SKU: BT.EMBZ20018
Hungarian-English-German-French.
This brand-new series is intended as a guide to the keyboard music of the 16th to 19th centuries for pupils of the piano and the harpsichord, as well as of other early keyboard instruments. Each volume contains pieces by well-known and lesser-known composers from one country or region. The main purpose of the series is to extend the repertoire and stylistic knowledge of both pianists and harpsichordists while also presenting fine pieces and typical genres based on original sources. Our edition retains the performance indications of the composers' manuscripts and contemporary editions. Each volume includes:- suggestions for stylistically appropriate performance bothon the piano and on period instruments- suggested elaborated versions of some pieces and excerpts- a fold-out list of ornamentation signs and the composers' own tables of ornamentation signs- biographies of the composers and the sources of the pieces- translations of foreign-language performance indications. The two volumes devoted to French keyboard music includes close to 50 showy and relatively easy works - preludes, dances, suites, rondeaux, and character pieces - from the early 16th until the late 18th century (ordered chronologically).This publication is printed on high-quality, age-resistant paper that is produced in an environmentally-friendly, climate-neutral manner using renewable raw materials. Cette toute nouvelle collection est un guide de la musique pour clavier du XVIe au XIXe siècle adressé aux élèves de piano et clavecin, ainsi que d'autres instruments clavier anciens. Chaque volume rassemble des œuvres de compositeurs célèbres et moins célèbres dans un pays ou une région (préludes, danses, suites, rondeaux et pièces de caractère), ainsi que des suggestions de jeu, des versions élaborées suggérées et extraits, une liste dépliante des signes d'ornement et les tables des compositeurs, des biographies des compositeurs et les sources des œuvres. Cette publication a été imprimée sur du papier de qualité, résistant au vieillissement, et produit dans le respectde l'environnement et du climat partir de matières premières renouvelables. Una nuova collana ideata per offrire una guida alla scoperta della musica per pianoforte e clavicembalo dal sedicesimo al diciannovesimo secolo. Ogni volume include brani di compositori di una specifica nazione o area geografica. L'intento è amplicare la conoscenza e il repertorio di ogni musicista. Inoltre in ogni edizione sono riportati fedelmente i suggerimenti per l'interpretazione e le indicazioni presenti sui manoscritti originali. I due volumi dedicati alla musica francese includono circa 50 brani significativi - preludi, danze, suites, rondò e altri - che risalgono all'inizio del sedicesimo secolo fino alla fine del diciottesimo secolo, rigorosamente inordine cronologico.
SKU: ST.Y231
ISBN 9790220221767.
Written for harpsichordist Jane Chapman, and clearly inspired by her virtuosity, Copper Ribbons is a fantasy-movement of throbbing tremolandi and scrunchy arpeggiated chords that both support and intrude upon a recitative-like 'line' of elusive, questioning melody. Exploiting the instruments rich variety of tone colours with a Debussian passion for texture and timbre, the composer here creates a miniature tone-poem, which sustains to its closing bars a sense of mystery and suggestion. The work may stand alone, or as a pair with its companion-piece Silver Threads, which should precede it.
SKU: ST.Y232
ISBN 9790220221750.
With Copper Ribbons, Silver Threads is one of a pair of virtuoso harpsichord pieces by Rhian Samuel, and the two may be programmed together or performed as separate recital items. The music of Silver Threads is the restless pursuit of a single idea through fleet textures, dividing an unbroken line of melody between the hands and manuals throughout the register of the instrument.
SKU: ST.Y234
ISBN 9790220221804.
Inspired by Antonio Soler's work of the same name Fandango for harpsichord was composed between January and March 2006 and first performed by its dedicatee, Chau-Yee Lo, in the Library of the Reform Club, Pall Mall, on 6 April 2006. Duration: c.6 minutes.
SKU: ST.MB106
ISBN 9790220226427.
SKU: HL.48188013
UPC: 888680908263. 9.0x12.0x0.499 inches.
