three-movement sonatas. The first movements of the pieces sparkle with melancholically lyrical melodies, whereas passages strongly marked rhythmically, variously shape the two outer movements. Virtuoso moments can be found, respectively, in the final movements, bringing the works to a brilliant close. The horn parts predominantly range within the full, sonorous middle register, where occasional outbursts up to the notated a flat'' are also not lacking. The clever handling of the balance of sounds, the possibilities on the early valve horn as well as the inner interweaving of themes differentiating horn and piano make the sonatas an exceedingly vivid testimony to Schumann's mature compositional art.Schumann's horn sonatas are a crucial enhancement to each horn player's repertoire.
SKU: BR.EB-32113
The first edition of a forgotten treasure
ISBN 9790004186787. 9 x 12 inches.
Schumann's horn sonatas were composed in 1936/37. Considering the slim repertoire offered horn players from this period, it is more than surprising that these two masterpieces could have slumbered for so long. Both sonatas are similar in structure, with op. 118 being one Schumann's few three-movement sonatas. The first movements of the pieces sparkle with melancholically lyrical melodies, whereas passages strongly marked rhythmically, variously shape the two outer movements. Virtuoso moments can be found, respectively, in the final movements, bringing the works to a brilliant close. The horn parts predominantly range within the full, sonorous middle register, where occasional outbursts up to the notated a flat'' are also not lacking. The clever handling of the balance of sounds, the possibilities on the early valve horn as well as the inner interweaving of themes differentiating horn and piano make the sonatas an exceedingly vivid testimony to Schumann's mature compositional art.Schumann's horn sonatas are a crucial enhancement to each horn player's repertoire. The first edition of a forgotten treasure.
SKU: BR.EB-10702
In Cooperation with G. Henle Verlag
ISBN 9790201807027. 9.5 x 12.5 inches.
Wolfgang Amadeus Mozart's horn concertos: the Mozart expert Henrik Wiese edits the central work genre of Viennese classicism according to the current status of international Mozart research. Mozart wrote the Horn Concerto K. 417 - like the other works of this genre as well - for his horn-playing friend Joseph Leutgeb. The jokes which the composer made at Leutgeb's expense are wellknown. For example, he called the dedicatee a donkey in the autograph, and, as Henrik Wiese evidences in his preface, Mozart also occasionally enjoyed a bit of tomfoolery with the soloist in the musical text as well.Otherwise the editor's task was anything but amusing. The main source - the autograph score - is incomplete: missing are the close of Movement I as well as the entire slow middle movement. For these two sections, Wiese used a copy of the score from the archive of the publisher Johann Andre. The unusual circumstance that Mozart generally left the horn part almost unmarked recurs in the Concerto K. 417 and was deliberately maintained in the Urtext edition.with parts for horn in F and Eb major.
SKU: HL.48181836
UPC: 888680860950. 9.0x12.0x0.048 inches.
“Fareway Song is a piece for F Horn and Piano by Eugène Bozza. Written for intermediate players, this melodious work is divided into three distinct parts: Slow (6/8), Allegro moderato (4/4) and Slow (6/8). Really energetic, Fareway Song sees the Piano and the Horn answering to each other. The piece lasts a total of four minutes during which the Horn appears as a really majestic instrument. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin, conducting and composition, as well as the Grand Prix de Rome. He composed several operas, chamber works and ballets among others.â€.
SKU: HL.48183146
UPC: 888680876357. 9.0x12.0x0.061 inches.
“Alpha is a piece for Horn and Piano accompaniment by Jean-Michel Defaye dedicated to Georges Barboteu, a professor at the National Conservatoire. Starting slowly with an exchange between the Horn and the Piano, this piece features a Cadenza section with a Horn solo followed by ?a Tempo? part (112). The final of the piece is to be played ?Lento? (60). This piece has some really strong and expressive moments, quite dramatic from time to time, and was initially written for a Conservatoire contest. It lasts approximately 8 minutes 40. As a pianist, composer, producer and arranger, Jean-Michel Defaye mainly created pieces for brass and wind instruments. He won the Premier Second Grand Prix de Rome in 1958 and the Belgian Queen Elizabeth composition competition in 1959.â€.
SKU: BR.EB-10704
ISBN 9790201807041. 9.5 x 12 inches.
