Harp

SKU: HL.48185297

Composed by Annie Challan. Leduc. Softcover. 8 pages. Alphonse Leduc #AL28777. Published by Alphonse Leduc (HL.48185297).

UPC: 888680858681. 9.0x12.0x0.068 inches.

Challan Glissades 2 Mains Remonte Pen Tes Dgts Croises Lm057 Harp Book.

(The Calthorpe Collection). For Harp (IRISH HARP). Waltons Irish Music Books. Softcover. 48 pages. Hal Leonard #WM1334. Published by Hal Leonard

Unaccompanied Harp

SKU: HL.14043342

Harp Solo. Composed by Per Nø, rd, and rgå. Music Sales America. Classical, Contemporary. Softcover. Composed 2014. 2 pages. Edition Wilhelm Hansen #WH32130. Published by Edition Wilhelm Hansen (HL.14043342).

ISBN 9788759831403. 16.5x11.75 inches.

Per Norgard's Songline For Tine. Dedicated to Tine Rehling 2014.

Composed by Monika Mandelartz. For Folk Harp and Pedal Harp. Saddle-stitched. Intermediate-Advanced. Book. 28 pages. Published by Mel Bay Publications, Inc

Harp

SKU: HL.48185288

Composed by Serge Lancen. Leduc. Softcover. 4 pages. Alphonse Leduc #AL28751. Published by Alphonse Leduc (HL.48185288).

UPC: 888680858773. 9.0x12.0x0.06 inches.

French pianist and composer, Serge Lancen (1922-2005) studied at the Paris Conservatoire where he won first prize for composition in 1949. His professional career saw him winning many prizes for his compositions and For Raphaele remains popular in the Harp repertoire. As exemplified in For Raphaele, Lancen's compositional style remained attached to the French characteristics, featuring luscious melodies, balance and clarity of tone. With a typical performance lasting about 2 and a half minutes, Pour Raphaele demonstrates the versatility of the Harp, addressing flourishes, dotted rhythms, syncopation and variations in dynamics. For all intermediate harpists, Lancen's For Raphaele is a delightful addition to the instrument's repertoire. .

For Harp. Harp (Suzuki). The Suzuki Method Core Materials. CD. 1 pages. Published by Alfred Publishing.

Chamber Music harp

SKU: PR.110406720

Composed by Samuel Adler. Classical. Softcover. With Standard notation. Duration 14 minutes. Theodore Presser Company #110-40672. Published by Theodore Presser Company (PR.110406720).

UPC: 680160001316.

I have always been fond of writing works for specific people or organizations. It has been my good fortune during most of my creative career to be asked to compose for many extraordinary performers. The Sonata for Harpsichord Solo is such a case in point: it was written in 1982 for Barbara Harbach, a superb performer, close friend, and collaborator on many musical projects. The Sonata was premiered on March 2, 1984, in a recital given by Dr. Harbach at Nazareth College in Rochester, New York. During my formative years as a composer, one seldom heard of the harpsichord as a modern instrument, though while I attended undergraduate school at Boston University, some of us banded together to construct a small harpsichord from one of the first do-it-yourself kits which began to appear in the late '40s. It was also during this time that I heard the Sonatina for Violin and Harpsichord by my teacher Walter Piston and consequently specified that the accompanying instrument for my second violin sonata could either be a piano or a harpsichord. It was not until recently, however, that my interest in the harpsichord as a solo instrument for new music was aroused. This was because of the emergence of so many young virtuosi, such as Barbara Harbach, who are interested in the performance of new music besides the great harpsichord music of the Classical, Baroque, and pre-Baroque eras. The keyboard music of Domenico Scarlatti has always intrigued and fascinated me. The brevity, excitement, and clarity of this sparkling music is charming as well as exhilarating. It is this type of Baroque sonata that inspired the conception and form of my harpsichord sonata. The entire work is loosely based on the musical translation of Barabara Harbach's name, especially the conflict of the B (B-flat) and H (B-natural in German notation). This secondo rub or dissonance especially pervades the first movement, which is in a modified sonata form, pitting jagged and tense melodic elements against most lyrical and smooth lines. This second movement is a song-like melody accompanied by rolled chords which may be played on the lute stop of the instrument if this sonata is performed on a two-manual harpsichord. The final movement is an ever-driving joyous toccata which brings the work to an exciting close with a coda made up of accelerating repeated chords. --Samuel Adler.

Arranged by D Friou. Harp. Size 8.5x11 inches. 2 pages. Published by Hal Leonard.

By Marcel Tournier (1879-1951). For harp. Classical. Score. 12 pages. Published by Editions Henry Lemoine

Composed by Yvon Rivoal / Catherine Garson. For 1 or 2 harps. Yvon Rivoal. Classical. Score. 20 pages. Published by Editions Henry Lemoine

Composed by Star Edwards. Harp: Folk and Pedal,Style,Celtic / Irish,Classical,Folk,Featured Products,Method. Young Beginner. Book and Online Audio. 80 pages. Published by Mel Bay Publications, Inc