SKU: KN.63289S
UPC: 822795632897.
This swinging blues original for beginning groups is based on the chord changes to Bags' Groove by Milt Jackson. It features fun figures, infectious rhythmic figures, and dynamics which grow from a whisper to a roar. The brass ranges are very accessible, with trumpet up to D5 and C4 for trombone. Rhythm section parts provide the drummer with a great concept of what to play, and notated piano voicings and bass lines are provided. The solo section is written or ad lib with solo sheets provided in all keys along with scales to assist students in creating their own solos. Written with Kendor Konvertible scoring for 9-17 players, each set includes a guitar chord chart by Jim Greeson and optional flute, clarinet, horn in F, tuba and vibes parts. Duration 3:50.
SKU: KN.63289
SKU: AP.49210
ISBN 9781470647254. UPC: 038081566481. English.
Yes! Alan Baylock's arrangement of What Is This Thing Called Love? is a hot swinger played in double time around 110 BPM that alternates with a samba groove. A terrific jazz standard that is full of energy that features solo work for tenor 1 (sample solo provided) and drum solo fills in an interlude. Lead trumpet range is to written A above the staff, optional parts include flute and vibes and more. This is your opener or closer for every performance! (4:15) This title is available in MakeMusic Cloud.
SKU: AP.49210S
ISBN 9781470647261. UPC: 038081566498. English.
Yes! Alan Baylock's arrangement of What Is This Thing Called Love? is a hot swinger played in double time around 110 BPM that alternates with a samba groove. A terrific jazz standard that is full of energy that features solo work for tenor 1 (sample solo provided) and drum solo fills in an interlude. Lead trumpet range is to written A above the staff, optional parts include flute and vibes and more. This is your opener or closer for every performance! (4:15) This title available in MakeMusic Cloud.
SKU: AP.45066
UPC: 038081519739. English. Thomas Fats Waller; Harry Brooks.
(What Did I Do to Be So) Black and Blue arranged by Victor López is a beautiful ballad, and very playable by a young jazz group. The tempo is around 82 BPM with a straight-eighth ballad feel, smooth and lyrical melodic lines, modest brass range, no individual solos, and all the usual optional parts plus flute, clarinet, and vibes. (3:41).
SKU: XC.ZJE2302
The main portion of this chart is slow swing similar to Slide Hampton's Frame for the Blues, but it is interspersed with vignettes that use all the colors of the contemporary jazz ensemble. Cascading bell-tones and a lush written Trumpet solo start the tune off which leads to the first slow swing section. A great choice for a contrast chart at a festival!
SKU: AP.49614
ISBN 9781470651428. UPC: 038081572238. English.
Compared to What arranged by Mike Kamuf has a straight-eighth groove played around 148 BPM with a distinctive Les McCann flavor. Written solos provided for tenor 1 and trumpet 2, unison sax lead lines, some written drum fills, and a sweet shout chorus together make a fine chart. Optional vibes too! (4:01) This title is available in MakeMusic Cloud.
SKU: CL.032-0327-01
It’s ``go’’ all the way! Lennie Niehaus has crafted a medium-fast blues tune that really swings. Written or ad lib solos for piano and alto, and absolutely superb ensemble work for trumpets and saxes.
SKU: CL.032-0327-00
SKU: AP.46146
UPC: 038081523170. English.
This is the ideal swing chart for the young player; the tempo is 120 BPM, easy brass ranges, a great shout chorus, a catchy melody, and a written-out trumpet 1 solo. Tasty piano fills, well-notated rhythm parts, what's not to like? (3:10).
SKU: AP.47517
UPC: 038081549019. English.
Everyone knows this song! A 12/8 groove played at 72 BPM makes this chart feel lazy and relaxed. Lead trumpet range is to A above the staff. No solos, just sweet ensemble all the way. (3:22).
SKU: AP.46146S
UPC: 038081523187. English.