Prank or Color Code? Mozart composed all of his horn concertos for Joseph Leutgeb, a long-standing friend of his family. In Salzburg Leutgeb was in the service of the court ensemble as horn player and violinist before departing for Vienna, where he became known as a performer of Mozart's horn concertos. In 1786 Mozart wrote his fourth horn concerto in E flat major, which, unfortunately, survives only as an incomplete fragment. For the present new edition in Breitkopf Urtext, a reliable early print for the missing sections is used. Nevertheless, this autograph is still a very valuable source, since it contains Mozart's notation of the work in colored ink! The question as to whether this was one of Mozart's typical jokes aimed at Leutgeb or whether he had something else in mind, remains inconclusive to this day. Whoever is curious can take a guess as well, since Breitkopf is printing (in its new edition and in autograph form) the sections in color that were originally transmitted as such.In Cooperation with G. Henle Verlag.
SKU: BR.EB-8698
ISBN 9790004184813. 9 x 12 inches.
The two-movement, incompletely transmitted Horn Concerto in D major K. 412 was long considered as Mozarts first horn concerto; it is, however, his last, and was written between March and December 1791. Mozart undertook revisions in the autograph which contains the most important orchestral parts next to the entire solo horn part in order to adjust the work to the modest technical abilities of the planned soloist Joseph Leutgeb. Mozart revised and completed the first movement, eliminated lower notes in the solo part, rewrote difficult passages and expanded orchestral interludes to give Leutgeb additional breath rests. Mozart also made similar simplifications in the second movement as well, but his early death prevented the completion of the work. Robert D. Levin reconstructed both versions of the concerto on the basis of the autograph. Next to the version revised by Mozart (post correcturam), he now presents the original version (ante correcturam) for the first time in a musical text revised and supplemented according to rigorous philological criteria.
SKU: BR.EB-10701
ISBN 9790201807010. 9.5 x 12 inches.
With the publication of the score and parts of the D-major Horn Concerto K. 412/514, the Mozart expert Henrik Wiese adds another milestone to his edition of this important work group which was begun in 2013. In the course of time, the piece that was first edited in the Old Mozart Edition of 1881 as Mozarts 1st Horn Concerto turned out to be a pasticcio: while the opening movement is indisputably by Mozart, the elaboration of the Rondo must now be attributed to Sussmayr. This movement is transmitted solely as a sketch in Mozarts hand. The present edition contains both the Sussmayr Rondo (K. 514 = smWV 502) and the Mozartian Rondo fragment (K. 412) which was carefully completed by Wiese. The performer will thus have the choice between the traditional version (with Sussmayr) and the version presumably intended by Mozart, all in one practical edition.In Cooperation with G. Henle Verlag. EB 10701 contains the parts for horn in F and Eb.
SKU: HL.49044874
ISBN 9790001190930. UPC: 841886019492. 9.0x12.0x0.04 inches.
One of the most famous melodies by Faure is now available in an arrangement for Horn in F and Piano.
SKU: FL.FX073581
The F Horn du cote de chez Proust is a series of pieces composed by Pascal PROUST with piano accompaniment. Each piece is also published separately.This volume, for beginners, is a visit full of surprises in an incredible zoo where nice elephants applaude a parade of ants... These 6 short pieces for very young F Horn players reflect those rare moments! ; Instruments: 1 F Horn 1 Piano; Difficuly Level: Grade 1.
SKU: HL.14008472
ISBN 9780711928800. 9.0x12.0x0.135 inches.
Horn solos written and arranged by Ifor James and Stefan De Haan. Includes parts for both F and E flat Horn.
SKU: HL.48181901
UPC: 888680848439. 9.0x12.0x0.106 inches.
Stephane-Raoul Pugno: Solo (Horn & Piano).
SKU: HL.49019896
ISBN 9790220133824. UPC: 888680633110. 9.0x12.0x0.166 inches.
Largo Siciliano is a slow dance movement in a simple metre comprising a sequence of variations, separated by a refrain; a single idea is continually reworked and recast. This idea, or little siciliano, is a reference to Mode de Valeurs et d'intensites, written in 1948 by Messiaen with whom the composer studied. He writes: 'From this piece sprang the whole development of 'total serialism'. But Messiaen's piece was not serial, and nor is mine. What was originally considered as a study or experiment is, for me, a point of departure for quite different expressive intentions'.
SKU: HL.48183632
UPC: 888680870676. 9.0x12.0x0.062 inches.
For horn and piano (or harp).
SKU: PR.114419470
UPC: 680160677160. 9 x 12 inches.
Adler's second Horn Sonata is dedicated to Andrew Pelletier, Professor of Horn at Bowling Green State University (OH) and current President of the International Horn Society (IHS). Pelletier will perform the premiere at the opening day afternoon concert at the IHS 2019 Symposium in Belgium this July.
SKU: HL.48182218
UPC: 888680837150. 9.0x12.0x0.064 inches.
Jeanine Rueff: Cantilène (Horn & Piano).
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