Harpsichord PartGeorg Friedrich Händel's Concerto Grosso Op. 6/7 HWV 325 for Violin Cello and String Orchestra.

Jean-Henri d'Anglebert (1629-1691) was one of the foremost composers of Keyboard music of his day. Therefore the collection of his works Pieces for Harpsichord is essential to all players of early Baroque Keyboard music. D'Anglebert's Pieces for Harpsichord represents some of the finest achievements of the French Harpsichord school and shows the composer's mastery of counterpoint as well as his ability to experiment with texture to achieve orchestral sonority. Moreover d'Anglebert's collection contains a table of ornaments which formed the basis of those of J. S. Bach and other significantcomposers. The first volume of Pieces for Harpsichord comprises four Harpsichord Suites composed by d'Anglebert each of which consist of the usual dance movements together with transcriptions from Lully's operas. Furthermore the three unmeasured preludes included in Suites one two and three are truly remarkable examples of their kind. With a descriptive preface in French English and German volume one of d'Anglebert's Pieces for Harpsichord is a sublime addition to the repertoire of early Baroque Keyboard music.

Concerto for Violoncello and Orchestra. By Carl Stamitz. Edited by Karl Heinz Fussl. For Cello Solo Oboe (2) Horn (2) Strings. Violoncello. Piano Reduction/Vocal Score. Published by Baerenreiter-Ausgaben (German import). (BA3721) ISBN M006438815.