The first volume of Couperin's Harpsichord Pieces does not contain a date of publication, however, it is thought to have been composed during 1716-1717, due to the address which the composer gave on his other Harpsichord compositions. Yet, the compilation remains a favourite. Francois Couperin (1668-1733) is often nicknamed 'Couperin the Great' to distinguish him from other members of the musical family. Many of the composer's works have picturesque titles. Examples of this in his first volume of Pieces for Harpsichord include, Les Papillons (The Butterflies), L'Enchanteresse (The Enchanting) and Les Plaisirs de Saint Germain en Laye (The Pleasures of Saint Germain en Laye). Couperin's moods are expressed through choices of keys, adventurous harmonies and discords. With a significant amount of variation and inspiration, Pieces for Harpsichord is essential to the repertoire of aspiring players of the instrument..
SKU: FZ.5834
ISBN 9790230658348. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in two books. Anonyme - Jean-Henry d'ANGLEBERT - Francois COUPERIN (1-2) - Jean-Joseph Cassanea de MONDONVILLE - Michel CORRETTE (1) - Jacques Champion de CHAMBONNIERES - Francois DAGINCOURT - Jean-Francois DANDRIEU - Louis Claude DAQUIN - Jean II DENIS - Francois DIEUPART - Louis-Antoine DORNEL - Antoine FORQUERAY - Antoine FURETIERE - Charles Alexandre JOLLAGE - Nicolas-Antoine LEBEGUE - Jean Leonor LE GALLOIS - Gaspard LE ROUX - Marin MERSENNE - Jean-Philippe RAMEAU (1-2-3) - Pancrace ROYER - Michel de SAINT LAMBERT - Charles Joseph VAN HELMONT. Table of contents: Mersenne Marin: Harmonie universelle - 1636. Denis Jean II: Traite de l'accord de l'espinette - 1650. Chambonnieres Jacques Champion de: Les pieces de clavessin - 1670. Anonyme: Tablature pour le clavecin - s. d. Lebegue Nicolas-Antoine: Les pieces de clavessin - 1677. Le Gallois Jean Leonor: Lettre de Mr Le Gallois - 1680. Anglebert Jean-Henry d': Pieces de clavecin - 1689. Furetiere Antoine: Dictionnaire universel - 1690. Dieupart Francois: Six suittes de clavessin - 1701. Saint-Lambert Michel de: Les principes du clavecin - 1702. Le Roux Gaspard: Pieces de clavessin - 1705. Couperin Francois: Pieces de clavecin - 1713. Couperin Francois: L'art de toucher le clavecin - 1717. Rameau Jean-Philippe: Pieces de clavecin - 1724. Dandrieu Jean-Francois: Livre de pieces de clavecin - 1724. Rameau Jean-Philippe: Nouvelles suites de pieces de clavecin - 1728. Dornel Louis Antoine: Pieces de clavecin - 1731. Dagincourt Francois: Pieces de clavecin - 1733. Corrette Michel: Premier livre de pieces de clavecin - 1734. Daquin Louis Claude: 1er livre de pieces de clavecin - 1735. Rameau Jean-Philippe: Pieces de clavecin - 1736. Van Helmont Charles Joseph: Pieces de clavecin - 1737. Jollage Charles Alexandre: Premier livre de pieces de clavecin - 1738. Royer Pancrace: Pieces de clavecin - 1737. Forqueray Antoine: Pieces de viole (. . . ) mises en pieces de clavecin - 1747. Mondonville Jean-Joseph Cassanea de: Pieces de clavecin avec voix ou violon - 1748. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from:- Inguimbertine Library of Carpentras (France). - Municipal Library of Lyon (France). - National Library of Paris (France). - Sainte Genevieve Library of Paris (France). - British Library of London (England). - Municipal Library of Grenoble (France). - Municipal Library of Bordeaux (France). - Gemmente Museum of The Hague (Netherlands). - In Private collection. Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the harpsichord.
SKU: BT.ALHE32649
French.
Duphly's Harpsichord Pieces is in two volumes and the compilation remains a favourite in the Harpsichord repertoire. Jacques Duphly (1715-1789) studied the Harpsichord and Organ as a boy, becoming a virtuoso of both instruments.Comprising Gavottes, Menuets, and other works, this second volume of La Pupite's collection of Duphly's Harpsichord Pieces,, exemplifies the composer's skills on the Harpsichord. The second volume of Harpsichord Pieces alsohelpfully contains a table of ornaments, demonstrating how each should be performed. Duphly's Harpsichord Pieces is essential to the repertoire of aspiring players of the instrument.
