Scott A. Smith teaches you all the essential blues phrasing techniques and tricks. Learn simple concepts like solo construction, phrasing over a 12-bar blues, the blues scale, pentatonic box patterns, and playing multiple scales over a single chord. Also, learn practical, effective techniques like trills, slides, and rakes. In-depth lessons on bending teach you how to use target notes, initial and destination notes, pre-bends, and how to combine bends with box patterns. The included DVD is hosted by Smith and features live demonstrations of the examples in the book. About the Author For the past three decades, Scott A. Smith has remained a dedicated guitarist, musician, and educator. This native Texan started playing guitar in the late '70s and has worked in a variety of genres, including blues, rock, country, and jazz. Scott is a GIT graduate and was featured in the Mike Varney Spotlight column in Guitar Player magazine. No stranger to the road and stage, this veteran guitarist has traveled near and abroad, performing live, teaching, giving clinics, and spreading his love for the instrument. / Guitare

Mauro Giuliani is considered today to have been the most important guitarist-composer of the early nineteenth century. Not only was Giuliani the foremost player of his day: his fame reached far beyond the realm of guitar enthusiasts, earning him a place among the musical élite as a complete, versatile musician. Even so, by the end of the nineteenth century he was largely forgotten and his music managed to retain little more than a marginal presence in the repertory of the great guitarists of the early twentieth century. The current revitalization of his work owes its origins to the monumental research begun by Thomas Heck in 1971 and continued by Ruggero Chiesa, Mario Torta, Marco Riboni, and Gerhard Pen. Thanks to the dedication of these scholars, Giuliani's music has progressively returned to its erstwhile prominence in the performing repertory. Giuliani wrote some 230 works, of which 150 carry opus numbers. They consist above all of pieces for solo guitar and a considerable quantity of chamber music for guitar and violin, flute, piano, or voice, as well as three guitar concertos. Based on the texts of the first published editions, the pieces in this collection have been revised only with the addition of fingering (according to the technique documented in Giuliani's method (Studio per la chitarra opus 1) and his Esercizio per la chitarra contenente 24 pezzi della maggiore difficoltà, diversi preludi passaggi ed assolo opus 48, published by Steiner in 1813) and the correction of obvious typographical errors. / 1 Ou 2 Guitare(s)

Great musical ideas need a solid foundation of strong chops to back them up. Fill the gaps in your technique with this unique approach to rock guitar. Build your finger strength, flexibility, and independence with exercises and examples written especially for rock players. This book explores all the important soloing techniques such as speed picking, sweeping, tapping, harmonics, scale sequencing, and more. Develop your chops while practicing exercises in the style of the music you enjoy. The Serious Guitarist: Rock Chops provides the tools you need to become a better guitar player, but more importantly, it will help you become a better musician. The included companion MP3 CD features demonstrations of the examples in the book. / Guitare

30 Transcriptions. Par SCHUMANN ROBERT. The edition Schumann for Guitar is an interesting attempt to transfer Robert Schumann's romantic, lyrical music to the guitar. As a consequence, new tonal possibilities present themselves for the guitar repertoire, particularly in view of the fact that Schumann himself never composed an original piece for guitar. This volume naturally contains pieces from the famous piano cycles Album für die Jugend, Kinderszenen and Albumblätter, but also some lieder like Mondnacht or Im wunderschönen Monat Mai. Special highlights of the volume are the original Schumann transcriptions by Francisco Tárrega (1852-1909) which prove that guitarists studied Schumann's music as early as the 19th century. Schumann for Guitar is ideal for concerts and music lessons, but also for private music-making. The pieces are of easy to intermediate technical difficulty so that even amateur guitar players will enjoy the pieces! / Niveau : Facile à Moyen / Recueil / Guitare

Beautiful Airs and Ballads of the British Isles. Par GONZALEZ RAYMOND. This fingerstyle guitar collection features 20 engaging lyrical tunes from England, Ireland, Scotland, and Wales plus three original pieces by accomplished guitarist, trumpeter and composer William A. Bay, president, and editor-in-chief at Mel Bay Publications. Tasked with writing intermediate-level arrangements in either standard or dropped-D tuning, guitarist/arranger Raymond Gonzalez displays uncommon music rethinking skills while preserving the plaintive and lilting nature of these enduring melodies. Unique to these settings, you will find sparse, open-chord harmonies accentuated by double hammer-ons and pull-offs, and the odd harmonic mixed with normal tones within a melodic line— all reminiscent of gentle waves washing up against a rocky island shore. Conceived to be played on either steel or nylon-string guitar, these pieces are written in both standard notation and tablature. Includes online access to the author’s own audio recordings. / Niveau : Moyen-Difficile / Recueil / Guitare

