SKU: CL.SCM-1074-00

Andy has become one of our best selling writers and this impressive chart proves why. Here’s a delightful tune that could have come straight out of the Count Basie library, except for the fact that it was composed to match student levels. The four bar hi-hat solo leads to a strong ensemble intro. A unison tenor sax/ trombone section soli theme follows until the bridge section shows us the sax section for four bars then the full ensemble which leads to the last sax/trombone theme. Written or ad lib solos follow then it’s a classic Basie style shout chorus with four measure drum solo fills. A great style-teaching-tool, and a perfect opener for any festival or concert performance. Optional high/low Trumpet parts are provided on this publication.

SKU: CL.SCM-1096-00

This easy play chart has combines a 16th note rock feel with brass figures and a flowing unison saxophone counter melody. The bridge lightens up to an 1/8th note rock feel then returns in full glory with the whole ensemble. There are no improvised sections except for the aggressive guitar solo over the ensemble at the end. Written solos. Written ranges: Trp. 1 ( G) , Trb. (G) , Alto (Bb).

SKU: CL.039-2232-00

A fine jazz waltz featuring Alto Sax and Flugelhorn solos with some great Sax section writing in the bridge. Nice interplay between the sections and then a very exciting shout chorus.

SKU: KJ.ZB372F

UPC: 8402701739.

Minor Madness is a grade 1.5 minor key swing chart. The opening melodic statement features stop time in the rhythm section before moving to a straight-ahead swing feel on the bridge. Material from the introduction is then used as a transition to the solo section. The shout chorus features unison rhythms that are very helpful in getting young players to phrase properly. Introductory material returns at the end, tying the entire piece together.

About Standard of Excellence Jazz Ensemble Method

The Standard of Excellence Jazz Ensemble Method is designed to help both you and your jazz ensemble students explore the world of jazz through easy-to-use Rhythm Studies, Improvisation Studies, Instrument Specific Exercises, and full ensemble jazz charts. The approach is non-theoretical and aurally based. Each part book comes with an accompaniment CD, so like every great jazz player throughout history, students learn to play jazz by listening!

SKU: CL.032-4127-00

This is a great contest/concert selection for band's at this grade level. Once the notes get under the fingers it swings hard and shows off the whole band. The ranges and rhythms are very reasonable, but the excitement generated is off the charts! The intro is a piano vamp, followed by the saxes playing the melody in unison. The trumpets then join the altos, while the bones and tenors play some background punches. The bones and saxes trade off playing the bridge, and then full ensemble plays up to the open solo section. Following the solos, everything quiets way down and the gradual buildup to a real flag-waver of an ending begins.

SKU: AP.40363S

UPC: 038081459479. English.

Arranger Alan Baylock delivers his distinctive, lush, and in-demand ballad style to this wonderful song in a more contemporary setting. At 92 BPM, there are no individual solos, just delicious harmony throughout. The trumpet section frequently carries the melody and lead trumpet range is to written high C. There are the usual optional parts included plus vibraphone. Sensational ballad!

SKU: CL.032-4964-01

Low Bridge is the perfect chart for the star bass trombonist in your big band! While written as a bass bone feature, it could alternately be used to feature tuba, bari sax or even bassoon!! Based on the old Low Bridge (Erie Canal) everyone learned in grade school, this Basie-style swinger features a sax soli and optional solo space for piano and/or guitar. This is a great change of pace tune for any festival or concert. Don’t miss it!

SKU: KJ.ZB366

UPC: 8402701731.

Snowdogs Rock was commissioned by the Central Middle School Jazz Ensemble in White Bear Lake, Minnesota. The piece introduces some different musical elements in the context of a familiar groove (rock) and familiar chord progression (blues). The bridge sections (bars 17-24 and 41-48) feature tone clusters that are somewhat unusual in jazz ensemble pieces. Play the piece on a cold winter's night to heat up the band and the audience!

About Standard of Excellence Jazz Ensemble Method

The Standard of Excellence Jazz Ensemble Method is designed to help both you and your jazz ensemble students explore the world of jazz through easy-to-use Rhythm Studies, Improvisation Studies, Instrument Specific Exercises, and full ensemble jazz charts. The approach is non-theoretical and aurally based. Each part book comes with an accompaniment CD, so like every great jazz player throughout history, students learn to play jazz by listening!

SKU: KJ.ZB370F

UPC: 8402701737.

Rio Nido is based on the bossa nova groove, which originated in Brazil. The feel is relaxed throughout, and played in a very unhurried manner. The song has an AABA form, with the melody being passed between the brass and woodwind sections every eight bars before a short interlude into the solo section. Following the solos, a brief shout chorus is heard before the song recaps at the bridge. The piece concludes with a tag of the last four bars of the song, ending on a unison pitch.

About Standard of Excellence Jazz Ensemble Method

The Standard of Excellence Jazz Ensemble Method is designed to help both you and your jazz ensemble students explore the world of jazz through easy-to-use Rhythm Studies, Improvisation Studies, Instrument Specific Exercises, and full ensemble jazz charts. The approach is non-theoretical and aurally based. Each part book comes with an accompaniment CD, so like every great jazz player throughout history, students learn to play jazz by listening!

SKU: CL.SCM-1099-01

A moderate tempo funk/ rock groove with plenty of unison and ensemble parts. Solos are based on two chords in the friendly key of Bb. A unison call & response section follows the solos, then it’s back to the bridge via a D.S. al Coda. Solid shout chorus to finish.

SKU: KN.62765S

UPC: 822795627657.

Written in a minor blues form featuring an 8-bar bridge, this challenging original depicts the music of Art Blakey's Jazz Messengers from the late '50s and early '60s. It requires an aggressive approach from everyone to faithfully capture the hard bop style. Duration 5:20.

SKU: KJ.ZB403

ISBN 9788402702579. UPC: 8402702579.

Play it cool with this contemporary modal chart. The melody is passed among all the sections of the band, and the bridge features many contrasting colors and a heavy half time feel. The extended form is a terrific vehicle to allow your talented soloist to stretch out.

SKU: KN.60748S

UPC: 822795607482.

This tuneful funk/rock chart for developing groups starts off with a bang and doesn't let up. Set in a half-time feel, the initial bluesy melody is contrasted by a riff at the bridge and additional counter-melodies throughout. An alto saxophone solo (ad lib or as written) contains an easy three-chord progression. Featuring Kendor Konvertible scoring for 9-17 players, each set includes a guitar chord chart by Jim Greeson and optional flute, clarinet, F horn, tuba and vibes parts. Duration 3:15.