SKU: LM.27347
ISBN 9790230973472.
Un derviche tout neuf - Colonel Bubble - Salut Patrick - I've been listening to Chet Atkins - Melody for Marcel - Stevens - Snowy and cold - Cheating.
SKU: HL.49019930
ISBN 9790001152693. UPC: 841886011441. 9.0x12.0x0.079 inches.
The compositions by the greatest Brazilian tango composer and pianist Ernesto Julio de Nazareth (1863 -1934) are strongly influenced by Brazilian folk music. He preferred light entertainment, and his dance music has remained extremely popular in his home country until today. Heitor Villa-Lobos called him 'the true embodiment of the Brazilian soul'. Nazareth composed primarily choros music which is very common in Brazil, but it was his 25 tangos (25 Tangos Brasileiros for piano, Schott ED 7561) that made him famous.The melancholy waltz Confidencias in A minor (already published for piano in Valsas brasileiros, Schott ED 20304) bridges the gap between Latin American folkore and Romantic elements, as can be found in the waltzes by Chopin. The work's specific expressive chromaticism in melody and harmony stands out particularly in the arrangement for chamber music ensemble.
SKU: DZ.DZ-767
ISBN 9782895006534.
SKU: MB.20875M
ISBN 9780786691814. 8.75 x 11.75 inches.
A collection of all time Gospel favorites scored for guitar melody. Chords, tablature and lyrics are included along with a companion audio. A Glorious Church; All the Way My Savior Leads Me; Angel Band; Blessed Assurance; Blessed Quietness; Death Has No Terrors; Drifting too Far from the Shore; Every Bridge is Burned Behind Me; Every Day and Every Hour; Glory to His Name; Hallelujah, We Shall Rise; He Abides and many more. Includes access to online audio.
SKU: M7.DUX-868
ISBN 9783868493498. German.
In 'Acoustic Pop Guitar Soloing' Michael Langer looks at the question of how pop musicians 'think' their guitar. The book is the result of his many years of teaching at advanced training programmes, courses and workshops on 'Acoustic Pop Guitar'. It is a tutor book for creative guitar playing which provides an easy introduction to improvising and arranging. Featured topics: - Seeing the chord shape - Understanding the fretboard - Chord environment of the CAGE system - Building blocks for your solo - Professional licks right from the start - Practising with playalongs - Guide for chord-melody arranging.
SKU: PE.EP6470A
ISBN 9790300763903.
A sweet miniature composed for solo piano in 1937, Mystic Flute consists of two voices: a simple melody in the harmonic minor scale balanced by an ostinato accompaniment in 7/8 meter that gives the work a hypnotic and ceremonial spirit. The melodic line begins in the top voice, before moving to the bass voice, and returning to the top voice with small ornamentation. No notes were removed from the piano score in this guitar arrangement by Aaron Larget-Caplan, and all dynamic and phrase markings follow the original score as well. This arrangement was premiered on July 29, 2018 at the Coaster Theater in Cannon Beach, Oregon.
SKU: OT.26114
ISBN 9789655051049. 8.27 x 11.69 inches.
Ariel Lazarus Guitarra Liturgia Two pieces based on music from the Spanish and Portuguese tradition. Contents: Jerusalem de Sefarad - Suite for Guitar Contrapunto Sefardi The composer writes: For many years I wanted to compose a piece for guitar which would inspire interested students to expand their repertoire in the direction of Jewish music. The most natural thing for me was to write a suite based on themes from the synagogue in which I grew up – the Spanish and Portuguese synagogue of Gibraltar. My beloved grandfather served all his life as hazzan (cantor) of this synagogue, and I always felt as a composer and educator that I had a special obligation to continue his tradition and pass it on to a new generation. In this composition, I let the guitar echo the piyyutim (semi-liturgical poems) that were part of my childhood: Adon Olam, Sh'charchoret, Achot K'tana, Yigdal, Borei ad Ana, all of which are sung in the Spanish and Portuguese tradition from Gibraltar to London, and from New York to Jerusalem. I let myself dream the piyyutim, take them apart and reconstruct them as a short suite for guitar, the results of which you are invited to hear here. As a conceptual idea for the suite, I choose to suggest about the cultural continuation between the Diaspora and the land of Israel by way of referencing the well-known melody of Naomi Shemer, which is also popular among the hazzanim.Dr. Ariel Lazarus is a unique voice among Israeli composer-performers today. Brought up in a family with Jewish musical roots both in Gibraltar and Westphalia, he began composing and playing the guitar in his teens, and has been committed to developing his own compositional language ever since, always maintaining an open dialogue with his traditions. Lazarus received his BMus and MMus degrees from Oklahoma City University in classical guitar performance and composition where he studied with American composer Dr. Edward Knight. He earned his PhD from Bar Ilan University, studying composition with Prof. Betty Olivero and Prof. Gideon Lewensohn and conducting research under the supervision of Prof. Edwin Seroussi from the Hebrew University. His symphonic works have been premiered by the Raanana Symphonette Orchestra, and his chamber works have been performed by various ensembles in the United States, Central Europe, Portugal, Gibraltar, Scandinavia and Israel. Lazarus performs regularly as Art Ambassador on behalf of the Israeli Ministry of Diaspora affairs Amiel BaKehila program. His solo album A Hebrew Capriccio was released by the German boutique label SmoothFactor and was awarded critical acclaim, among others, in Haaretz, and Neue Westfalishe. Dr. Lazarus is the musical director and co-founder of the Israeli Ladino Orchestra. His work with the orchestra has been recognized by the official Carta de España. He teaches at the Academic College for Education Givat Washington, and the Rimon School of Music. Lazarus’s work has been awarded by the Israeli Pais Art council and ACUM.
