Par LITTORIE JOEL / ROUSSE VALERIE. La série Couleurs Caraïbe propose des pièces originales inspirées par les formes de musique des Caraïbes comme le Calypso, la Biguine, mais aussi des formes plus classiques telles que la Valse, le Quadrille, la Mazurka, la Fantaisie. Chaque volume a été écrit pour un instrument différent et les pièces proposées dans chacun des recueils sont différentes. Le niveau des pièces correspond à Préparatoire 1 et 2. / Niveau : Assez Facile / classique / Répertoire / Guitare

Valdy has been part of the fabric of Canadian pop and folk music for over 30 years. A man with a thousand friends, from Newfoundland to Vancouver Island to Texas to New Zealand, he's a singer, guitarist and songwriter who catches the small but telling moments that make up life. Valdy has sold almost half a million copies of his 13 albums, has two Juno Awards (Folk Singer of the Year and Folk Entertainer of the Year), a total of seven Juno nominations and four Gold albums to his credit. Valdy shares stories about some of his favorite tunes, demonstrates in detail how to play them and gives great tips on songwriting all in this intimate DVD performance. / Guitare

Enrique Granados composed his Valses Poeticos for solo Piano around 1886-1887 after he moved from Barcelona to Paris to study with Charles-Wilfrid de Beriot and Felip Pedrell.This bookpresents the seven beautiful waltzes in the Valses Poeticos for Guitar preceded by an un-waltz-like introduction (Vivace molto) and ending with a colorful clever coda (Presto). Lily Afshar'sGuitar arrangement is very faithful to the original Piano version and contains fingerings that are idiomatic and musical. The total performance length is sixteen minutes in duration in eight movements: 1. Vivace moltoand Melodico 2. Tempo de Vals noble 3. Tempo de Vals lento 4. Allegro humoristico 5. Allegretto (elegante) 6. Quasi ad libitum (sentimental) 7. Vivo 8. Presto

A travers cette méthode d'apprentissage Guitare vous aurez tous les éléments pour pouvoir maitriser votre instrument. Cet ouvrage Méthode de guitare classique a été écrit par Duchateau Valérie et éditée par les éditions Beuscher sous la référence PB1088. / Guitare / Partition Cd

The tenth concerto in B minor in L'Estro Armonico (best translated as The Harmonious Inspiration) which is edited here in A minor - for four solo guitars - is one of the most famous in the entire collection -- indeed inVivaldi's entire output. Scored for four solo violins two solo violas solo violoncello and an strings orchestra. Johann Sebastian Bach not only admired Vivaldi's Opus 3; he copied it openly. In a general sense the Vivaldipieces gave impetus to much that is in the German master's Brandenburg Concertos. More particulary six concertos of Vivaldi's Opus 3 were copied by Bach as the basis for six of his concertos: two for 0rgan (BWV 593 and 596 basedon Opus 3 nos. 8 and 11 respectively) three for solo harpsichord ) BWV 978 972 and 976 based on Opus 3 nos. 3 9 and 12 respectively) and one for four harpsichords and orchestra in A minor (BWV 1065 based on Opus 3 no. 10).Bach frequently rewrote concertos scored for one kind of instrument substituting another. It is evident that Bach thought not so much in terms of the violinistic nature of the originals but in their harmonic and rhythmicpotential which could be realized on any instrument. Since Bach has already justified an arrangement of Opus 3 number 10 by the great aesthetic success of his four-harpsichord version it serves to reason that an arrangementfor four guitars is equally valid. Just as Bach preserved everything of the original Vivaldi and added only a few doubling to accomodate the left hands of the harpsichordists so in this version the substitution of guitars is donewith little or no change of original-notes. The arpeggios especially prominent in the second movement lend themselves ideally to guitar playing and the ability of the guitar to play both lyrical lines as well as passage worksuits the violinistic lines and passages of the original.

Par BARREIRO ELIAS. An outstanding collection of 33 classic guitar solos transcribed from piano works by Manuel Saumell, Ignacio Cervantes, and many others. Cuban song and dance rhythms have had a global impact. These arrangements capture the rhythms, styles, and moods of the Cuban contradanza, danza, vals, canción and criolla of the 19th to early 20th centuries. The available online audio features Segovia student and Tulane University professor Elias Barreiro performing his arrangements of the multi-faceted music of Cuba. Written in notation and tablature. Includes access to online audio. / Niveau : Intermédiaire / Recueil / Guitare Flamenco

Whether for lessons or the first little concerts - 'Easy Concert Pieces' for guitar contains easy and well-known solo pieces, carefully selected according to technical and musical demands: Vol. 1 easy, Vol. 2 intermediate. Apart from original guitar pieces by Aguado, Mertz, Diabelli, Carulli, Sor, or Carcassi, this edition also contains easily playable arrangements of classical masterpieces such as Vivaldi's 'Four Seasons', Handel's 'Fireworks Music', Mozart's 'Magic Flute' or Verdi's 'Chorus of Hebrew Slaves'. The arrangements want to provide access to the masterpieces of concert literature and encourage the joy of classical music. All pieces are recorded on the accompanying CD. / Guitare

Valse De Yasmine - La Valse D'Annette. Par COQUERY JEAN-MICHEL. Valse De Yasmine - La Valse D'Annette / Niveau : Fin 2ème Cycle / Recueil / Guitare

Par RONGIERAS GUADALUPE. La région de 'L'Oriente', à 800 km au sud-est de La Havane a été le creuset des musiques venues d'Afrique et d'Europe pour donner naissance aux différentes musiques cubaines qui sont restées à la fois authentiques et fortement présentes dans la vie des Cubains. Le carnaval de Santiago, exaltant une population laissée pour compte par la lointaine capitale, est l'un des événements populaires les plus marquants de la région. Carnaval de Santiago de Cuba est une série de cartes postales sonores, souvenir inoubliable de la foule des santiageros en liesse. I. Ouverture : 'Comme un rêve... qui devient... réalité' : 3 tempi différents pour le thème qui se précise à la fin. II. La Comparsa de los Muñecones : le groupe (comparsa) des muñecones (poupées géantes) danse tant bien que mal donnant une double impression de grâce et de maladresse. III. Cuba e Cuba : chant à plusieurs voix aux intervalles inouïs. IV. Carnavalito : rythme obstiné servant de trame aux festivités et qui fait battre à l'unisson de tous les coeurs santiageros. V. La corneta china : petit instrument à vent métallique, introduit par les migrants chinois au XIXe siècle. Son timbre strident (anche double) surmonte aisément le volume assourdissant des percussions. A force de talent et au ravissement de tous, le cornettiste défie les limites pentatoniques de l'instrument afin de citer des mélodies connues, bien que forcément altérées. VI. Montuno : section répétitive et syncopée permettant l'improvisation. C'est la fin joyeuse du défilé. / Classique / Répertoire / Guitare