SKU: AP.42593S
UPC: 038081482286. English.
This is the show closer that will bring down the house. The main groove is a funky boogaloo at 103 BPM plus a band chant, a swing section, and a gospel feel. Flexible solo space with written solos provided for trombone 1, alto, tenor, and trumpet 2, and lead trumpet range is to high C. Hey, there's something for everyone!
SKU: KN.63310S
UPC: 822795633108.
Based on the chord changes to Bye Bye Blackbird by Ray Henderson, this swinging chart is a workout for the full ensemble. Written for beginning groups, it's a great chart to introduce swing figures on a jazz standard. Brass ranges are accessible with trumpet up to G5 and D4 for trombone. Rhythm section parts provide the drummer with a solid concept of what to play, and notated piano voicings and bass lines are provided. The solo section is written out with solo sheets provided in all keys along with scales to assist students in improvisation. Duration 3:25.
SKU: CL.031-2579-00
Good Time Rock & Roll is what this terrific sounding chart is all about! Quite easy to prepare and really fun to perform, the written out piano part will help assure that your group has the right feel for this 60’s style chart that’s in the style of the plump one. Has a short section which can be opened up for solos of your choice (written Solo Suggestions are included) and is playable with a limited instrumentation.
SKU: CL.031-2579-01
SKU: KN.61087
UPC: 822795610871.
You'll definitely want to add this terrific swing chart to your library, especially given the overwhelmingly positive response to this composer's previous publications! The catchy melody has some compelling harmonic twists, trumpet and tenor sax are given solo space while the rest of the ensemble reminds us what big band music is all about. Plenty of articulations and dynamic contrasts are included throughout this well crafted original for advancing groups that is guaranteed to elicit a great audience response. A guitar chord chart by Jim Greeson is included in each set. Duration 4:55. Available in SmartMusic.
SKU: KN.61029
UPC: 822795610291.
Commissioned by John Rush and the Los Alamitos Jazz Band #1, this original for advancing groups is exactly what you need to open your next concert or festival performance. Several musical generations work together as the chart combines elements of 1930's swing with a fresh harmonic approach. Ranges and technical requirements are reasonable, and tenor sax and trumpet are featured soloists. A guitar chord chart by Jim Greeson is included in each set. Duration 5:10. Available in SmartMusic.
SKU: CL.032-3633-01
This is one very cool and tasty ballad. After a short 4 bar piano intro, the melody is played by a quartet made up of your strongest players - trumpet, alto, tenor and trombone. The whole Band joins in for some great ensemble work (trumpets never leave the staff) which leads into an easy but very hip piano solo. Then more great ensemble, and finally the piano is again featured at the end. The piano part is completely written out, and the right hand has a single note line throughout. There's nothing high, loud or fast here - but what a great way to impress and audience by showcasing your band's ability to play with A Gentle Touch.
SKU: KN.61029S
SKU: KJ.JZB384
UPC: 8402701959.
First Impressions draws inspiration from such classic albums as Miles Davis's So What and John Coltrane's Impressions. Use this chart to introduce your students to the relaxed swing feeling of an important era of jazz history. Expert scoring enables your horns and rhythm section to achieve the dynamic balance, clarity, and bounce that are essential to the style. Flexible orchestration allows it to be played by as few as 9 players. Additionally, everyone in the ensemble has an opportunity to improvise in the open solo section, and the set includes two suggested solos and a CD with a solo practice track, to facilitate successful improvisation.
About Standard of Excellence Jazz Ensemble Method
The Standard of Excellence Jazz Ensemble Method is designed to help both you and your jazz ensemble students explore the world of jazz through easy-to-use Rhythm Studies, Improvisation Studies, Instrument Specific Exercises, and full ensemble jazz charts. The approach is non-theoretical and aurally based. Each part book comes with an accompaniment CD, so like every great jazz player throughout history, students learn to play jazz by listening!
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