SKU: DZ.DZ-4277
ISBN 9782898521942.
Découvrez Un Jour de Mars, une ballade musicale envoûtante pour guitare seule qui capture l'espoir et la douceur de l'arrivée du printemps. Laissez-vous transporter par cette mélodie évocatrice qui sâ??interpréte comme un préludeâ?¦Discover Un Jour de Mars, a haunting musical ballad for solo guitar that captures the hope and sweetness of the arrival of spring. Let yourself be transported by this evocative melody which is interpreted like a prelude...
SKU: JK.01988
Presenting the newest addition to the popular Hymn-Alongs series: Christmas Hymn-Alongs! The Hymn-Alongs series includes over 20 different instrumental books. They are simple enough for developing musicians to master, yet beautiful and fun for those advancing in music. The accompaniment book features beautiful, yet simple arrangments for piano, guitar (chord symbols), and voice. The many instrumental books can be played together in any combination. All instrument books include a melody part; treble instruments have a duet part, and bass instruments also include a bass part. View all Christmas Hymn-Alongs products HERE. Songs included in Christmas Hymn-Alongs: Angels We Have Heard on High Away in a Manger Hark! The Herald Angels Sing I Heard the Bells on Christmas Day It Came upon the Midnight Clear Joy to the World O Come, O Come, Emmanuel O Little Town of Bethlehem Oh, Come, All Ye Faithful O Holy Night Silent Night The First Noel We Three Kings What Child Is This? Composer: Various Arranger: Brent Jorgensen Difficulty: Easy hymn along, hymnalongs, hymnalong, hymn alongs.
SKU: DZ.DZ-4313
ISBN 9782898522307.
Lakes Road is a piece for solo guitar.Composed in a style very popular with many guitarists of the 70s: Finger-picking. This is distinguished by an often joyful melody built on alternating bass, thus creating a sustained and dynamic rhythm.This composition is in line with this style,reminiscent of Ragtime, a musical genre originatingfrom Louisiana originally written for piano.ëLakes Roadû est une pièce pour guitare seule.Composée dans un style très prisé par de nombreux guitaristes des années 70 : Le Finger-picking. Celui-ci se distingue par une mélodie souvent joyeuse construite sur des bassesalternées, créant ainsi un rythme soutenu et dynamique.Cette composition s'inscrit dans la lignée de ce style,rappelant le Ragtime, un genre musical originairede la Louisiane initialement écrit pour piano.
SKU: HL.49010950
ISBN 9790001126427. UPC: 884088674472. 9.0x12.0x0.098 inches.
''The movements in this suite were originally taken from my animal opera The English Cat but have undergone a series of mutations in the process of adaptation, their shape has changed and the melody and harmonies have altered, mainly, in order to accommodate the specific tonal qualities and possibilities of the guitar duet.'' - Hans Werner Henze I. Canzona felina e campagnola * II. Aria lunare * III. Il cuore spezzato * IV. Pianto delle due sorelle * V. Minuetto di Minette * VI. Chanson d'Adieu * VII. La morte amorosa dell'eroina.
SKU: DZ.DZ-4310
ISBN 9782898522277.
A swaying rhythm, a melody that stays in your head, No rio Xingu evokes Brazilian music from the 50s.Un rythme chaloupé, une mélodie qui reste en tête, No rio Xingu évoque la musique brésilienne des années 50.
SKU: DY.DO-1540
ISBN 9782897963200.
Le premier mouvement, Aeolian Chant, est basé sur un thème d'un ami à moi (qui n'est pas musicien !) et est développé avec quelques autres idées dans un style semi-improvisé, et ne met en avant que les cordes. J'ai combiné une mélodie italienne du XIVe siècle avec une ancienne danse campagnarde anglaise pour le deuxième mouvement, Double Dance, qui introduit les instruments à vent. Le troisième mouvement, Ballad, est ici révisé par rapport à sa version originale et inclut maintenant le thème à la clarinette avec un accompagnement obligé de guitare. Le dernier mouvement, Toccata, est rapide, mais pas aussi difficile qu'il n'en a l'air, ce qui plaira à la plupart des interprètes !The first movement, Aeolian Chant, is based on a theme by a friend of mine, (not a musician!) and is developed with some other ideas in a semi-improvisatory style and features only strings. I combined a 14th Century Italian melody with an old English country dance for the second movement, Double Dance, which introduces the wind instruments. The third movement, Ballad, is here revised from its original version and now includes the theme on clarinet with guitar obbligato. The last movement, Toccata, is fast, but not as difficult as it sounds, which will appeal to most players!