SKU: FZ.5835
ISBN 9790230658355. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in two books. ANCELET - Antoine BEMETZIEDER (1-2) - Jean-Laurent de BETHISY - Michel CORRETTE (2) - Denis DIDEROT - Jacques DUPHLY (1-2) - Encyclopedie - Encyclopedie methodique - Louis-Joseph le neveu FRANCOEUR - Pierre Claude FOUCQUET (1-2) - Francois-Alexandre-Pierre de GARSAULT - Jean-Benjamin de LABORDE - Philippe MACQUER - Friedrich Wilhelm MARPURG - Jean-Philippe RAMEAU (4) - Jean-Jacques ROUSSEAU - Simon SIMON. Table of contents: Corrette Michel: Les amusements du Parnasse - 1749. Foucquet Pierre Claude: Les caracteres de la paix - 1749. Foucquet Pierre Claude: Second livre de pieces de clavecin - 1751. Encyclopedie: Encyclopedie ou dictionnaire raisonne - 1751/1772. Duphly Jacques: Troisieme livre de pieces de clavecin - 1756. Ancelet: Observations sur la musique - 1757. Rameau Jean-Philippe: Code de musique pratique - 1760. Garsault Francois-Alexandre-Pierre de: Notionnaire - 1761. Simon Simon: Pieces de clavecin - 1761. Bethisy Jean-Laurent de: Exposition de la theorie - 1764. Rousseau Jean-Jacques: Dictionnaire de la musique - 1768. Duphly Jacques: Du doigter - c. 1769. Diderot Denis: Manuscrit autographe - s. d. Bemetzrieder Antoine: Lecons de clavecin - 1771. Francoeur Louis-Joseph le neveu: Diapason general - 1772. Macquer Philippe: Dictionnaire raisonne - 1773. Laborde Jean-Benjamin de: Essai sur la musique - 1780. Bemetzrieder Antoine: Nouvelles lecons de clavecin - 1783. Encyclopedie methodique: Encyclopedie methodique, arts et metiers mecaniques - 1788. Marpurg Friedrich Wilhelm: L'art de toucher le clavecin - c. 1797. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from:- National Library of Paris (France). - Fitzwilliam Museum of Cambridge (England). - Bayerische Staatsbibliotheck of Munich (Germany). - British Library of London (England). - In Private collection. Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the harpsichord.
SKU: BA.BA10845
ISBN 9790006505623. 31 x 24.3 cm inches. Preface: Denis Herlin.
‘Once again the French musicologist Denis Herlin, who mastered the harpsichord under the tutelage of such keyboard legends as Kenneth Gilbert and Huguette Dreyfus, has presented an exemplary edition of a classic from the harpsichord repertoire.’ (Jury of the German Music Edition Prize on BA 10844)Bärenreiter presents Book II of Couperin’s “Pièces de clavecinâ€, first published in 1717, In addition the eight preludes and one allemande from his treatise “L’Art de toucher le clavecin†are included in the appendix. For the first time Denis Herlin has evaluated the many later impressions of the original print, most of which he unearthed himself in international libraries. By preserving the essential features of the original print while largely dispensing with disruptive page-turns within the pieces, the volume brings modern performers close to the special sound of this music. Rounding off this pioneering new edition are an extensive Foreword, notes on historical performance practice, a comprehensive glossary, facsimile pages and a detailed Critical Commentary.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BT.ALHE31970
The third volume of Couperin's Pieces for Harpsichord does not contain a date of publication, however it is thought to have been composed during 1716-1717, due to the address which the composer gave on his other Harpsichordcompositions. Yet, the compilation remains a favourite. François Couperin (1668-1733) is often nicknamed 'Couperin the Great' to distinguish him from other members of the musical family. Many of the composer's works havepicturesque titles. Examples of this in his third volume of Pieces for Harpsichord include, La Langueur (Languor), Le Petit-Rien (The Little-Nothing) and L'Artiste (The Artist). Couperin's moods are expressed through choices ofkeys, adventurous harmonies and discords. With a significant amount of variation and inspiration, these Pieces for Harpsichord are essential to the repertoire of aspiring players of the instrument.
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