A unique collection of guitar music which spans the late Renaissance to the late Classical period. Including new and unusual repertoire as well as popular works and showpieces, Suitable for intermediate standard players. / Guitare Ou Guitare Classique

for Modern Jazz Guitar. Par MILLER KEVIN. Since the arrival on the jazz scene of John Coltrane, more and more guitarists are looking to incorporate colors into their language which are more dissonant than those generally heard within the realm of jazz guitar. As improvisers, saxophonists and all woodwind players have a certain advantage in that the keys on their instruments are arranged linearly with one or two chromatic pitches associated with each finger. Compared to the sax, the note locations on the guitar fretboard are much less intuitive. It seems a natural process then, for guitarists to gain fluency in improvisation by studying saxophone lines and articulation techniques.Kevin Miller has studied with several stellar teachers including Vic Juris and Rodney Jones. His knowledge of jazz history and the linear and harmonic techniques of non-guitarist giants of jazz like McCoy Tyner and John Coltrane is truly impressive. He is also very adept at transcribing and analyzing the harmonic concepts and articulation techniques used in saxophone solos and making them palatable to guitarists in notation and tablature.Miller brings it all to bear in this book, focusing on giving you new options originating from jazz masters such as John Coltrane and McCoy Tyner, for dealing with common harmonic situations within the world of jazz such as a stagnant minor chord or II-V-I. These options venture ?outside? of the basic harmonic framework, but usually settle back into the core harmonic territory. Not only is the information made accessible through numerous transcriptions of saxophone lines and techniques, Miller provides ways to internalize this material so it can be used ?in an organic way while improvising'. / Date parution : 2023-06-01/ Etude / Guitare

Méthode progressive, vol. 1 (franCais / english / español)64 p., Niveau 1Une nouveauté aux Productions d'Oz, forts actives dans le domaine de la pédagogie pour guitare. ConCue pour être utilisée avec un professeur, la Méthode progressive pour guitare de Claudio Camisassa se démarque des autres ouvrages pour guitaristes débutants. De très nombreux morceaux sur les cordes à vides (une quinzaine de pages) permettent à l'élève de se concentrer sur l'acquisition d'un bonne technique de main droite, seul le pincé étant abordé dans ce premier volume. La méthode qui s'appuie sur un répertoire original écrit par Claudio Camisassa, comporte de nombreux duos pour l'éléve et le professeur et, surtout pour l'éléve, un accompagnement optionnel en accord ou en arpèges des mélodies travaillées. Deux pages d'exercices journaliers simples mais réellement efficaces, accompagnées d'indications précises sur Ies techniques de jeu, complètent cette méthode au chemin pédagogique efficace et rigoureux.(FranCois Nicolas, Guitare Classique, 2e trimestre 2002)This well-presented volume takes students from the very beginning with four main objectives of Classical Guitar Magazine developing technique, sight-reading, basic chord accompaniments and duo playing, and assumes the student is working with a teacher. It is very methodical, beginning with photographs of hand positions etc, and gives explanations of both rest and free stroke from the start. The first musical examples are open string melodies with added chord symbols with plenty of varied exampIes, and blank staves are given for note-writing exercises and also for aural tests, both of which are useful ideas for reinforcing general musical understanding. Apart from chord symbols, the left hand is first introduced with natural harmonics at the twelfth fret in an effective two-part exercise Carillon, which requires right fingers and thumb. Combinations of open strings and right-hand arpeggios follow and the opening section is brought to a natural close with Valse des Harmoniques - nicely shaped and quite complex with its use of natural harmonics, but a bit over-long. Camisassa now introduces notes on each string, in turn, in first position, and more complex arpeggio patterns, illustrated by pieces utilising each new group of notes. 2-guitar arrangements of tunes including Frere Jacques and Au Clair de la lune and Alouette, gentille alouette work quite weIl with straightforward accompaniments. I liked Camisassa's Tango, and Recuerdo de mi infanta, a two-part milonga reminiscent of Cardoso. Favourites such as Greensleeves and Malaguena are also included, and there are many pieces by Camisassa included which aim to enforce musical ideas. I found the way this book progresses, and the technical and musical aspects it teaches, very good and very thorough. I found myself using it a lot as supplementary material to demonstrate technical points and for sight-reading. However, the majority of pieces written by Camisassa did not inspire me musically and would need to be supplemented with pieces of more characterful musical interest, particularly for young players, but this volume does have much to offer.(Linda Kelsall Barnett, Classical Guitar Magazine, June 2002) / Guitare

