SKU: BP.HB753
Written for 3 to 6 octave handbell choir. Level 3.An ethereal opening featuring randomly-malleted suspended bells gives way to a setting of the well-known tune underscored by flowing sixteenth notes. Unexpected harmonies appear prominently throughout the piece, and textural changes on various inflection points of the piece provide a respite from the relentless accompaniment figures. The melody moves throughout the ensemble, giving all parts a chance to shine. A fantastic choice for the ensemble looking for something different this holiday season!
SKU: BP.HB570
Written for 3 to 5 octave handbell choir and optional 3 octaves of handchimes. Level 3. Patrick Meyer makes his debut in the Beckenhorst catalog with this upbeat and bouncy original work, suitable for worship or concert use. Set in a lilting six-eight time, the melody moves throughout the ensemble, giving all ringers the chance to shine. The middle section introduces a countermelody in the high treble bells, giving ensembles a chance to work on the balance of parts and musicality. The closing verse returns to the original key for its celebratory conclusion.
SKU: HP.3047
UPC: 763628130473. Brenda E. Austin.
Israeli Folk Song A song of resilience, this traditional Israeli folk song begins with a mournful setting on handchimes and moves into an up-tempo section that uses mallets and thumb damps. The arrangement is fresh and inspiring.
SKU: BP.HB561
Arranged for 3 to 5 octave handbell choir with 1 octave of handchimes. Level 2. Robert James Lamb's creative setting of this early American melody is sure to delight listeners. Based around the Westminster Quarters change ring, which plays in one form or another throughout most of the piece, the piece moves from simple and prayerful to grand and triumphant and back. Much of the melody is scored on a separate staff for six handchimes, which may be played by a separate chime choir or soloist, or by a solo C instrument. A delightful, new take on a grand, old hymn.
SKU: BP.HB637
Arranged for 3 to 5 octave handbell choir. Level 2. Sondra Tucker's joyous arrangement of this Martin Shaw choral classic is accessible for ensembles at almost any level. Full chords and lush harmonies abound, adding to the celebratory air of the piece. The tempo moves along at a good clip, keeping ringers on their toes, but adding to the overall affect.
SKU: HP.1039
UPC: 763628110390.
An original composition Both pieces are festive and lyric and can be performed separately or together as a suite. Affirmation is described as fanfarelike; it begins in D major and moves into a slower section in F major before returning to the D major section. Litany is in C major and is described as bright with multiple dynamic changes. It also has a slower section in a minor but returns to the C major section.
SKU: LO.20-1137L
UPC: 000308044041.
Congregations will be moved with this thoughtful setting of the well loved tune GORDON.
SKU: BP.HB755
Written for 3 to 6 octave handbell choir. Level 4.This exciting original tune from the pen of Jason Krug is not to be missed! Featuring alternating measures of 4/4 and 3/4, the joyful, memorable melody moves throughout the ensemble. Frequent interludes take the piece off in different directions before coming back to the melody once more. A slower, retrospective middle section gives a respite before the driving feeling returns once more to close the piece out in explosive, festive fashion!
SKU: BP.HB655
Written for 3-4 octave handbell choir and 3 octaves of handchimes. Level 3. This stunning original from Matthew Compton is replete with emotion and descriptive storytelling. From a delicate, ethereal opening, the piece moves into a section with flowing accompaniment relying heavily on straight eighths set against triplet eighths. A faster section ensues featuring a soaring melody and unexpected harmonic twists before returning to the feeling of the opening. An altered statement of the theme makes a brief appearance before the piece ends as it began. A truly beautiful and very approachable piece from one of today's up-and-coming composers!Please note, the recording is of the 5 -7 octave version.
SKU: BP.HB634
Arranged for 3 -6 octave handbell choir and optional 3 - 4 octaves of handchimes. Level 2+. This arrangement of two different hymntunes associated with the same text moves through various moods and textures, giving each part of the ensemble the chance to shine. From an opening on suspended bells and handchimes, the tune DOMINUS REGIT ME is set over a simple eighth note accompaniment with occasional unexpected harmonies before the ST. COLUMBA tune is introduced with a countermelody in the bass. A final triumphant verse with bold, sometimes chromatic harmonies, rounds out the piece before returning to the gentle feeling of the opening. A perfect choice for worship throughout the church year.
SKU: BP.HB700
Arranged for 3 to 5 octave handbell choir and optional 3 to 5 octaves of handchimes. Level 3. Open chords and haunting parallel fourths and fifths open this harmonically-rich setting of the well-known Lenten tune. The rhythmic motion slowly increases before a powerful key change moves the piece on toward its once-more haunting conclusion. A beautiful choice for any service during Lent.
SKU: LO.20-1386L
ISBN 9780893283445.
The beloved Joseph Webster tune is given new life in a deeply moving and contemplative setting that comes straight from the heart of the writer. Sumptuous harmony and two emotional modulations move the work along its way. By far the most beautiful treatment of this tune available for handbells.
SKU: LO.20-2097L
ISBN 9780787765712.
Sondra Tucker gives us a wonderful arrangement of this Ralph Vaughan Williams hymn tune for Pentecost services. Ensembles have plenty of opportunities to work on dynamics as this piece moves from piano to a double forte ending. Chimes are used effectively to highlight the melody in the middle section, leading to a majestic and exhilarating ending.
SKU: BP.HB699
Arranged for 3 to 5 octave handbell choir. Level 2-. Open chords and haunting parallel fourths and fifths open this harmonically-rich setting of the well-known Lenten tune. The rhythmic motion slowly increases before a powerful key change moves the piece on toward its once-more haunting conclusion. A beautiful choice for any service during Lent.
SKU: LO.20-1707L
ISBN 9781429134880.
Jason Krug has woven together this medley of four hymn tunes, which is the perfect addition for Trinity Sunday, anniversary celebrations, or any worship service that focuses on God as our Father. The piece moves between contemplative and uplifting moods.
SKU: HP.3028
UPC: 763628130282. Brenda E. Austin.
SKU: BP.HB626
Arranged for 3 to 5 octave ahdnebll choir. Level 2+. Patricia Hurlbutt's arrangement of this traditional English carol is accessible for late-beginning ensembles, yet has more than enough musical substance to engage even advanced choirs. The melody moves throughout the group, giving all parts their time to shine, while easy-to-learn accompaniment figures create textural interest. Several key changes and the occasional accidental provide just enough challenge to keep all ringers busy. A great choice for your holiday season!
SKU: HP.2903
UPC: 763628129033.
Classic hymn tune, BROTHER JAMES' AIR A memorable earworm countermelody unifies three stanzas of the familiar hymn tune, BROTHER JAMES' AIR. In the middle minor section, the melody moves to the bass against thumb-damped treble chords. Then, the countermelody returns and leads us to a final, triumphant statement. This compelling arrangment assures us that the Lord truly is our Good Shepherd, making it ideal for the Easter season as well as general occasions.
SKU: MN.30-823
UPC: 688670308239.
William Payn is recognized as one of the finest contemporary composers of handbell music. This is a classic William Payn piece and will be a welcomed addition to the handbell repertoire. The piece begins with a brisk eighth note pattern in both treble and bass bells and is followed by the introduction of a theme presented in the bass bells. The theme is developed and moves through three key changes before giving way to a peaceful middle section. Both themes are combined in the finale. A challenging piece well worth the work. For church or concert use. 5 octaves (58 bells).
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