SKU: DZ.DZ-4303
ISBN 9782898522208.
Dedicated to world renowned guitarist David Russell, Peated Waltzes is a three-movement piece that pays homage to the peated whiskies of Islay, the southernmost island of the Inner Hebrides of Scotland. The opening movement, Earthy Smoke, Sea Salt and Iodine, attempts to portray the distinctive character of the single malts of that region. Based on the Gaelic folk song The Praise of Islay (Moladh na Landaidh), the second movementâs title comes from one the songâs last verses, O, may long their wild notes flow. The third movementâs theme was extracted from the letters of Laphroaig, one of the most iconic Scotch whiskies, whose nameâs meaning inspired the title, By the Broad Bay. In the second part, the traditional Celtic melody, An Islay Pipe Reel, is quoted. At the end, themes of the previous movements are recalled and intertwined, as if trying to emulate the long and lingering finish of an Islay dram.Dédié au guitariste de renommée mondiale David Russell, « Peated Waltzes » est une pièce en trois mouvements qui rend hommage aux whiskies tourbés dâIslay, lâîle la plus méridionale des Hébrides intérieures dâÃcosse. Le mouvement d'ouverture, « Earthy Smoke, Sea Salt and Iodine », tente de dépeindre le caractère distinctif des single malts de cette région. Basé sur la chanson folklorique gaélique « L'éloge d'Islay » (Moladh na Landaidh), le titre du deuxième mouvement vient de l'un des derniers couplets de la chanson, « O, que leurs notes sauvages coulent longtemps ». Le thème du troisième mouvement est extrait des lettres de Laphroaig, lâun des whiskies écossais les plus emblématiques, dont la signification du nom a inspiré le titre « By the Broad Bay ». Dans la deuxième partie, la mélodie celtique traditionnelle « An Islay Pipe Reel » est citée. à la fin, les thèmes des mouvements précédents sont rappelés et entrelacés, comme pour tenter d'imiter la finale longue et persistante d'un drame d'Islay.
SKU: UT.CH-157
ISBN 9790215320369. 9 x 12 inches.
Vals d'la Masca; Il racconto della Montagna; Sequenze sotterraneeThe Alpinia Suite was commissioned and composed for the festival <> and is dedicated to my friend and colleague Elio Galvagno. It was performed for the first time on August 30, 2011, in the Church of San Giovanni in Saluzzo, by an ensemble of professional and student guitarists from all over Europe. This piece was written to commemorate the first ascent of mount Monviso, by William Mathews, Frederick Jacomb, Jean Baptiste Croz and Michel Croz, exactly 150 years before, on August 30, 1861.The first movement is a small Waltz. I imagined a Masca (a sort of alpine pixie, a teasing sprite), dancing all around the house and playing tricks, mostly harmless and funny. The Masca is a legendary and very important character in the folklore of my valleys, and all rationally inexplicable events of everyday life are ascribed to her - such as objects that cannot be found anymore, holes in flour sacks, salt in sugar bowls...The next two movements are a homage to the Mountains. The Tale is a sort of journal, a bright and peaceful chronicle of a hike uphill, in which the beauty of the place is highlighted by an easy harmony and a sweet melody. After this, Underground sequences evokes that same world in a darker and nocturnal way; the faster pace and the choice of repeated and varying patterns are meant to show the transformation of the former environment into something more complex and tormented. Here mountains are a metaphor of human life, warts and all: their sundrenched slopes and their green pasture grasslands, but also their icy and dangerous northern sides, which demand calm, training and caution.(G. Signorile).
SKU: HL.49015415
ISBN 9783795702403. 7.5x11.0x0.085 inches. German. Joachim Schuster.
Der Rauber Horrificus begegnet dem Heiligen Paar auf der Flucht nach Agypten. Zunachst versucht er, Maria zu erschrecken, tanzt dann aber - friedlich, wie er im Grunde ist - fur das Jesuskind. Die Geschichte regt dazu an, Menschen nicht nur nach ihrem Ausseren zu be- und verurteilen und voreilig mit einem 'Stempel' zu versehen. Nykrin gibt in der Spielpartitur, die zugleich Arbeitsvorlage fur den Spielleiter ist, eine praxisorientierte Anleitung fur Buhnenbild, Kostume und szenische Gestaltung. Das Weihnachtsspiel ist fur Kinder, die bislang mit dem szenischen Spiel keine Beruhrung hatten, sowie fur den spielpadagogischen Einsatz im Kindertheater empfehlenswert. .
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