An Intermediate-Level Guide with Step-by-Step Instructions. Par HENRY PAUL. The Hal Leonard Classical Guitar Method is designed for anyone just learning to play classical guitar. This comprehensive and easy-to-use guide by renowned classical guitarist and teacher Paul Henry uses the music of the master composers to further develop your understanding of the classical style and technique. Book 2 includes: tone-coloring techniques; dynamics; dampening; sixth string tuned to D; notes above open position; left-hand shifting; grace notes, slides, and articulations; natural and artificial harmonics; natural and artificial harmonics; full and partial barres; trills and mordents; two-octave scales; vibrato; counterpoint; left- and right-hand technique review; slur exercises; and more! This book also includes access to more than 50 audio tracks for demonstration and play-along. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Date parution : 2022-07-23/ Méthode / Guitare

Par GOODIN JIM. Whether guitarists are new to open-tunings or already working with them, fingerstyle specialist Jim Goodin offers a progressive look at the popular D-based harp-like tuning. Classical, Celtic, blues, folk, gospel and several original compositions are represented in the 15 notation/tablature arrangements each arranged proportionately to offer beginning, intermediate and advanced fingerstyle players opportunities to grow their technique. Interspersed with the song arrangements are sections featuring major and minor scale studies and popular folk and jazz style chords. Includes a 15-track CD produced at Will Ackerman's Imaginary Road Studio where the book's arrangements were recorded. To round out this robust offering Jim includes thoughts about the origin of DADGAD, the songs, his technique with special how-to features such as one on playing natural and harp style harmonics and recommended listening CD's to expand listening knowledge on this tuning. / Niveau : Intermédiaire / Acoustic Music - Solos / Recueil / Guitare

Avec plus de 100 minutes d'enseignement, le Guide de Dale Turner à Rock Guitar Acoustic est le guide ultime DVD pour les guitaristes de rock acoustique. Ce DVD couvre solo de base et intermédiaire, strumming patterns de base, des accordages alternatifs, les modèles d'arpèges, et bien plus encore. Apprenez les secrets acoustiques roche de guitare de John Mayer, Dave Matthews, Paul McCartney, Eric Clapton, Neil Young, et plus encore! / Guitare

Heavy Metal Rhythm Guitar teaches the most important concepts, approaches and techniques used in heavy metal rhythm guitar Learn Metal Guitar by Studying Real MusicStarting with the roots of heavy metal, the essential rhythm skills are broken down step-by-step, to clearly show how authentic metal is constructed.Not Just Theory and Technical Exercises - Real Guitar Riffs you can UseMany guides simply show you how to build technique. Heavy Metal Rhythm Guitar illustrates the musical components of metal, such as power chords, single string lines, displacement, odd time signatures and much more with real musical examples to help you explore your creativity.Over 100 Notated Musical Examples with Audio to Download for FreeAfter a brief rhythm primer, every one of the 140 notated, musical examples teaches you something new about Heavy Metal Rhythm Guitar.Metal Rhythm Guitar examines the guitar playing at the roots of metal in the mid-1960s, such as Led Zeppelin and Deep Purple, and the New Wave of British Heavy Metal bands of the late '70s and early '80s like Judas Priest, Saxon and Iron Maiden. The thrash metal of bands like Metallica and Slayer are covered, along with bands like Death, Pantera and Meshuggah who progressed Heavy Metal and expanded the technical possibilitiesHeavy Metal Rhythm Guitar CoversRiff BuildingRhythmic Accuracy Essential ScalesTechniquePower ChordsDisplacementSingle Line and Open String RiffsDrop TuningsHarmonicsOdd Time Signaturesand much more... / Guitare